Tag: Louisiana Story

  • Virgil Thomson Thanksgiving Birthday Music

    Virgil Thomson Thanksgiving Birthday Music

    Virgil Thomson was not only a composer, he was a writer on music, who wielded power of a kind unimaginable in this day of eroded standards, as a critic at the New York Herald-Tribune.

    Perhaps his brand of “faux-naïf” Americana is not for everyone. Still, it earned him a wide and enduring audience. His music for Robert Flaherty’s “Louisiana Story” (1948) remains the only film score ever to be awarded a Pulitzer Prize.

    For Thomson’s birthday, here’s some music to get you in the mood for Thanksgiving.

    His “Symphony on a Hymn Tune” was composed during his Paris years. Thomson, like Aaron Copland and so many others, studied in France with Nadia Boulanger. The symphony was inspired by the composer’s memories of his Kansas City boyhood. The “Sunday best” of the church hymns occasionally gets tangled up in a few modernistic burrs – the exchanges between the violin, cello, trombone, and piccolo at the end of the first movement, for instance – but in 1928, it was a landmark in terms of helping to establish a distinctly American idiom.

    More austere, perhaps, is Thomson’s symphonic poem “Pilgrims and Pioneers” – but just stick around for the fiddle tunes.

    Finally, a seasonal work: the Concertino for Harp, Strings and Percussion, “Autumn” – according to Thomson, actually more of a “portrait of an artist ageing.”

    Happy birthday, Virgil Thomson (1896-1989) – and Happy Thanksgiving!


    Check out Thomson on TV!


    PHOTOS: Thomson, enjoying all his pleasures at once

  • Thomson’s Louisiana Story Pulitzer & Ormandy

    Thomson’s Louisiana Story Pulitzer & Ormandy

    Yesterday, I posted about Virgil Thomson. On this date in 1948, the Philadelphia Orchestra gave the first performance of Thomson’s “Louisiana Story Suite.” As I mentioned, “Louisiana Story” was the first – and so far only – film score to be awarded the Pulitzer Prize for Music.

    Robert Flaherty’s semi-documentary, commissioned by the Standard Oil Company, whitewashes the impact of oil drilling in the bayous, which barely impacts a Cajun boy’s adventures with his pet raccoon. Much more irksome is a pesky alligator, for which Thomson composed a fugue.

    I’d also like to take this opportunity to give a belated nod to Eugene Ormandy, whose birthday I missed on Nov. 18. Ormandy, of course, was music director and conductor of the Philadelphia Orchestra for 44 years.

    Praise be! Somebody posted Ormandy’s recording of “Louisiana Story” on YouTube. I’m not sure that it’s ever appeared on CD. At any rate, it is currently unavailable.

    Here’s the complete film, if you’re interested. The print, posted by a Russian(!), is much better than an alternative, murkier print, also posted, if you can forgive the foreign subtitles.

    https://www.youtube.com/watch?v=lSvBQOSqHGI

    Happy Thanksgiving, everyone. Be careful driving!

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