Tag: Franz Schubert

  • Trout Quintet for Thanksgiving: Music from Marlboro

    Trout Quintet for Thanksgiving: Music from Marlboro

    It’s trout for Thanksgiving on this week’s “Music from Marlboro.”

    Franz Schubert was 22 years-old when he completed his “Trout” Quintet. That was in 1819. The work wasn’t published until 1829, the year after his death.

    Formally identified as the Piano Quintet in A major, D. 667, the piece was conceived for the novel combination of piano, violin, viola, cello, and double bass (bass like the instrument, not the fish). Schubert tailored his quintet for a gathering of musicians who were to perform Johann Nepomuk Hummel’s Septet, which Hummel had arranged for the same instrumentation. I know, it’s very disappointing that the work is not played on five fishes.

    The quintet gets its nickname from the fourth movement (of five), a set of variations on Schubert’s lied, “Die Forelle,” or “The Trout.” The music is generally lighthearted and leisurely, with perhaps a few feints toward melancholy in the second movement Andante. But Schubert wouldn’t be Schubert without a dash of melancholy, and neither would Thanksgiving. Overall, the quintet is just the sort of thing to calm your nerves, even as the ear is engaged by its striking harmonies and catchy melodies.

    We’ll hear a performance recorded at Marlboro in 1967, with pianist Rudolf Serkin, violinist Jaime Laredo, violist Philipp Naegele, cellist Leslie Parnas, and bassist Julius Levine.

    Then we’ll round out the hour with some part-songs, composed around 1801, by Franz Joseph Haydn, including “Abendlied zu Gott” (“Evening Song to God”), after a text by Christian Fürchtegott Gellert:

    Lord, You who have given me life
    Up until this very day,
    Child-like, I pray to You.
    I am much too unworthy of the faithfulness that I sing of,
    And that You grant me today.

    Four vocalists – soprano Claudia Visca, mezzo-soprano Constance Fee, tenor Michael Sylvester, and bass John Paul White – join Luis Batlle at the piano, at the 1976 Marlboro Music Festival.

    It sure beats romaine lettuce. Schubert’s “Trout” will buoy your spirits, even as you wade through traffic, on this Thanksgiving eve.

    Give thanks for musical sustenance on “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Skeleton on the Rock Obscure Schubert Gem

    Skeleton on the Rock Obscure Schubert Gem

    Not to be outdone by Franz Schubert. Why is it not better known? “The Skeleton on the Rock” for voice, piano and banjo.

  • Schubert Octet Marlboro Music Festival WWFM

    Schubert Octet Marlboro Music Festival WWFM

    Just as the octopus can extend its mastery to eight instruments, so can “Music from Marlboro” expand to an hour and ten minutes.

    Join me this afternoon at a special time to enjoy a complete performance of Franz Schubert’s Octet in F major, D. 803. Not to denigrate the musical abilities of a mollusk, but a cephalopod would have to go an awfully long way to match the prowess of Joseph Genualdi and Felix Galimir, violins; Steven Tenenbom, viola; Peter Wiley, cello; Peter Lloyd, double bass; Shannon Scott, clarinet; Alexander Heller, bassoon; and David Jolley, horn. Musicians from the Marlboro Music Festival took the piece on tour, with Mozart’s “Eine kleine Nachtmusik,” in 1987.

    Tune in ten minutes earlier than usual for Schubert’s expansive masterwork, the Octet in F major – in its entirety – on the next “Music from Marlboro,” this Wednesday evening at 5:50 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Schubert Birthday Orchestrated Lieder

    Schubert Birthday Orchestrated Lieder

    Today is the birthday of Franz Schubert (1797-1828), one of the greatest of all art song composers. Thomas Quasthoff and Anne Sofie von Otter recorded a fascinating album for the Deutsche Grammophon label a number of years back, with Claudio Abbado conducting the Chamber Orchestra of Europe in orchestrations of Schubert lieder by other notable composers, including Brahms, Britten, Liszt, Offenbach, Reger and Webern.

    Here is Quasthoff performing two of Schubert’s most famous songs, “Erlkönig” (“The Erl-King”), as orchestrated by Reger, and “Ständchen” (“Serenade”), as orchestrated by Offenbach.

    https://www.youtube.com/watch?v=jwfWtlrFkDU

    And Otter performing “Der Vollmond auf Bergeshöh’n” (“The Full Moon Shines on the Mountain Height”) from “Rosamunde,” in Schubert’s own orchestration, and “Die Forelle” (“The Trout”), as orchestrated by Britten.

    Nothing can match the originals, of course, but I, for one, feel fortunate to be able to enjoy these fascinating arrangements.

    Happy birthday, Franz Schubert!

  • Schubert’s Arpeggione Sonata Birthday Tribute

    Schubert’s Arpeggione Sonata Birthday Tribute

    Okay, it’s Schubert’s birthday. No question what I should be writing about. I confess it requires a great deal of focus not to pull another bait-and-switch and just make it all about Alfredo Casella.

    Instead, here’s another composer, Benjamin Britten, with Mstislav Rostropovich, to perform Schubert’s “Arpeggione Sonata.”

    Mov’t. I https://www.youtube.com/watch?v=AonBUbPkthc
    Mov’t. II https://www.youtube.com/watch?v=hFBAVF93ve8
    Mov’t. III https://www.youtube.com/watch?v=gY9qpHg3TBk

    If you’re not familiar with the arpeggione (and who is these days?), it was an instrument invented around 1823. It had six strings, fretted and tuned like a guitar, but it was played with a bow, like a cello. By the time Schubert’s sonata saw publication in 1871, it was already long defunct.

    Schubert’s masterful sonata is the only substantial work to have been written for the instrument, but the piece was recognized too late to rescue the arpeggione from extinction. These days, the work is almost always performed on the cello.

    Happy birthday, Franz Schubert (1797-1828).

    PHOTO: Berndt Bohman, principal cellist of the Tokyo Symphony Orchestra, playing a modern arpeggione, made by Osamu Okumura, president of the Arpeggione Society Japan. Note the absence of an end pin.

Tag Cloud

Aaron Copland (92) Beethoven (94) Composer (114) Film Music (117) Film Score (143) Film Scores (255) Halloween (94) John Williams (185) KWAX (228) Leonard Bernstein (99) Marlboro Music Festival (125) Movie Music (132) Opera (197) Philadelphia Orchestra (86) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (86) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (101) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS