• Lara St. John Plays New Hope Plus Much More

    Lara St. John Plays New Hope Plus Much More

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    Talk to Lara St. John about her upcoming concert in New Hope, and she is just as likely to drift to topics as diverse as a Chagall exhibit she recently attended in Montreal, her experience of playing the score for “The Red Violin” (by her friend, composer John Corigliano) live with the film, and editing videos like “Bar Fight” and “The Kosher Chicken Dance” for her YouTube channel.

    As serious artists go, St. John is refreshingly unpretentious and occasionally even a bit geeky. She is well enough versed in “Star Wars” and “The Lord of the Rings” to pepper her conversation with references to AT-ATs and dragons. Her record label, Ancalagon, is named for a pet iguana (now deceased), which in turn was named for a creature in J.R.R. Tolkien’s “The Silmarillion.”

    St. John likes to keep it interesting, and she likes to have fun. When she plays, she is often very spontaneous, and she always goes for broke.

    The Lambertville-based Riverside Symphonia will host St. John and her frequent partner, the pianist Matt Herskowitz, for a recital at St. Martin of Tours Church in New Hope on Mar. 10 at 8 p.m. On the first half of the program will be sonatas by Beethoven and César Franck.

    The second half of the concert will be made up of special arrangements made for her from material largely collected by her from Yiddish, Macedonian, Israeli, Armenian, and Hungarian sources. These showpieces form the basis of her most recent album, “Shiksa.”

    Capturing St. John in print is always a challenge. Read my most recent attempt in today’s Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2017/03/classical_music_lara_st_john_p.html


  • Early Music Month on WPRB: A Funhouse Mirror

    Early Music Month on WPRB: A Funhouse Mirror

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    My, but it’s Early – Early Music, that is!

    This morning on WPRB, don’t expect the usual duets for solo instrument and piano. In honor of Early Music Month, we’ll gaze into a distant mirror – albeit a funhouse mirror – glimpsing courtly dances, Gregorian chant, madrigals, and hymn tunes, transformed by “contemporary” composers – that is to say, composers who have worked over the course of the past century.

    At 9:00, I’ll be joined by John Burkhalter, a stalwart of the local Early Music scene and a member of the Guild for Early Music. He’ll fill us in on the Guild and a series of upcoming concerts that will feature vocal and instrumental music from the 12th through the 18th centuries. The concerts will be presented by the Guild’s member groups throughout the month of March. You’ll find a complete schedule at guildforearlymusic.org.

    Our playlist this morning will include music inspired by Elizabethan dances, a guitar concerto based on Renaissance madrigals, arrangements of virginal pieces and cantigas for different instrumental ensembles, and wind music based on early lute pieces, among others. Around 9:45 or 9:50, we’ll enjoy a recording of Philadelphia composer, writer, and radio personality Kile Smith’s “Vespers,” ably performed by The Crossing and Piffaro, The Renaissance Band.

    It’s a taste of Merrie Olde Princeton, from 6 to 11 EST, on WPRB 103.3 FM and at wprb.com. The bodkins are perpetually at odds, on Classic Ross Amico.

    #EarlyMusicMonth
    Early Music America


  • Early Music Month on WPRB: Medieval to Modern

    Early Music Month on WPRB: Medieval to Modern

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    The pull of history will be strong tomorrow morning on WPRB, as we celebrate Early Music Month. We’ll examine the influences of the Middle Ages and the Renaissance on “contemporary” composers – that is to say, composers who lived within the past 100 years. In fact, several of them (William Kraft, Paul Lansky, and Kile Smith) are still very much with us.

    At 9:00, I’ll be joined by John Burkhalter, a stalwart of the local Early Music scene and a member of the Guild for Early Music. He’ll fill us in on the Guild and its series of upcoming concerts featuring vocal and instrumental music from the 12th through the 18th centuries. The concerts will be presented by the Guild’s member groups throughout the month of March. You’ll find a complete schedule at guildforearlymusic.org.

    Plainchant and polyphony, pavanes and galliards, madrigals and lute pieces, all will shimmer as if from a distant mirror, as we enjoy 20th and 21st century classics inspired by the Middle Ages and the Renaissance, this Thursday morning from 6 to 11 EST, on WPRB 103.3 FM and at wprb.com. I’ll be feeling a tad Middle Aged myself, on Classic Ross Amico.


    #EarlyMusicMonth
    Early Music America


  • Chopin’s Birthday Mystery: February 22 or March 1?

    Chopin’s Birthday Mystery: February 22 or March 1?

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    People lie about their birthdays all the time, usually to make themselves appear younger. In the case of Frédéric Chopin, he may have bought himself a week.

    It is widely believed – including by his mother and himself – that Chopin was born on March 1, 1810. However, his baptismal certificate, filled out on April 23, gives February 22 as the date. The Chopin Society UK, in defiance of the composer and his family, is inclined to go with the latter.

    Was there a conspiracy at work? Do we have ourselves a 19th century precursor of the “birther movement?”

    You can read more about the Chopin birthday controversy here:

    http://jackgibbons.blogspot.com/2010/03/chopins-birthday.html

    Or you can simply join me today to enjoy a sampling of his music, between 4 and 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.


    PHOTO: Chopin, not looking a day older than 207


  • Saad Haddad Wins Ives Fellowship

    Saad Haddad Wins Ives Fellowship

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    Congratulations to Saad Haddad, Composer. The American Academy of Arts and Letters has named Haddad a recipient of a Charles Ives Fellowship. Ives’ widow, Harmony, bequeathed to the Academy the royalties to Ives’ music, enabling Ives awards in composition to be bestowed since 1970. The award brings with it a prize of $15,000.

    Haddad appeared as my guest last month on Classic Ross Amico on WPRB 103.3 FM. His work, “Manarah,” was heard on a concert of the Princeton Symphony Orchestra on January 29. The PSO will present a newly commissioned work from Haddad on one of next season’s concerts. I wish him the very best.

    Fascinatingly, the Academy houses the actual contents of Ives’ studio, which has been painstakingly reproduced, as it originally appeared in the composer’s home in Redding, CT, as part of the institute’s Manhattan gallery. You’ll find more information here:

    http://artsandletters.org/exhibition/charles-ives-studio/


    PHOTO: Saad Haddad (left) with PSO music director Rossen Milanov


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