Tag: Mariusz Smolij

  • Discover Grazyna Bacewicz Polish Composer

    Discover Grazyna Bacewicz Polish Composer

    “I believe this is the most brilliant woman composer who ever was,” conductor Mariusz Smolij once said to me, concerning Grazyna Bacewicz.

    And he should know. Smolij, music director of the Riverside Symphonia, based in Lambertville, has an intimate familiarity with the music of his compatriot, having recorded her works for the Naxos label.

    But don’t take his word for it. Join me this afternoon on The Classical Network, as we’ll have a chance to sample some of it on the occasion of her birthday anniversary.

    Bacewicz, who lived from 1909 to 1969, studied at the Warsaw Conservatory and then in Paris with Nadia Boulanger. She is a most interesting, almost paradoxical figure, in that her music embraces a kind of cosmopolitan neo-classicism, but not at the expense of the folk inflections of her native Poland.

    She was an adept violinist and pianist, who survived a serious automobile accident. It ended her career as a performer, but allowed her to concentrate wholly on composition for the last 15 years of her life. She remained an energetic and prolific presence, also writing novels, short stories and memoirs.

    Though she is sometimes classified as a musical conservative, she retained her curiosity, in regard to all the most recent developments, and was always on the lookout for ways to expand her horizons as an artist. She composed four symphonies, 12 concertos, chamber and instrumental works, opera and ballet, incidental music and film scores.

    Smolij’s recording of Bacewicz’s Concerto for String Orchestra, of 1948, will be among my featured works, between 4 and 6 p.m. EST.

    Stick around – we’ll also salute the late pianist Peter Serkin, with performances of music by Max Reger and Mozart, on “Music from Marlboro,” beginning at 5:55. Note the special start time!

    Best just to tune in by 4:00 and let it go at that, on WWFM – The Classical Network and wwfm.org.

  • Grazyna Bacewicz Polish Composer Spotlight

    Grazyna Bacewicz Polish Composer Spotlight

    “I believe this is the most brilliant woman composer who ever was.” So says conductor Mariusz Smolij about Grazyna Bacewicz.

    Smolij, known in the Greater Delaware Valley as Music Director of the Riverside Symphonia, based in Lambertville, NJ, joins me this week on “The Lost Chord,” for the second installment in a two-part series, to talk about his recording projects for the Naxos label. His recorded repertoire focuses on neglected music by Eastern European composers, from Hungary, from his native Poland, and, in the case of Ernest Bloch, from Jewish tradition.

    Bacewicz, who lived from 1909 to 1969, studied at the Warsaw Conservatory and then in Paris with Nadia Boulanger. She is a most interesting, Janus-like figure, her music embracing a kind of cosmopolitan neo-classicism, but not at the expense of her Polish heritage. She was an adept violinist and pianist, who survived a serious automobile accident that allowed her to concentrate wholly on composition for the last 15 years of her life. She remained energetic and prolific, also writing novels, short stories and memoirs. Though she is sometimes classified as a musical conservative, she retained her curiosity in regard to new developments in composition and was always on the lookout for ways to expand her horizons as an artist. She composed four symphonies, 12 concertos, chamber and instrumental works, opera and ballet, incidental music and film scores.

    Smolij, who has directed the Riverside Symphonia for over 20 years, is also music director of the Acadiana Symphony Orchestra and Conservatory of Music in Lafayette, LA, and formerly associated with the Houston Symphony Orchestra and the New Jersey Symphony Orchestra. He has taught conducting at the School of Music at Northwestern University and was a founding violinist of the internationally acclaimed Penderecki String Quartet.

    Only I would elect to highlight music by a great woman composer on Father’s Day. Consider it payback for the year I did an Odysseus show on Mother’s Day!

    I hope you’ll join me for “Topping the Poles” – Mariusz Smolij’s recordings of Grazyna Bacewicz, first lady of Polish music – this Sunday night at 10 EDT, with a repeat Wednesday evening at 6; or listen to it later as a webcast at wwfm.org.


    PHOTOS: Mariusz Smolij (left) and Grazyna Bacewicz

  • Hungarian Music on “The Lost Chord”

    Hungarian Music on “The Lost Chord”

    Have you a hunger for Hungarian music?

