Tag: CrowdFunding

  • Supporting the Arts Small Acts Big Impact

    Supporting the Arts Small Acts Big Impact

    I’ll probably never have the bank account to know what it’s like to be a big-time patron of the arts on the scale of a Medici or a Guggenheim; but thanks to crowdfunding platforms even I am able to do my own small part to help underwrite projects that are of particular interest to me.

    So I can feel an extra degree of satisfaction that there’s a two-volume chronicle of Jerry Goldsmith’s career and music on the way and that Intrada Records has just completed sessions for a compact disc release of Frank Skinner’s score to “Abbott and Costello Meet Frankenstein,” also imminent.

    I’m especially proud to have been able to kick in for a couple of CDs of Vaughan Williams world premieres for Albion Records, the recording branch of the Ralph Vaughan Williams Society, including “Beyond My Dreams,” devoted to the composer’s incidental music for Greek plays (other than “The Wasps”), released in 2017, and “Royal Throne of Kings,” devoted to his music for Shakespeare, newly issued.

    This Saturday will mark Vaughan Williams’ birthday anniversary, and since I believe some potential listeners are not seeing my Facebook teasers for my light music show, “Sweetness and Light,” until too late, if I post them the morning of broadcast, this week I am giving you several days’ notice that I will be including selections from the new Shakespeare disc in a program that will emphasize RVW’s lighter music.

    So if you’re a Ralph Vaughan Williams’ fan (he’s one of my favorite composers), do take note! We’ll be humming along with Uncle Ralph on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

    Ogle the complete Albion Records catalogue here:

    Albion Records

  • Save Our Radio Shows Funding Ideas Needed

    Save Our Radio Shows Funding Ideas Needed

    With the end of the fiscal year approaching, I thought I would reach out to you, my Facebook friends, for suggestions on how to solve a particular problem. You see, it’s all about raising dough. Isn’t it always?

    As of July 1, WWFM will no longer be able to afford to pay for its specialty shows. That means unless hosts are able to find their own funding, they will either have to (a) do their shows live at whatever time they are assigned, probably somewhere in the middle of the afternoon, (b) produce them on a volunteer basis, or (c) stop doing them.

    All three of these options are problematic. If a host were to do a show live, he or she would still have to record it and perform all sorts of touch up work on it, in order to get it in fighting trim for syndication. The host would not be compensated for that work, or for any script-writing. Essentially he or she would be paid for doing the equivalent of a one-hour live air shift. That’s unsustainable.

    Obviously, doing it for free would be even more so.

    “Picture Perfect” and “The Lost Chord” are on the line. In order to keep doing these shows, I would have to raise $5000 each for the coming year. I could do that through underwriting, or I could look into obtaining a grant. Either one would take time, but if it looked as if it were a realistic option, I would tough it out and do the shows for free until funding was secured.

    Underwriting may be from a corporate source, it could be from a small business, or it could come from a particularly generous individual listener with a surplus of moola burning a hole in his or her pocket. I had even considered perhaps trying to pull together a consortium of individual donors, with everyone kicking in what they could – which brings me to crowdfunding platforms such as Kickstarter. I haven’t really looked into these, but I know they are out there.

    It is not my aim to try to discourage anyone from supporting WWFM in general or to persuade listeners to shift their financial support from the station to one of my individual shows. This should not be an either/or proposition.

    I don’t think anyone who follows this page is a Rich Uncle Pennybags, but I know there are a lot of clever people out there. If anyone can think of a creative solution to the problem of keeping “Picture Perfect” and “The Lost Chord” alive in such a way that they can still be heard by the general population, and in a way that I can actually pay my rent, please post your suggestions below or feel free to message me. I am all eyes and ears.

    If only I could just have Moe inflate the budget using a makeshift hose to the gas pipe. Then again, we all know how well that worked out.

    Thank you for reading, and thank you in advance for your suggestions!

Tag Cloud

Aaron Copland (92) Beethoven (95) Composer (114) Film Music (123) Film Score (143) Film Scores (255) Halloween (94) John Williams (187) KWAX (229) Leonard Bernstein (101) Marlboro Music Festival (125) Movie Music (138) Opera (202) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

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