Tag: Handel

  • Telemann: The Underdog Baroque Master

    Telemann: The Underdog Baroque Master

    Of the three Baroque masters who were born between February 23 (George Frideric Handel) and March 21 (Johann Sebastian Bach), it is too often Georg Philipp Telemann who fulfills the function of Larry Fine.

    Caught between Bach’s contrapuntal face-slaps and eye-pokes and Handel’s melodic-dramatic shoulder-spins, Telemann, as often as not, winds up getting his hair pulled and his violin smashed.

    I thought it only right to point out that Telemann taught himself the flute, oboe, recorder, double bass, etc., all against the wishes of his family. He wrote more music than Bach and Handel combined – over 3000 works – making him one of the most prolific composers of all time. He was also offered the cantorate of the Thomaskirche in Leipzig ahead of Bach.

    Sure, Bach and Handel were his friends, and he was the godfather of Bach’s son, C.P.E., but he also lived too long and lost his eyesight. And his wife ran up horrific gambling debts.

    Anyway, happy birthday, Telemann. You may have written way too much music for your own good, but you were always the funniest of the Baroque stooges.

    Which reminds me: Here at WWFM – The Classical Network, we’re only a week away from Bach’s birthday, and we’re looking to generate enough donations that we, in good conscience, can cancel fundraising on that day, March 21, and celebrate by simply enjoying Bach’s music. We call it the “Bach 500.” Basically, we’re looking for 500 listeners to step up and contribute in any amount. When we reach 500 donations, we stop asking for money and focus exclusively on spinning the discs.

    We are accepting contributions now, at our website, wwfm.org – click on “donate” – or please call us during business hours at 1-888-232-1212. If you have received a renewal request in the mail, get that return envelope back to us ASAP, so that we can include you in the tally before the 21st.

    Again, 500 contributions will cancel the fundraising and open the floodgates on Bach. (Bach, after all, is German for brook.) Thank you for doing your part to make this year’s Bach 500 a success!


    PORTRAITS (left to right): Bach, Telemann, and Handel

    Nyuk nyuk nyuk!

  • Handel Birthday Beecham’s Bold Arrangements

    Handel Birthday Beecham’s Bold Arrangements

    Happy birthday, George Frideric Handel! I concede it’s a little unorthodox to celebrate Handel’s genius by way of one of Sir Thomas Beecham’s arrangements of selections from his operas into a work he would have scarcely recognized, but at least it isn’t the “Water Music.”

    Does anyone else think Sir Thomas would have made a terrific Colonel Sanders?

    I like this even better. I’ve got it on CD. Beecham really conducts the hell out of the battle music.

  • John Joubert Remembered on WWFM

    John Joubert Remembered on WWFM

    South African-born British composer John Joubert died on Monday at the age of 91. We’ll lead off the 5:00 hour (EST) remembering him with a performance of his Symphony No. 1 of 1955.

    We’ll also hear some “Variations on a Theme of Handel” (from “Messiah”) by the Argentinean composer Luis Gianneo, whose birthday it is today, and one of Handel’s own concerti grossi.

    Don’t forget, coming up at 6:00, it’s another “Music from Marlboro” – chamber music by György Ligeti and Ernő Dohnányi, from the legendary Marlboro Music Festival.

    It’s all yet to come, between now and 7:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Handel’s Judas Maccabaeus on WWFM

    Handel’s Judas Maccabaeus on WWFM

    During these shortest days of the year, we can use all the light we can get. With three candles in the menorah last night, we’ll celebrate the second day of Hanukkah with a complete recording of Handel’s other holiday oratorio, “Judas Maccabaeus.”

    Handel’s overshadowed masterpiece relates the successful victory of the Jewish people over the Seleucids, who would have had them worshiping Zeus! (In 170 BC, that was actually a thing.) Cannily, the premiere was scheduled to take place at Covent Garden in April 1746, to coincide with the return of William Augustus, Duke of Cumberland and youngest son of King George II, who had only just successfully routed the Jacobites at Culloden. Surfing the predicted wave of patriotic fervor, the 61 year-old Handel had engineered another smash.

    We’ll hear a complete performance of the work, following today’s Noontime Concert – another holiday treat centuries in the making – “Nowell Sing We: A Medieval Celebration,” presented by the Brooklyn-based ensemble Alkemie. The program is organized around the theme of Twelfth Night and/or Epiphany, celebrated at the far end of the Christmas season, and illustrated through musical selections from the 11th through 16th centuries.

    The performance took place on January 4, 2018, at St. Bartholomew’s Church, 50th Street and Park Avenue, in Midtown Manhattan, where free concerts are held every Thursday at 1:15 p.m.

    The broadcast is made possible in part by Gotham Early Music Scene, or GEMS. GEMS is a non-profit corporation that supports and promotes artists and organizations in New York City devoted to early music – music of the Middle Ages, Renaissance, Baroque, and early Classical periods. For more information and GEMS’ events calendar, look online at gemsny.org.

    Immediately following today’s concert broadcast, enjoy Norman Dello Joio’s “Variants on a Mediaeval Tune” – the tune being the familiar Christmas melody “In dulci jubilo.” Then at 1:00, arrange yourself a plate of rugelach and settle in for “Judas Maccabaeus.”

    What’s old is new, with the ensemble Alkemie; then get a Handel on the Maccabees, between 12 and 4 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • Bach & Handel Finally Met The Truth

    Bach & Handel Finally Met The Truth

    It was believed that the two greatest musical masters of their day never met. Now we know better.

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