The City of Philadelphia, I’m sure, is only too happy to have the media spotlight shift to Rio de Janeiro for what must be the only city on the planet even more unprepared to host an event of significant magnitude.

Tomorrow morning on WPRB, we’ll look past the mosquito-borne viruses, raw sewage, and kidnappings to celebrate the 2016 Summer Olympics. We’ll hear Olympic music composed by Leo Arnaud, Angelo Badalamenti, Robin Frost, Philip Glass, Basil Poledouris, Richard Strauss (his notorious “Olympic Hymn” for the 1936 Berlin games), Mikis Theodorakis, and of course John Williams.

We’ll also hear works by Brazilian composers Antônio Carlos Gomes , Camargo Guarnieri and Heitor Villa-Lobos, along with music inspired by Brazil, written by visitors Darius Milhaud, Ottorino Respighi, Martin Butler and David Gunn.

It’s a little-known fact that arts competitions were part of the Olympic Games from 1912 to 1948. Categories included architecture, literature, painting, sculpture, and music. The competitions were discontinued because of concerns about the artists being professionals, in contrast to the amateur status of the athletes. A non-competitive art and cultural festival has been presented in conjunction with the games since 1952.

Tomorrow morning, we’ll hear probably the best-known piece of music to emerge from the competitions, “Toward a New Life,” by Josef Suk, a former pupil and son-in-law of Antonin Dvořák. Suk was the recipient of a Silver Medal in 1932. (No Gold or Bronze medals were awarded that year.) We’ll also hear the Bronze medal winner from 1928, the Symphony No. 2 “Hellas,” by the Danish composer Rudolph Simonsen.

Also featured will be Michael Torke’s “Javelin,” commissioned by the Atlanta Committee for the Olympic Games and the Atlanta Symphony Orchestra for performance in 1996; John Harbison’s “Olympic Dances;” and Lee Holdridge’s score for the 1986 documentary, “16 Days of Glory.”

We carry the torch for Rio tomorrow morning, from 6 to 11 EDT on WPRB 103.3 FM and at wprb.com. It will be way more fun than getting a Brazilian wax, on Classic Ross Amico.