Category: Daily Dispatch

  • Vladimir Ashkenazy at 85 A Musical Life

    Vladimir Ashkenazy at 85 A Musical Life

    Vladimir Ashkenazy is 85 today. One of the great pianists, he was born in Gorky, now Nizhny Novgorod, Russia. He left the Soviet Union for London in 1963. From there, he and his wife, Dódý, moved to her native Iceland. The two met as students at the Moscow Conservatory. Ashkenazy has held Icelandic citizenship since 1972. In 1978, the couple relocated to Lucerne, Switzerland, where they remain.

    In concert, Ashkenazy has been known to eschew neckties in favor of turtlenecks, and for running, as opposed to walking, on and off stage. Midway through his career, he decided to diversify and picked up the baton. He was principal conductor of the Royal Philharmonic Orchestra from 1987 to 1994, chief conductor and music director of the Deutsches Symphonie-Orchestre Berlin from 1988 and 1996, and principal conductor of the Czech Philharmonic from 1998 to 2003. He is conductor laureate of the Philharmonia Orchestra and the Iceland Symphony Orchestra. He was music director of the European Union Youth Orchestra. Outside Europe, he served as music director of the NHK Symphony Orchestra from 2004 to 2007 and chief conductor of the Sydney Symphony Orchestra from 2009 to 2013.

    From 1987 to 1994, he was principal guest conductor of the Cleveland Orchestra. The only time I ever saw him live was as a conductor, leading the Cleveland Orchestra at Philadelphia’s Academy of Music in works by Barber, Korngold, and Brahms. Perhaps a decade later, he was scheduled to conduct the Philadelphia Orchestra in Liszt’s rarely-heard, 30-minute symphonic poem “Ce qu’on entend sur la montagne,” but at the last minute, the program changed, so I didn’t go. I’m sorry to say, I never saw him as a pianist.

    On January 17, 2020, he retired without warning, effective immediately. No explanation was given. As far as I know, he is still healthy and enjoying his retirement. Happy birthday, Vladimir Ashkenazy.


    Mussorgsky, “Pictures at an Exhibition” in concert

    Rachmaninoff, “Etudes Tableaux” in concert

    Rachmaninoff, “Corelli Variations” in concert

    Mozart with Barenboim

    Live Prokofiev, Piano Concerto No. 2

    Conducting Sibelius, “En Saga”

    As soloist in Einojuhani Rautavaara’s Piano Concerto No. 3

    1987 documentary, “Ashkenazy Observed”

  • Facebook Algorithm Fail My Feed Is a Mess

    Facebook Algorithm Fail My Feed Is a Mess

    Current events and the latest incarnation of Facebook have come together to take the wind out of my sails, so I’m posting a little later than usual today. Whatever they are doing with the latest Facebook, I find it especially vexing.

    My “news feed” is full of recommended posts that seem calculated to nail down my political views. When I select the option to hide posts from certain sources that I either find abhorrent or simply have no interest in, I get slammed with posts from others presumably reflective of an opposing viewpoint. Whether I happen to agree with it or not, I’m not here for those, either. So again I hide them, and the algorithm swings back again.

    Where the hell are all the posts about things that I actually come here for? You know, LIKE THE STUFF I’VE BEEN WRITING ABOUT EVERY DAY FOR THE PAST EIGHT YEARS? I’m not hard to figure out.

    As it stands, my feed is currently reflective of everything I find nauseating about this country: political hostility, “reality TV”-like garbage, and vapid “inspirational” sayings rendered in kitschy fonts.

    What happened to the cozy space I created, Facebook? You had me with the classical music, classic movies, and heartwarming animal videos. Right now, you’re really stomping my buzz.

  • Irving Berlin’s Holiday Inn a Patriotic Dive

    Irving Berlin’s Holiday Inn a Patriotic Dive

    O that Irving Berlin.

    I watch “Holiday Inn” once a year, whether I need it or not. If you don’t know the premise, worn-out crooner Jim Hardy (Bing Crosby) plans to retire from showbiz, but after a year of hard labor at his “retreat” on a Connecticut farm, he hits upon the idea to convert his home into a nightclub that’s only open (wait for it) ON HOLIDAYS.

    Of course, along the way, there are plenty of farcical digressions, as he and his former partner, hoofer Ted Hanover (Fred Astaire), become involved in successive love triangles. The preposterous framework gives Berlin a chance to write a song for every festive occasion, and then some.

    The results are a mixed bag. On the one hand we’ve got “White Christmas.” On the other, songs like “I Can’t Tell a Lie” (for Washington’s Birthday). And it’s best not even to bring up the Lincoln number in the 21st century.

    That said, how can I pass on Bing as the Freedom Man?

    https://www.youtube.com/watch?v=kEUBmmQrygU

    Or Fred with firecrackers?

    Celebrate responsibly, everyone, and have a happy 4th!

  • Bard Music Fest Focuses on Rachmaninoff

    He was a visiting scholar at the Bard Music Festival in 2018, an event devoted to Nikolai Rimsky-Korsakov and “his world.” A mere blip in Taruskin’s career, but he was awarded an honorary degree from the college’s president, and the festival music director, Leon Botstein. Rachmaninoff will be the focus of this year’s festival, August 5-14. For more information, follow the link (in no way associated with Taruskin’s obituary).

    https://fishercenter.bard.edu/whats-on/programs/bard-music-festival/

  • Ellis Island Dreams Immigration Then & Now

    Ellis Island Dreams Immigration Then & Now

    At a time when immigration remains a divisive issue, it’s instructive to look back to political cartoons of the 19th and early 20th centuries, when bomb-toting Bolsheviks seemed poised to take down our democracy, the Chinese were inscrutable back-stabbers, the Jews were bearers of poverty and disease, and the Irish were simian-faced hooligans and drunkards. Anxiety about outsiders has always been with us, yet somehow we got over each successive alien group, and the country has plugged along just fine.

    This Sunday night on “The Lost Chord,” we’ll gain a little perspective, courtesy of composer Peter Boyer. From 1892 to 1954, more than 12 million immigrants passed through Ellis Island in search of a better life. More than 40 percent of the U.S. population – over 100 million Americans – can trace their roots to someone who entered this country along that route.

    Boyer’s “Ellis Island: The Dream of America” incorporates texts from testimonials archived as part of the Ellis Island Oral History Project. These are real words of real people telling their own stories. The work is performed by actors, rather than speakers or narrators, who deliver their monologues in the first person. In a powerful epilogue, each of them comes together to recite a stanza from Emma Lazarus’ poem, “The New Colossus.” It’s so effective – and affecting – I get a little choked up just thinking about it.

    You will, too, when you join me for “Spirits of Independence,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

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