I wasn’t going to break the news until Sunday, but apparently I’m a week off. Beginning this week, WWFM is rebroadcasting its specialty shows at new, more accessible hours.
Where I’m concerned, that means “The Lost Chord,” first aired Sunday at 10 p.m. ET, will now repeat Wednesday at 6 p.m., and “Picture Perfect,” first aired Friday at 6 p.m., will repeat Saturday at 6 a.m. (!)
It ought to be interesting to hear the reaction when listeners get to enjoy Sir Peter Maxwell Davies’ “St. Thomas Wake” during the dinner hour or Jerry Goldsmith’s “The Mephisto Waltz” on their clock radios.
Speaking of the “Mephisto Waltz,” today is the birthday of Franz Liszt (1811-1886), one of the great pianists, of course, but also one of the most innovative musical thinkers who ever lived.
Among his innumerable achievements, Liszt pioneered a technique known as thematic transformation, in which a basic theme is put through incessant permutations and shifting moods to arrive at a kind of structural unity, as an alternative to traditional classical form. He is also credited with the creation of the symphonic poem.
Without Liszt, there would have been no Wagner as we know him. In fact, Romantic music would have had to find its own way. His later music at times anticipates the experiments of Debussy and Arnold Schoenberg.
It was Liszt’s ambition to “hurl my lance into the boundless realms of future.” In that, he certainly succeeded.
Happy birthday, Franz Liszt!
Georges Cziffra performs “Les jeux d’eaux à la Villa d’Este” (“The Fountains of the Villa d’Este”):
Sviatoslav Richter performs “Nuages gris” (“Grey Clouds”):
And don’t forget to tune in tonight at 6 to hear a rebroadcast of “Mad Max,” a belated 80th birthday tribute to Sir Peter Maxwell Davies, on “The Lost Chord.” You can find out more about it at http://www.wwfm.org.
PHOTO: Liszt was seldom listless
