Category: Daily Dispatch

  • Floral Clocks Françaix and Time Change

    Floral Clocks Françaix and Time Change

    After several nights of frost, I suppose it’s pointless to try to figure out how to reset my floral clock. I hope you have more success tonight, as we “fall back” to standard time.

    Jean Françaix completed his “L’Horloge de flore” (“The Flower Clock”) in 1959, on a commission from principal oboist of the Philadelphia Orchestra, John de Lancie. The suite falls into seven movements, each of which corresponds with a flower whose blooms open at a certain time of day.

    The first floral clock was formulated by Carl Linnaeus back in 1748. His idea was “old school” and therefore, depending on vagaries of weather, season, and latitude, subject to many idiosyncrasies. One should never coordinate one’s schedule around a floral clock.

    The flowers in more recent clocks tend to be merely decorative, with large, mechanical hands making their way around a mostly floral face. Where’s the fun in that? I may as well just stick with my Kit-Cat clock.

    To further add to your fount of useless knowledge, Jean Françaix’s surname is of Flemish origin. He always pronounced the “x.” English-speaking radio announcers, on the other hand, almost always pronounce it in the French manner, as “Fron-SAY.”

    Over the years, I have used the “x” on most occasions. Unfortunately, then I wind up feeling sheepish about it and am compelled to explain, so that listeners don’t think I’m a total idiot. Just pedantic. I confess, there have been times when I haven’t felt like dealing with it and just said “Fron-SAY.” Lord knows, I’ve done more transparently idiotic things.

    Interestingly, I just learned that Michael Jackson had a floral clock at his Neverland Ranch (presumably of the more modern variety). Even a broken clock is right twice a day. When you wake up tomorrow morning and it’s still the middle of the night, just remember: the time change brings with it an extra hour of autumn!


    Françaix, “L’Horloge de flore”

    More about Carl Linnaeus’ Flower Clock

    Keep the “sex” in Françaix (said “Fron-SEX”)!

  • Hollywood Writers Music on Film

    Hollywood Writers Music on Film

    Words on the printed page captivate us so completely that it’s natural to assume that the lives of writers must be rich, full of incident, and very dramatic indeed. Surely that is sometimes the case. Who among us could keep up with a Byron or a Pushkin or a Poe?

    Yet, with even the most outlandish writers, Hollywood for some reason often feels the need to fabricate. How else to explain “Devotion” (1943), Warner Brothers’ salute to the Brontës? Then again, the temptation must be strong to characterize the sisters who penned “Jane Eyre” and “Wuthering Heights” as tortured Romantics.

    Ida Lupino plays Emily, the creator of Cathy and Heathcliff, and Olivia de Havilland, Charlotte, who conceived Jane and Rochester. Nancy Coleman is their sister Anne, who wrote “The Tenant of Wildfell Hall,” and Arthur Kennedy, their dissolute brother Branwell. The film also features Sidney Greenstreet as William Makepeace Thackeray, Paul Henreid as an Irish priest, and – well, you get the idea. The casting, at times, strains credulity.

    However, the music by Erich Wolfgang Korngold is up to the composer’s usual high standard. Korngold himself became so enamored of one of its themes that he recycled it for use in the first movement of his Violin Concerto. This week on “Picture Perfect,” we’ll have chance to sample some of it.

    We’ll also hear selections from movies about Iris Murdoch (“Iris,” with music by James Horner), the Bard of Avon (“Shakespeare in Love,” with an Academy Award-winning score by Stephen Warbeck), and Samuel Clemens (“The Adventures of Mark Twain,” by Max Steiner).

    Writers are such characters, especially when they’re depicted on the big screen. Everything’s writ large, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Dr Strangelove & Journey to Earth Movie Discussion

    Dr Strangelove & Journey to Earth Movie Discussion

    If you’re wondering about my peculiar garb last night, it was not my intention to kick off the holidays with my Bob Cratchit impression. I’ve been trying to beat a sore throat the last couple of days. But a mug of tea with honey and lemon had me good-to-go for Roy and my discussion of “Dr. Strangelove” (1964). On the whole, the show got me out of my head and made for a cheering evening, especially some of the digressions, including an unexpected shout-out to Marlin Perkins!

    Next week, we “Journey to the Center of the Earth” (1959) with Jules Verne and James Mason. Composer Bernard Herrmann pulls out all the stops on this underground classic – quite literally, with cathedral organ and four electronic organs, alongside an obsolete Renaissance instrument called the serpent.

    Watch the movie, then join us for a subterranean chat, on the next Roy’s Tie-Dye Sci-Fi Corner. Monitor those monitor lizards (really rhinoceros iguanas) in the comments section. We’ll be carrying the torch when we livestream on Facebook, next Friday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • Mario Lavista 1943-2023 Mexican Composer

    Mario Lavista 1943-2023 Mexican Composer

    Hasta la vista.

    Mario Lavista, the much-decorated Mexican composer, died yesterday at the age of 78.

    Lavista was born in Mexico City in 1943. He studied with Carlos Chávez and Jean-Étienne Marie, receiving additional instruction from Rodolfo Halffter, Nadia Boulanger, and Karlheinz Stockhausen, among others. He experimented with improvisation and electronic music, and applied that same curiosity in his quest for unusual timbres employing acoustic instruments and extended techniques. He founded and edited Pauta, one of the most significant music journals in Latin America. His sacred music was influenced by Medieval and Renaissance procedures. He also composed for theater and film.

    Lavista’s music is imaginative, beautiful and transporting. Gracias, Maestro, y que descanse en paz.


    “Cuaderno de viaje” for solo violin

    “Clepsidra” for orchestra

    “Danza Isorritmica” for percussion ensemble

    “Reflejos de la Noche” for string quartet

    “Maithuna” for voice and percussion

    “Responsorio In Memoriam Rodolfo Halffter” for bassoon, bass drums, and tubular bells

    Lavista plays “Jaula” on a prepared piano. Music begins at 1:36.

  • Happy Birthday Daron Hagen Music Showcase

    Happy Birthday Daron Hagen Music Showcase

    Happy birthday, Daron Hagen! I know it’s a round one; I hope it’s a good one. Thank you for following this page.

    P.S. I love your library (which I found on Facebook)!

    Piano Trio No. 3 “Wayfaring Stranger” (2006)

    “The Moment That a Bird Takes Flight” from “Amelia” (2009)

    https://www.youtube.com/watch?v=kAN4SNHI_kc

    Sky Interlude No. 3 from “Amelia” (2009)

    https://www.youtube.com/watch?v=92zk_UBRiIY

    “The Lamb,” after William Blake (2016)

    “Sarabande” from “Suite for Piano” (2009)

    https://www.youtube.com/watch?v=3LVT0mAUZC8

    From “Songbook: Concerto for Violin and Orchestra” (2011)

    “Orson Rehearsed” (2018)

    The composer in his library:

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