Tag: King Arthur

  • King Arthur Movie Music on KWAX

    King Arthur Movie Music on KWAX

    This week on “Picture Perfect,” the Once and Future King of film music shows continues on KWAX, with selections from movies inspired by the legends of King Arthur.

    The legends provide so much grist for “Prince Valiant” (1954), based on Hal Foster’s enduring comic strip, set in the days of Arthur, though Val himself is a Viking prince of the kingdom of Scandia. Janet Leigh plays Princess Aleta, James Mason the villainous Sir Brack, Victor McLaglen Val’s Viking pal Boltar, and Sterling Hayden a preposterous Gawain. For the title role, Robert Wagner dons the signature page-boy haircut. The score, by Franz Waxman, is every bit as vivid as the film’s Technicolor, and a clear prototype for the exuberant, leitmotif-driven music of John Williams.

    “The Mists of Avalon” (2001), adapted from Marion Zimmer Bradley’s novel, takes the ingenious approach of retelling the Arthurian stories from the perspective of the oft-marginalized female characters. The revisionist approach breathes fresh life into the familiar tales, so that the book was greeted with critical and popular acclaim upon its release in 1983. A television miniseries, starring Julianna Margulies, Angelica Huston and Joan Allen, was produced for TNT, with music by Lee Holdridge.

    “First Knight” (1995) features an unlikely cast of Sean Connery as Arthur, Richard Gere as Lancelot, and Julia Ormond as Guinevere. The film is unique, to my knowledge, in being based on the writings of medieval French poet Chrétien de Troyes, as opposed to the more frequently-employed source, Sir Thomas Malory.

    The score is by Jerry Goldsmith. It was actually a bit of a rush job for Goldsmith, who stepped up at the very last minute to replace Maurice Jarre. Jarre had been approached to write music for what was originally a three-hour cut of the film. However, he only had four weeks in which to do so. Goldsmith, very well-known for his ability to write at white heat, was able to complete the score, and record the music in the allotted time.

    “Knights of the Round Table” (1953) may lack the gravitas and grit of “Excalibur” – in my opinion, the most powerful of the Arthurian films – but it does sport some undeniably satisfying 1950s spectacle. The glossy and pat MGM production stars Robert Taylor as Lancelot, Ava Gardner as Guinevere, and Mel Ferrer as Arthur. The fine score is by Miklós Rózsa, from the height of his “historical epic” phase.

    It’s more than just a knight at the movies. Polish up on music for the films of King Arthur, on “Picture Perfect,” now in syndication on KWAX, the radio station of the University of Oregon!

    For streaming information, see below.


    Keep in mind, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)

    Stream them here!

    https://kwax.uoregon.edu/

  • King Arthur American Composers

    King Arthur American Composers

    “Whoso pulleth out this sword of this stone and anvil is rightwise king born of all England.” So wrote Sir Thomas Malory in his account of the Arthurian legends, “Le Morte d’Arthur.”

    This Sunday night on “The Lost Chord,” the focus will be on treatments of the Arthurian legends by a couple of American Romantics.

    We’ll hear “Excalibur,” a symphonic poem after Arthur’s enchanted sword, by Louis Coerne (pronounced “Kern”). Coerne was born in Newark, NJ, in 1870. As was the custom at the time, he studied abroad, in France and Germany, then closer to home with John Knowles Paine. In Munich, he pursued organ and composition studies with Josef Rheinberger.

    After that, it was back and forth to Germany, between church and conducting appointments in the United States, and then the assumption of a series of academic posts throughout the American Northeast and Midwest. Despite all the worn shoe leather, in his 52 years he managed to produce 500 works.

    The remainder of the hour will be taken up by the Straussian tone poem “Le Roi Arthur,” a work in three movements by George Templeton Strong, son of the famous Civil War diarist, born in 1856. Strong, Jr., studied at the Leipzig conservatory, where Joachim Raff was among his teachers. For a time, he played viola in the Gewandhaus Orchestra. He rubbed shoulders with Liszt and Wagner, then was lured back to the United States by the offer of a teaching position (by former European transplant Edward MacDowell) at the New England Conservatory.

    However, in part because the work didn’t agree with him, and in part because of health issues, Strong soon took off for Switzerland, where he settled on the banks of Lake Geneva. There, he dedicated the remainder of his life to painting watercolors and composing. Even after musical fashion had changed, he continued to play an active role in Geneva’s musical life.

    I hope you’ll join me for “Kinetic Yankees in King Arthur’s Court” – treatments of the Arthurian legends by peripatetic American composers – this Sunday night at 10 EDT on WWFM – The Classical Network; or that you’ll listen to it later as a webcast, at wwfm.org.

  • Freezing Winds Excalibur and the Cold Song

    Freezing Winds Excalibur and the Cold Song

    Highs today around freezing, with wind gusts up to 30 mph. Here’s the “Cold Song” from Henry Purcell’s “King Arthur.”

    Every time I watch “Excalibur” (still, for my money, the best King Arthur movie), somebody else gets famous: Helen Mirren, Patrick Stewart, Gabriel Byrne, Liam Neeson, and now Ciarán Hinds.

    Seemingly the one exception is Paul Geoffrey, who played Perceval. Some months back I discovered that Geoffrey is now a real estate agent in Santa Fe, NM.

    http://www.realtor.com/realestateagents/Paul-Geoffrey_Santa-Fe_NM_562478_208799473

    Maybe if I watch it again…

  • Dryden Ensemble Celebrates Purcell Anniversary

    Dryden Ensemble Celebrates Purcell Anniversary

    Ah, the Eternal Questions. Why do I bother to arrange my thoughts into paragraphs, when in the print edition the sentences get thrown together willy-nilly? Even more puzzlingly, why are my last two paragraphs transposed? Clearly some mysteries are not meant to be plumbed.

    The Dryden Ensemble will celebrate its 20th anniversary on (or, as the paper would have it, “at”) two concerts this weekend, with music of Henry Purcell. The program, “Purcell: A Theatrical Musick,” will be given at Miller Chapel on the campus of the Princeton Theological Seminary, tomorrow at 7:30 p.m., and at Trinity Episcopal Church in Solebury, Pa., Sunday at 3 p.m.

    Dryden will be joined by countertenor Ryland Angel and the Princeton High School Chamber Choir for selections from the semi-opera “King Arthur” and more.

    Read more about it in “my” article in today’s Trenton Times. At least the paragraphs are retained online, if not exactly in the sequence I imagined.

    http://www.nj.com/times-entertainment/index.ssf/2014/11/classic_music_dryden_ensemble.html

    PHOTO: Henry Purcell, unimpressed by his coverage in the Times

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