Tag: Franz Schubert

  • Mucho Dinero for Kurt Atterberg

    Mucho Dinero for Kurt Atterberg

    Wallet feeling a little light on Tax Day? Why not cash in on a career in the arts!

    I know, worst advice ever. But every once in a while, it’s possible to score a nice pay day.

    In 1928, Swedish composer Kurt Atterberg entered his Symphony No. 6 into a contest held by the Columbia Record Company in honor of the 100th anniversary of the death of Franz Schubert. For his effort, he was awarded a first prize of $10,000. (Not bad for 1928!) The work became known as Atterberg’s “Dollar Symphony.” It remains the composer’s most-recorded piece, starting all the way back with Sir Thomas Beecham and Arturo Toscanini.

    Though Atterberg was the winner of the international competition, divisional winners (by “zone”) included the now-forgotten English composer John St. Anthony Johnson, for his work “Pax Vobiscum,” and the equally-forgotten American, Charles Haubiel, for a piece called “Karma.”

    Franz Schmidt was recognized in Austria, for his Symphony No. 3. Havergal Brian won second prize in England, for the first three movements of his “Gothic Symphony.”

    You can find all the details here:

    https://en.wikipedia.org/wiki/1928_International_Columbia_Graphophone_Competition

    For a time at least, Atterberg’s “Dollar Symphony” was one of the darlings of Classical 24, a syndicated satellite service out of Minnesota used by classical music radio stations around the country to save on the cost of maintaining local announcers. However, characteristically, C24 only ever plays a single movement.

    Whether it’s 1928 or 2026, money makes the world go ‘round. Ka-ching!

    ——-

    Atterberg, Symphony No. 6 – the whole thing – on YouTube


    John St. Anthony Johnson, “Pax Vobiscum”


    Charles Haubiel, “Karma”


    Franz Schmidt, Symphony No. 3


    Havergal Brian, “Gothic Symphony”


  • Sherbet for Schubert on “Sweetness and Light”

    Sherbet for Schubert on “Sweetness and Light”

    Franz Schubert’s birthday. A day to vacillate between smiles and tears. Is there any other composer whose music so perfectly reflects the delicacy and transience of feelings? It is the language of poetry and yearning.

    Personally, I prefer my Schubert bittersweet. Nevertheless, this week on “Sweetness and Light,” most of the music will be of an extroverted, even buoyant character. Okay, maybe it’s impossible for me get through the hour without a touch of emotional ambiguity. I’ll sneak in one of my favorite lieder around the midpoint. Otherwise, it’s a potpourri of ballet music, transcriptions, and some high-spirited marches for piano four-hands.

    It’s sherbet for Schubert on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX Classical Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

    ———-

    IMAGE: Always refreshing: orange Schubert
  • Schubert’s Unfinished Joke Laughter and Tears

    Schubert’s Unfinished Joke Laughter and Tears

    More classical music stand-up for a club full of crickets:

    “I started a post today for Franz Schubert’s birthday. That’s right. But I left it Unfinished.”

    Thank you very much. I’ll be here all week.


    Ely Ameling sings Schubert’s “Lachen und Weinen” (“Laughter and Tears”)

  • Schubert’s Unfinished Symphony A Birthday Tribute

    Schubert’s Unfinished Symphony A Birthday Tribute

    I’ve had a busy day today, but on Franz Schubert’s birthday, I suppose it’s only fitting that I should leave this post “Unfinished.”

    Instead, Casper will do the heavy lifting – by which I mean the friendly ghost, not Caspar David Friedrich.

    Happy birthday, Herr Schubert! https://www.youtube.com/watch?v=e8z7U46e-2k

  • Mr. Peabody, Schubert, & Missed Music

    Mr. Peabody, Schubert, & Missed Music

    Anybody else remember when Mr. Peabody and Sherman used the Wayback Machine to visit Franz Schubert?

    A fun conceit, but Jay Ward and company really missed the boat by not actually using any of Schubert’s music. It would have been a lot more fun had Sherman sung “Standchen,” D. 889 (a.k.a. “Serenade”):

    Listen, listen to the lark in the ethereal blue!
    And Phoebus, newly awakened,
    Leading his horses to drink the dew
    That covers the calyces of the flowers;
    The buds of the marigolds are beginning to open
    Up their little golden eyes;
    With everything that is charming there,
    Oh sweet maid, get up!
    Get up! Get up!

    Not the more famous “Serenade,” but all the more appropriate, since Schubert remarks afterward that he’s just been at work on a NEW serenade.

    Schubert’s OTHER “Serenade” (from the song cycle “Schwanengesang,” D.957)

    Softly my songs plead
    through the night to you;
    down into the silent grove,
    beloved, come to me!

    Slender treetops whisper and rustle
    in the moonlight;
    my darling, do not fear
    that the hostile betrayer will overhear us.

    Do you not hear the nightingales call?
    Ah, they are imploring you;
    with their sweet, plaintive songs
    they are imploring for me.

    They understand the heart’s yearning,
    they know the pain of love;
    with their silvery notes
    they touch every tender heart.

    Let your heart, too, be moved,
    beloved, hear me!
    Trembling, I await you!
    Come, make me happy!

    Even “The Smurfs” used the “Unfinished” Symphony.

    At least the segment gave kids an awareness of the composer, if not his decadent milieu.

    Happy birthday, Franz Schubert.

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