Category: Daily Dispatch

  • St Nicholas Day Miracle on WWFM

    St Nicholas Day Miracle on WWFM

    Happy St. Nicholas Day!

    Coming up on WWFM at 4:30 p.m. EST, it’s “The Miracle of Saint Nicholas” by Joseph-Guy Ropartz. Ropartz, a native of Brittany, and a pupil of Jules Massenet and César Franck, focuses on the infamous Nicholas legend in which three boys are slain by a butcher, and chopped up and pickled in brine, with the aim of passing them off as ham. Nicholas restores the youths, and the butcher repents. The story would later be set by Benjamin Britten, as part of his cantata, “Saint Nicholas.”

    ‘Tis the season, on WWFM – The Classical Network and wwfm.org.

  • Nielsen & Sibelius at Marlboro

    Nielsen & Sibelius at Marlboro

    We head north for this week’s “Music from Marlboro” for selections by the most famous composers from Denmark and Finland, respectively.

    Like “The Ugly Duckling” of his compatriot, Hans Christian Andersen, Carl Nielsen emerged from humble beginnings to blossom into Denmark’s national composer. Internationally, Nielsen has flitted in and out of the seemingly inescapable shadow of Finnish master Jean Sibelius. Both men were born in 1865. In fact, Nielsen was six months older. But it is an unfair comparison, not so much apples and oranges; more like kipper and pickled herring.

    The very fact that Nielsen is not referred to reductively as “The Sibelius of Denmark” is attributable to an unusually strong individual voice. His music is modern, yet traditional; Scandinavian, yet Germanic. Most important, it is full of personality, freshness and vitality.

    Nielsen’s Wind Quintet of 1922 reflects the composer’s optimism and good humor. Each part was tailored to the personality of the individual performer for which it was written (members of the Copenhagen Wind Quintet). There is also something of the outdoors about the piece. Nielsen was always fascinated by nature, and there are ample suggestions of bird song woven into the texture of the work’s pastoral neoclassicism.

    We’ll enjoy a recording made at Marlboro in 1971, with Paula Robison, flute; Joseph Turner, oboe; Larry Combs, clarinet; William Winstead, bassoon; and Robin Graham, horn.

    Sibelius, too, was influenced by nature. However, the very subtitle of his String Quartet in D minor, “Voces Intimae,” suggests a looking inward. The piece was composed in 1909, between the Third and Fourth Symphonies. It is the only chamber work of Sibelius’ maturity. The composer wrote to his wife, “It turned out as something wonderful. The kind of thing that brings a smile to your lips at the hour of death. I will say no more.” Ah, sweet nothings.

    We’ll hear it performed at the 2005 Marlboro Music Festival, by Dan Zhu and Sarah Kapustin, violins; Samuel Rhodes, viola; and Amir Eldan, cello.

    The prevailing winds will be from the north (strings, too, for that matter), on “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


    HAIR TODAY, GONE TOMORROW: Carl Nielsen (left) and Jean Sibelius

  • Linda Holt on WPRB Discussing “The Black Spaniard”

    Linda Holt on WPRB Discussing “The Black Spaniard”

    Linda Holt will join Marvin Rosen for the last hour or so of Classical Discoveries this Wednesday morning on WPRB. Holt is the author of “The Black Spaniard,” a work of historical fiction about Beethoven. She’s expected between 9:50 and 11:00 EST. Listen in at WPRB 103.3 FM and wprb.com.

  • Krampusnacht Creepy Christmas Traditions

    Krampusnacht Creepy Christmas Traditions

    Advent may have begun on December 3, but the season really picks up steam on December 5, the eve of St. Nicholas Day, otherwise known as Krampusnacht. Krampusnacht jumpstarts a shadow season of creepy Christmas traditions. Christmas isn’t just about buying things, you know; it’s about scaring the bejeezus out of your kids.

    What exactly is Krampus? Why, he’s St. Nicholas’ dark helper. Horned, hairy and horrifyingly long-tongued, Krampus emerges from his Alpine domain to dole out corporal punishment to the young and the wicked. For milder offenses, there is the sting of the switch; but for the especially ill-behaved, there are chains, a short ride in a wicker basket, and then drowning in a stream or immolation by hellfire. When a naughty child hears the dull clatter of approaching cow-bells, he knows it’s all over. He only wishes his stocking were full of coal.

    Happy holidays, everyone! Get ready for Black Pete, the Yule Lads, and the Gävle goat.

    Krampus cards were once widely circulated, not only on Christmas, but also on Valentine’s Day. I can think of no better way to catch a sweetheart.

    All hail Krampus!


    “A Krampus Carol” (incorporating a stop motion Krampus!):

    Family-friendly segment on the Krampus Renaissance in Bavaria, produced by The New York Times:

    A real, old-fashioned Krampuslauf:

    Pretty good Krampus carol (full text when you click on “show more”):

    Here comes Krampus:

    Nicholas and Krampus play “good cop/bad cop” with Tobias:

    Small child cowers behind door at 1:25:

    Academy Award-winner Christoph Waltz explains Krampus to Jimmy Fallon:

    The commercialization of Krampus:

  • GEMS Early Music Concerts in NYC on The Classical Network

    GEMS Early Music Concerts in NYC on The Classical Network

    I’ll be arriving by gondola for today’s Noontime Concert, as The Classical Network continues its partnership with Gotham Early Music Scene (GEMS).

    We’ll hear selections from another one of GEMS’ Downtown Concerts: The Queens Consort will present a program titled “Venetian Masters,” with music by Dario Castello, Biagio Marini, Giovanni Lagrenzi, Marco Uccellini, and Antonio Vivaldi.

    Concerts in GEMS Downtown Concerts series are held at Saint Bartholomew’s Church, 50th St. and Park Avenue, in midtown Manhattan. You’ll find a complete schedule of free lunchtime performances at midtownconcerts.org.

    In addition, GEMS presents evening concerts, such as “Big Wig: A French Baroque Dance Mix,” with music by Rameau, Lully, Purcell, and Handel, which will be performed by New York Baroque Incorporated, directed by Grammy-winning baroque violinist Robert Mealy, and featuring virtuoso baroque dancers Caroline Copeland and Carlos Fittante. That concert will take place on December 20 at 7 p.m. at The Metropolitan Museum of Art. Tickets to the event will include same day museum admission. A special 10th anniversary GEMS gala reception will follow the concert.

    Other upcoming highlights include a program of “Christmas Vespers” by Johann Rosenmüller, to be presented by the ensemble Artek with members of Les Sacqueboutiers de Toulouse on December 29 at 8 p.m. at Old Saint Patrick’s Cathedral, 273 Mott Street, in Tribeca.

    The next concert of The Queens Consort, “Music for Yuletide,” will take place on December 16 at 7 p.m. at Saint Mark’s Church, 30-50 82nd Street, Jackson Heights, Queens.

    You’ll find more information about GEMS and a complete listing of events, at gemsny.org.

    Following today’s Noontime Concert, stick around for more music, including Stephen Dodgson – composer’s cantata “Last of the Leaves,” Gerald Finzi’s “The Fall of the Leaf,” and Lawrence Ashmore’s “Four Seasons,” among others. I’ll keep mining the gems until 4:00 EST, on WWFM – The Classical Network and wwfm.org.

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