Tag: Franz Schubert

  • Schubert’s Birthday Music of Joy and Sorrow

    Schubert’s Birthday Music of Joy and Sorrow

    Franz Schubert’s birthday. A day to vacillate between smiles and tears. Is there any other composer whose music so perfectly conveys the delicacy and transience of feelings?

    Listening to Schubert, you can be in one place and suddenly find you’re in another, and you’re not quite sure how you got there. Wisps of cloud emerge, imperceptibly, unfurl like gossamer, veiling the sun. You feel them brush across your heart. The ache! But the sun peers through again, and the heart is warm, if not entirely settled.

    Is it possible to describe the effect of Schubert’s music without going purple?

    The Piano Sonata in B-flat major. The String Quintet in C. The Fantasia in F minor for piano four-hands. The “Unfinished” Symphony. The “Arpeggione” Sonata.

    To define is to limit. It is the language of poetry and yearning.

  • Trout Quintet for Thanksgiving: Music from Marlboro

    Trout Quintet for Thanksgiving: Music from Marlboro

    It’s trout for Thanksgiving on this week’s “Music from Marlboro.”

    Franz Schubert was 22 years-old when he completed his “Trout” Quintet. That was in 1819. The work wasn’t published until 1829, the year after his death.

    Formally identified as the Piano Quintet in A major, D. 667, the piece was conceived for the novel combination of piano, violin, viola, cello, and double bass (bass like the instrument, not the fish). Schubert tailored his quintet for a gathering of musicians who were to perform Johann Nepomuk Hummel’s Septet, which Hummel had arranged for the same instrumentation. I know, it’s very disappointing that the work is not played on five fishes.

    The quintet gets its nickname from the fourth movement (of five), a set of variations on Schubert’s lied, “Die Forelle,” or “The Trout.” The music is generally lighthearted and leisurely, with perhaps a few feints toward melancholy in the second movement Andante. But Schubert wouldn’t be Schubert without a dash of melancholy, and neither would Thanksgiving. Overall, the quintet is just the sort of thing to calm your nerves, even as the ear is engaged by its striking harmonies and catchy melodies.

    We’ll hear a performance recorded at Marlboro in 1967, with pianist Rudolf Serkin, violinist Jaime Laredo, violist Philipp Naegele, cellist Leslie Parnas, and bassist Julius Levine.

    Then we’ll round out the hour with some part-songs, composed around 1801, by Franz Joseph Haydn, including “Abendlied zu Gott” (“Evening Song to God”), after a text by Christian Fürchtegott Gellert:

    Lord, You who have given me life
    Up until this very day,
    Child-like, I pray to You.
    I am much too unworthy of the faithfulness that I sing of,
    And that You grant me today.

    Four vocalists – soprano Claudia Visca, mezzo-soprano Constance Fee, tenor Michael Sylvester, and bass John Paul White – join Luis Batlle at the piano, at the 1976 Marlboro Music Festival.

    It sure beats romaine lettuce. Schubert’s “Trout” will buoy your spirits, even as you wade through traffic, on this Thanksgiving eve.

    Give thanks for musical sustenance on “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Skeleton on the Rock Obscure Schubert Gem

    Skeleton on the Rock Obscure Schubert Gem

    Not to be outdone by Franz Schubert. Why is it not better known? “The Skeleton on the Rock” for voice, piano and banjo.

  • Schubert Octet Marlboro Music Festival WWFM

    Schubert Octet Marlboro Music Festival WWFM

    Just as the octopus can extend its mastery to eight instruments, so can “Music from Marlboro” expand to an hour and ten minutes.

    Join me this afternoon at a special time to enjoy a complete performance of Franz Schubert’s Octet in F major, D. 803. Not to denigrate the musical abilities of a mollusk, but a cephalopod would have to go an awfully long way to match the prowess of Joseph Genualdi and Felix Galimir, violins; Steven Tenenbom, viola; Peter Wiley, cello; Peter Lloyd, double bass; Shannon Scott, clarinet; Alexander Heller, bassoon; and David Jolley, horn. Musicians from the Marlboro Music Festival took the piece on tour, with Mozart’s “Eine kleine Nachtmusik,” in 1987.

    Tune in ten minutes earlier than usual for Schubert’s expansive masterwork, the Octet in F major – in its entirety – on the next “Music from Marlboro,” this Wednesday evening at 5:50 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Schubert Birthday Orchestrated Lieder

    Schubert Birthday Orchestrated Lieder

    Today is the birthday of Franz Schubert (1797-1828), one of the greatest of all art song composers. Thomas Quasthoff and Anne Sofie von Otter recorded a fascinating album for the Deutsche Grammophon label a number of years back, with Claudio Abbado conducting the Chamber Orchestra of Europe in orchestrations of Schubert lieder by other notable composers, including Brahms, Britten, Liszt, Offenbach, Reger and Webern.

    Here is Quasthoff performing two of Schubert’s most famous songs, “Erlkönig” (“The Erl-King”), as orchestrated by Reger, and “Ständchen” (“Serenade”), as orchestrated by Offenbach.

    https://www.youtube.com/watch?v=jwfWtlrFkDU

    And Otter performing “Der Vollmond auf Bergeshöh’n” (“The Full Moon Shines on the Mountain Height”) from “Rosamunde,” in Schubert’s own orchestration, and “Die Forelle” (“The Trout”), as orchestrated by Britten.

    Nothing can match the originals, of course, but I, for one, feel fortunate to be able to enjoy these fascinating arrangements.

    Happy birthday, Franz Schubert!

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