• Fantasia’s Rite & Princeton Girlchoir Benefit

    Fantasia’s Rite & Princeton Girlchoir Benefit

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    We’re fighting for the “Rite” to party this week. Coming up in just a few minutes, we’ll hear a vintage recording of the Philadelphia Orchestra performing “The Rite of Spring,” as we continue our celebration of the 75th anniversary of Walt Disney’s “Fantasia,” which was released on November 13, 1940.

    Also keeping us young at heart, representatives of Princeton Girlchoir will drop by at around 9:30 to tell us about the group’s upcoming benefit concert, “Children Making a Difference,” which will be held at Nassau Presbyterian Church in Princeton this Saturday at 5:00. You can find out more about it at http://www.princetongirlchoir.org.

    It’s all recordings conducted by Leopold Stokowski this morning, until 11 ET, on WPRB 103.3 FM and online at wprb.com.


  • Disney’s Fantasia: A Glorious Folly at 75

    Disney’s Fantasia: A Glorious Folly at 75

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    Try to forget for the moment that – between the acquisition of Marvel, The Muppets, Pixar, Star Wars and ABC (to say nothing of the cruises, resorts and theme parks) – Disney now owns the world. “A Night on Bald Mountain” was NOT intended as autobiography. This morning, we cast our thoughts back to simpler times when a visionary animator threw caution to the winds to forge “a new style of motion picture presentation.”

    A guaranteed money-loser from the start, “Fantasia” was spared no expense as it pushed the state of animation, audio reproduction and family entertainment. There was no way, with the possibility of overseas distribution curtailed by World War II, this was going to be anything other than a quixotic venture. When was the last time Disney took a gamble on a scale of “Fantasia?” Now it’s considered bold if they adapt a comic book that’s not “Iron Man.”

    I hope you’ll join me his morning as we celebrate the 75th anniversary of Disney’s most glorious “folly,” released on November 13, 1940. We’ll have abundant recordings of Leopold Stokowski, some made for the film (in experimental stereophonic sound), some earlier (in glorious mono) and some later, from his “Phase Four” period and beyond.

    It’s all Stokie from 6 to 11 ET, on WPRB 103.3 FM or online at wprb.com. Chernobog requests your presence, on Classic Ross Amico.


  • Fantasia’s 75th Anniversary Celebration

    Fantasia’s 75th Anniversary Celebration

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    This week marks the 75th anniversary of the release of Walt Disney’s “Fantasia.” The film, of course, is made up of eight animated sequences, ranging from the comical to the visionary, set to a Chernobog’s handful of the world’s classics, performed by the Philadelphia Orchestra under the direction of Leopold Stokowski.

    Tomorrow morning on WPRB, we mark the event with vintage performances of music presented in the film, alongside additional works, all conducted by Stokowski.

    “Fantasia” was first rolled out as a 13-city theatrical roadshow on November 13, 1940. A curio and a money-loser at the time of its release, its artistic vision, episodic, often non-narrative structure, and expense, in terms of both production and the installation of special equipment during its initial tour (“Fantasia” was the first commercial film presented in stereophonic sound) ensured that it couldn’t possibly recoup its costs, especially during wartime.

    However, subsequent decades have solidified the film’s stature as a cult classic, reissued many times, so that it now stands, when adjusted for inflation, as the 22nd most profitable film in U.S. entertainment history.

    The creative marriage of Disney and Stokowski was bound to yield fascinating results. Disney envisioned “a new style of motion picture presentation” that would bring classical music to an audience (among which he included himself) that ordinarily “walked out on this kind of stuff.”

    Stokowski would prove to be an ideal choice. The conductor’s ability to conjure unusual colors from one of the world’s finest orchestras was captured on eight optical sound recording machines over seven weeks at Philadelphia’s Academy of Music. This kind of thing simply wasn’t done in 1939!

    The development of “Fantasound” pioneered simultaneous multi-track recording, overdubbing and noise reduction techniques, all processes still in wide use today.

    I hope you’ll join me tomorrow morning from 6 to 11 ET, as we celebrate the 75th anniversary of “Fantasia,” on WPRB 103.3 FM and online at wprb.com. We vicariously shake hands with the Mouse, on Classic Ross Amico.


  • Ennio Morricone at 87 A Film Music Legend

    Ennio Morricone at 87 A Film Music Legend

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    He’s written music for over 500 movies and television shows, making him the most prolific film composer of all time. He’s composed for movies of all quality, from schlock to Oscar fare. His music is constantly sampled and recycled in other films, especially those of Quentin Tarantino. The upcoming western, “The Hateful Eight,” scheduled for release in January, marks the first genuine collaboration between the two, with Morricone providing his first western score in forty years.

    Of course, he virtually invented the spaghetti western sound, with its whistles, harmonicas, jew’s harps, whip cracks and indecipherable chanting choruses. His score for “The Good, the Bad and the Ugly” is among the most famous of all time. But he’s shown himself to be equally adept at a winning lyricism, as evidenced by his music for “The Mission” (another favorite of figure skaters) and “Cinema Paradiso.”

    Morricone is one of those rare composers in the industry who does all of his own orchestrations. Somewhere along the way, he manages to write concert music, too.

    Happy birthday, Ennio Morricone, 87 years old today.


    “The Good, the Bad and the Ugly”

    “The Mission”

    https://www.youtube.com/watch?v=L41oGXgVmZg

    Morricone conducts “Cinema Paradiso”


  • Hedy Lamarr Google Doodle Honors Trenton’s Antheil

    Hedy Lamarr Google Doodle Honors Trenton’s Antheil

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    If Google is your search engine of choice, keep an eye out today for Trenton’s own George Antheil. Antheil makes an appearance in Google’s tribute to actress Hedy Lamarr on what would have been her 101st birthday.

    Not only was Lamarr marketed as the stunner she was, but she possessed a scientific curiosity decidedly at odds with her big screen persona. During WWII, she and Antheil devised a frequency-hopping system that would have prevented the Nazis from jamming radio-controlled Allied torpedoes.

    What this article doesn’t tell us is that Lamarr had initially approached Antheil, a neighbor, to discuss endocrinological matters (a noted polymath himself, Antheil had written books on the subject), in reference to increasing the size of certain of her “assets,” or that neither Lamarr or Antheil ever saw a cent for their patent, which went on to form the basis for modern wireless technology.

    Antheil, of course, was the self-proclaimed “Bad Boy of Music” (actually the title of his autobiography), who set Paris on its ear with his “Ballet Mécanique.” The work, conceived for 16 player pianos, 3 airplane propellers, 7 electric bells, and siren, instigated one of classical music’s most notorious riots. Later, the composer settled into a more conservative language to become one of America’s most performed composers.

    There was never anything romantic between Lamarr and Antheil. They were just two quirky, misunderstood, lonely, intelligent Americans looking to do their patriotic duty. Happy birthday, Hedy Lamarr, and thank you, Google, for acknowledging George Antheil.

    If you’re not a Google user, read more about it and see the animation here:

    http://www.cnn.com/2015/11/09/entertainment/hedy-lamarr-google-doodle-feat/


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