Category: Daily Dispatch

  • Friday the 13th Composer Bad Luck and Triskaidekaphobia

    Friday the 13th Composer Bad Luck and Triskaidekaphobia

    Suffering from triskaidekaphobia? On this Friday the 13th, here are just a few composers who were afflicted with extraordinarily bad luck.

    Jean-Baptiste Lully, also an accomplished dancer, injured his toe while pounding the floor with a heavy stick to mark time; the resultant infection killed him.

    Anton Webern violated curfew when he snuck out on his porch for a smoke and was shot by an American soldier.

    Ernest Chausson lost control of his bicycle and fatally slammed into a brick wall.

    Fire tore through Geirr Tveitt’s cabin and destroyed four-fifths of his compositional output, driving him to alcoholism.

    Friedrich Kuhlau blinded himself when he fell on a bottle at the age of seven; later, he died of complications after being left out in the cold all night as his house burned to the ground.

    Charles-Valentin Alkan was reaching for a copy of the Talmud, located on a high shelf, when his bookcase toppled, crushing him.

    Henry Purcell developed pneumonia after his wife locked him out of the house for coming home late after one too many pub crawls.

    Alexander Scriabin died of a septic carbuncle.

    Tchaikovsky drank cholera-contaminated water.

    Jean-Marie Leclair was found murdered in his room.

    Alessandro Stradella was set upon by unidentified assassins.

    None of these misfortunes occurred on Friday the 13th.

    On the other hand, Arnold Schoenberg, a notorious triskaidekaphobe, died on his 76th birthday, Friday the 13th, 1951. Earlier in the day, he had been informed by his astrologer that 7 plus 6 equals… 13.

    Paraskevidekatriaphobia – derived from the Greek words “paraskevi” (Friday) and “dekatria” (thirteen), with “-phobia” appended as a suffix to indicate “fear,” was coined in the early ‘90s by American psychotherapist Dr. Donald E. Dossey. He wryly remarked that when you’re able to pronounce the word, you’re cured.

    In the meantime, don’t open any umbrellas indoors and try not to walk under any ladders. I’ll check in to see how your day went tomorrow.

    BONUS! Giuseppe Verdi and the Evil Eye:

    https://www.classicfm.com/composers/verdi/guides/verdis-curse-evil-eye/

  • Jeff Beck’s Classical Guitar Legacy

    Jeff Beck’s Classical Guitar Legacy

    As the world mourns the passing of rock guitarist Jeff Beck, whose influential career spanned an eventful 60 years, it’s to be remembered that he also recognized beauty in the music of other genres, often consolidating it with his own style.

    Among his 16 Grammy nominations (and eight wins) was a cover of “Nessun dorma,” the standout aria from Puccini’s “Turandot,” recognized as Best Pop Instrumental Performance of 2010. Here it is in concert.

    Beck also recorded an arrangement of the Adagietto from Mahler’s Symphony No. 5.

    Thanks to “The Guv’nor” for helping to get the word out. Good music is good music. R.I.P.

  • Freaky Friday 1976 Retro Comedy Review

    Freaky Friday 1976 Retro Comedy Review

    When Roy suggested “Friday the 13th” for Friday the 13th, I reflexively nixed it. I’m not a slasher guy. But when he came back with a counteroffer of “Freaky Friday” (1976), a memorable Disney farce from our childhood, I said sure, why not.

    Barbara Harris and Jodie Foster are the whole show, as mother and daughter who, through unexplained supernatural circumstances, swap identities, leading to a day of very, very broad farce (too much detergent in the washing machine, mom on water skis, a burnt turkey, etc., etc.). It’s not exactly Preston Sturges, but it is an undemanding 97 minutes that leaves no lasting damage to the viewer’s psyche, even as it does no favors to the reputation of law enforcement.

    In the supporting cast, John Astin (TV’s Gomez Addams) and Marc McClure (Superman’s Jimmy Olsen) are joined by a gallery of familiar comic faces (Dick Van Patten, Kaye Ballard, Ruth Buzzi, Marvin Kaplan) who show up with puzzlingly little to do. Marie Windsor, one of the hottest dames in ‘40s noir, has a memorable, if somewhat dispiriting turn as an aged alcoholic housekeeper. (Oh, the ‘70s.)

    Toss some salt over your shoulder and bring your horseshoe to the comments section, when we livestream on Facebook, YouTube, etc. Roy and I push our luck, as we converse about “Freaky Friday,” on the next Roy’s Tie-Dye Sci-Fi Corner, this Friday the 13th at 7:30 PM EST!

    https://www.facebook.com/roystiedyescificorner

  • Milton Babbitt’s Lost Film Score Rediscovered

    Milton Babbitt’s Lost Film Score Rediscovered

    Yesterday, in writing about experimental composer Milton Babbitt on his birthday, I remarked upon his softer side, as “a frustrated show composer” (according to Stephen Sondheim, a Babbitt pupil), a lover of jazz, an admirer of the film scores of Bernard Herrmann, and a friend of John Williams. I was interested to discover that Babbitt himself had scored a film, “Into the Good Ground” (1949), which also includes selections from Handel’s “Messiah” performed by the First Methodist Church Choir of Germantown, PA (a neighborhood in Babbitt’s hometown of Philadelphia).

    Whether or not you find the content agreeable – the film was produced by Pathescope for the Presbyterian Church and its publishing branch, Westminster Press, so you can expect a good sermon – it is very interesting to hear what Babbitt does with it. I find it very much in the tradition of the film work undertaken by Aaron Copland and Virgil Thomson for the WPA and Richard Arnell for the U.S. Department of Agriculture.

    I would love to hear the score free from the film, perhaps worthy of inclusion in the series of music for short subjects recorded by the PostClassical Ensemble (so far documenting works by Aaron Copland, Silvestre Revueltas, and Virgil Thomson)? You’ll find the albums on CD and freshly-recorded scores issued with the films on DVD at the link, all highly recommended.

    https://www.postclassical.com/discography

    There’s certainly plenty of other material out there, including Richard Arnell’s music for Robert Flaherty’s “The Land” and Ulysses Kay’s score for “The Quiet One.” It’s niche market, to be sure, but a fascinating corner of our musical heritage, now largely forgotten.

  • Grieg Goes Electric Ragna-Rock Guitar

    Edvard Grieg on electric guitars? Get ready to Ragna-rock!

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