• Chopin’s Birthday Liberace Plays On

    Chopin’s Birthday Liberace Plays On

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    Happy birthday, Frédéric Chopin (1810-1849).

    Liberace loved Chopin. In fact, he claimed to have been dubbed “The Chopin of TV.” When life gives you lemons, make lemonade. Make sure you stick around for the three violinists – and hornist! – at 2:13:

    Now watch as Liberace transforms into Chopin himself (starting around 1:40) and back again (around 4:25). In case you don’t get it, you can judge the time travel from the dissolve from electric light bulbs to actual candles in the candelabra:

    Liberace and Virgil Fox on “The Mike Douglas Show” (Next: Ben Gazzara!):

    Those were the days…


  • George Antheil Trenton’s Bad Boy of Music

    George Antheil Trenton’s Bad Boy of Music

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    Lo and behold! It’s been brought to my attention by Paul Lehrman of the Ballet Mécanique Project that my article on Trenton’s “Bad Boy of Music,” George Antheil, is in the March issue of the Trenton Downtowner, out today. I think it’s also supposed to run in U.S. 1 Newspaper – PrincetonInfo at some point, but you can take a look at it here:

    https://communitynews.org/2018/02/28/trentons-bad-boy-of-music-george-antheil-jazzes-concert/

    Antheil’s “Jazz Symphony” will be presented by the Capital Philharmonic of New Jersey on a program devoted to classical music of “The Jazz Age,” which will also include works by Igor Stravinsky, Darius Milhaud, and Kurt Weill. The concert will take place at the Trenton War Memorial’s George Washington Ballroom on March 10.


  • Life Overload Juggling Masterclasses and More

    Life Overload Juggling Masterclasses and More

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    Yikes! I’ve also got an article in Princeton Echo on masterclasses, out yesterday. This is not humblebragging on my part – more like an admission that I can’t keep track of my life.

    https://communitynews.org/2018/02/28/makings-princeton-masterclass/


  • Academy Awards Film Music Celebration

    Academy Awards Film Music Celebration

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    Attention, film music fans: “Picture Perfect” is about to go epic.

    Join me this Friday afternoon on The Classical Network as I mark the 90th anniversary of the Academy Awards with a SPECIAL THREE-HOUR BROADCAST celebrating the history of music in the movies. Hear selections from all five of this year’s nominees for Best Original Score, alongside music from some of the best-loved and most-honored movies of all time – including “The Godfather,” “Star Wars,” “Titanic,” “The Lord of the Rings,” “Lawrence of Arabia,” “Ben-Hur,” and “Gone with the Wind.”

    You provide the popcorn; I’ll provide the music, this Friday from 4 to 7 p.m. EST, on WWFM The Classical Network and wwfm.org.


  • Verdi, Rossini, and Mignone at Marlboro Music

    Verdi, Rossini, and Mignone at Marlboro Music

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    Viva Verdi!

    When we think of “Aida,” perhaps what springs immediately to mind is a stage full of elephants, but when a Naples performance of Verdi’s grandest grand opera was delayed, the composer found diversion on a much smaller scale. Verdi tossed off his first piece of chamber music at the age of 60. The String Quartet in E minor was given an informal performance at the Hotel delle Crocelle on April 1, 1873. Said Verdi of his latest creation, “I don’t know whether the Quartet is beautiful or ugly, but I do know that it’s a Quartet!” We’ll get to hear it on this week’s “Music from Marlboro,” in a 1969 performance featuring violinists Pina Carmirelli and Endre Granat, violist Martha Strongin Katz, and cellist Ronald Leonard.

    The hour will open with another quartet by a figure who would go on to become one of the most productive of opera composers, Gioachino Rossini. Even as a boy, there was evidence of his remarkable fecundity. He wrote his six string sonatas, scored for two violins, cello, and double bass in 1804, over a period of three days. Rossini was twelve years-old. The sonatas are rhythmically vital and full of the kinds of melodies that would soon endear him to audiences the world over. We’ll hear the third of these, the String Sonata in C major, in a 1989 performance, with violinists Lara St. John and Ivan Chan, cellist Paul Tortelier, and double bassist Timothy Cobb.

    In between, we’ll find further enjoyment in the music of Brazilian composer Franciso Mignone. Born in São Paolo to an Italian immigrant flutist, Mignone studied at the Milan Conservatory before returning to accept a teaching position in Rio de Janeiro. Over the course of his career, he accumulated a diverse output written across many styles, from native “choros” to highly-schooled serialism. He is best known for his music composed in a folk-inflected, nationalistic idiom. Brazilian influences color many of his works, including his “Five Songs for Voice and Bassoon,” written around 1931 and revised in 1976. We’ll hear it performed at the 2016 Marlboro Music Festival by soprano Lucy Fitz Gibbon and bassoonist Catherine Chen.

    I hope you’ll join me for music by two Italian masters and one of Italian descent, on “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


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