    This Sunday night on “The Lost Chord,” I’ll be joined by Mariusz Smolij for the first of a two-part series, in which we sample from his recording projects for the Naxos label, focusing on Eastern European composers.

    Smolij is known in the Greater Delaware Valley as the Music Director of the Riverside Symphonia, based in Lambertville, NJ, which he has directed for over 20 years. He is also music director of the Acadiana Symphony Orchestra and Conservatory of Music in Lafayette, LA, and formerly associated with the Houston Symphony Orchestra and the New Jersey Symphony Orchestra. He has taught conducting at the music school of Northwestern University in Chicago and was a founding violinist of the internationally acclaimed Penderecki String Quartet.

    We’ll hear selections from a concert work by celebrated film composer Miklós Rózsa (he of “Ben-Hur” fame), as well as several by his lesser-known friend and colleague Eugene Zador.

    That’s “Famished for Hungary” – Mariusz Smolij’s recordings of Hungarian music for the Naxos label – this Sunday night at 10 EDT, with a repeat Wednesday evening at 6, on WWFM – The Classical Network; or listen to it later as a webcast at wwfm.org.


    PHOTO: Mariusz Smolij (right), Ross Amico (left), conspicuous product placement (center)

  • Smolij on Zádor Rózsa & Bacewicz at WWFM

    Smolij on Zádor Rózsa & Bacewicz at WWFM

    I’m very excited to have just had Mariusz Smolij into the studios at WWFM The Classical Network to talk about his outstanding recordings of music by Eugene Zádor, Miklós Rózsa and Grażyna Bacewicz for the Naxos label. We’ll enjoy some of these, along with Maestro Smolij’s insights, on two upcoming episodes of “The Lost Chord.”

    Smolij will conduct the Riverside Symphonia in music by Warlock, Bach, Grieg, and Haydn this Friday night at 8:00 at St. Martin of Tours Church in New Hope, PA.

  • Neo-Baroque Music on WPRB Today

    Neo-Baroque Music on WPRB Today

    If, for you, mention of the Baroque conjures images of recorders and harpsichords and beauty marks and shoes with big buckles on them, you’ve got another thing coming. Sure, if you tune in to WPRB this morning, you’ll get your share of concerti grossi, partitas, toccatas, chaconnes and fugues. However, none of them will have been composed before the turn of the 20th century. A few of them will even be from our own time.

    It’s a full morning of music of the “Neo-Baroque,” as we revel in the exuberance and melancholy of autumn, which for me is the most Baroque of the seasons. (Don’t ask me to explain. Maybe I’m just eating too many apples.)

    Along the way, we’ll manage to honor Paul Dukas, whose 150th birthday anniversary passed largely unrecognized on October 1, beyond perhaps a few more airings of “The Sorcerer’s Apprentice.” We’ll be listening to Dukas’ “Variations, Interlude and Finale on a Theme by Rameau.”

    As is often the case, I’m not really sure what else I’ll be playing, but it’s all in the box and ready to go. Among the pieces I would love to include – and sincerely hope I can get to – will be Hendrik Andriessen’s “Variations on a Theme by Couperin,” Paul Creston’s “Partita for Flute, Violin and Strings,” Ilja Hurnik’s “Sonata da camera,” Paul Lansky’s “Semi-Suite,” Julián Orbón’s “Concerto Grosso for String Quartet and Orchestra,” Roberto Sierra’s “Fantasia Corelliana,” Germaine Tailleferre’s “Concerto Grosso for 2 Pianos, Singers, Saxophones and Orchestra,” and, well, whatever else I’ve got on these 60 CDs I’ve toted in.

    In the 9:00 hour, we’ll be joined by special guests violinist Kinga Augustyn and conductor Mariusz Smolij. They’ll tell us a little bit about their upcoming appearance with the Riverside Symphonia, of which Smolij is music director. The program will include three violin crowd-pleasers, framed by two joyful serenades of Mozart and Dvořák. The concert will take place tomorrow night at 8, at St. Martin of Tours Church, in New Hope, Pa.

    I hope you’ll join me for music of the Neo-Baroque this morning, from 6 to 11 ET, on WPRB 103.3 FM or online at wprb.com. It will be played against a basso continuo of sleep-deprivation and befuddlement, on Classic Ross Amico.

    PHOTO: “Heavens, Tobias, what IS he playing?”

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