Tag: Benita Valente

  • Benita Valente Soprano Passes Away at 91

    Benita Valente Soprano Passes Away at 91

    I am so very sorry to learn of the death of soprano Benita Valente. Valente, who only just turned 91 on October 19, died at her home in Philadelphia yesterday.

    Despite her unfailingly pure sound, no one could ever accuse her of lacking versatility. She was praised for her Mozart heroines. Over the course of her career, she sang Pamina 200 times, including at the Metropolitan Opera, belatedly (she’d already sung the role for some 20 years), beginning in 1973. She also impressed with her Gilda in Verdi’s “Rigoletto,” her Violetta in Verdi’s “La traviata,” and her Mimi in Puccini’s “La bohème.”

    But her voice was also ideally suited to Bach cantatas and lieder recitals encompassing a broad swath of the repertoire, including songs of Schubert, Schumann, and Wolf.

    She received a Grammy Award for her recording of Arnold Schoenberg’s String Quartet No. 2 and was nominated for her recording of Haydn’s “Seven Last Words of Christ,” both with the Juilliard String Quartet.

    Composers who wrote music specifically for her include William Bolcom, Alberto Ginastera, John Harbison, Libby Larsen, and Richard Wernick.

    I was lucky to have heard her sing Handel’s Ginevra opposite Tatiana Troyanos’ Ariodante with the Opera Company of Philadelphia in 1989. It seemed the two singers were pretty much joined at the hip during that period.

    But of course, it is in the classic recording of Schubert’s “The Shepherd on the Rock,” with clarinetist Harold Wright and pianist Rudolf Serkin, that she had really touched my heart.

    She was married to Anthony Checchia, founding artistic director of the Philadelphia Chamber Music Society and administrator for the Marlboro Music Festival, who died last year at the age of 94.

    Valente was so much a musical presence – and a source of Philadelphia pride for so long – that her passing is inconceivable.

    R.I.P.


    Schubert, “The Shepherd on the Rock”

    Brahms, “Liebeslieder Waltzes,” with alto Marlena Kleinman, tenor (later beloved radio host) Wayne Conner, bass (also Valente’s teacher) Martial Sigher, and pianists Serkin and Leon Fleisher

    Handel, “Lascia ch’io pianga” from “Rinaldo”

    Handel, “Radamisto”


    PHOTO: Valente (front left) with Tatiana Troyanos in “Ariodante” at Santa Fe Opera in 1987

  • Anthony Checchia Philadelphia Music Legend Dies

    I am very sorry to learn that Anthony Checchia has died, a great lost to the Philadelphia Chamber Music Society (which he cofounded), the Marlboro Music Festival, and the City of Philadelphia. Condolences to all, especially his widow, the soprano Benita Valente.

  • Celebrating Serkin A Marlboro Music Birthday

    Celebrating Serkin A Marlboro Music Birthday

    This week on “Music from Marlboro,” we’ll serve up a great big musical cake for Rudolf Serkin’s birthday.

    Serkin, one of the indisputably great pianists of the 20th century, co-founded, with Adolf and Hermann Busch, and Marcel, Blanche, and Louis Moyse, the Marlboro Music School and Festival in 1951. Above and beyond his own artistic achievements, Serkin inspired countless young musicians, both as a pedagogue at – and then director of – the Curtis Institute of Music in Philadelphia and as artistic director of the Marlboro Music Festival for 40 years, until his death in 1991.

    We’ll supplement that cake with a little sherbet – better make that Schubert – and a special recording of the Piano Trio No. 2 in E-flat major, op. 100, set down in Brattleboro, VT, right at the very beginning, in October of 1951, with Serkin and the Brothers Busch. This is music-making between friends – and relatives – of the highest caliber.

    Then we’ll enjoy an additional treat in the form of Schubert’s “Auf dem Strom” (“On the River”). Serkin will join Philadelphia-based soprano Benita Valente and hornist Myron Bloom for a performance of this work that was composed in tribute to Beethoven. Ludwig Rellstab’s text was originally intended for the older master. The song was first performed on the only concert devoted exclusively to Schubert’s music during Schubert’s lifetime, which took place on the first anniversary of Beethoven’s death, March 26, 1828. The Marlboro performance dates from 1960.

    I hope you’ll join me in celebrating Rudolf Serkin, on the anniversary of his birth, with an all-Schubert program, this Wednesday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


    PHOTO: Serkin (center) with his Marlboro family, co-founders Marcel Moyse, Louis Moyse, Blanche Moyse, Adolf Busch, and Hermann Busch (with cellist Nathan Chaikin second from left)

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