Tag: Martinu

  • Martinů Biography Rediscovered Bard Music Festival

    Martinů Biography Rediscovered Bard Music Festival

    This arrived in the mail the other day, as I continue to ramp up my preparations for this summer’s Bard Music Festival, to be devoted to the still undervalued Czech master Bohuslav Martinů.

    This is the first Martinů biography in English, written by the composer’s friend, Miloš Šafránek. While I expect it to be fairly authoritative, then, it is certainly not the last word on the subject, as the book was published in 1944, when the composer was still very much alive. (He died in 1959.) Not only does it NOT take in his entire career (he’d only written two of his six symphonies up to that point), surely there’s a mountain of information amassed by scholars over the intervening decades. So our knowledge of the man and our perspective and assessment of the composer’s accomplishments are bound to be quite different. Still, it will be interesting to read this first-hand account.

    It’s also a fun piece of history, as there’s a printed apology from the publisher in the front, explaining that wartime paper shortages have led to the decision to decrease the actual number of pages by increasing the number of words per page. The lean 127-page volume is illustrated with musical examples and glossy black-and-white photos and bolstered by a list of the composer’s “chief works,” a bibliography, and an index. So really, the text fills only about 120 pages.

    I had this book in my inventory back in the 1990s, but I sold it to cellist Steven Isserlis. What goes around comes around, and in February – some 30 years later – I heard Isserlis perform Martinů’s Cello Sonata No. 1, with pianist Connie Shih, on a concert of the Philadelphia Chamber Music Society!

    The Bard Music Festival, “Martinů and His World,” will be held at Bard College in Annandale-on-Hudson, NY, over two weekends, August 8-17.

    For more information, follow the link.

    https://fishercenter.bard.edu/whats-on/programs/bard-music-festival/

    And in case you missed my article on Martinů and Einstein in Princeton:

    https://www.communitynews.org/towns/princeton-echo/relatively-musical-albert-einstein-and-bohuslav-martin/article_64f724c8-f840-11ef-81f3-77d946927c50.html

    Fisher Center at Bard

  • Martinu A Quick Dive into the Composer

    Martinu A Quick Dive into the Composer

    Sorry, no time for a substantial post today. I’m writing about Bohuslav Martinu!

  • Martinů Festival at Bard: A Sleeping Giant Awakens

    Martinů Festival at Bard: A Sleeping Giant Awakens

    The sleeping giant of Czech music gets his own festival!

    Why is Bohuslav Martinů not better known? It’s one of the questions, I’m sure, that will be explored at the 35th annual Bard Music Festival, “Martinů and His World,” to be held largely on the campus of Bard College in Annandale-on-Hudson, NY, August 8-17.

    Over two weekends, conductor and Bard president Leon Botstein will oversee orchestral, orchestral/choral, and opera performances, at the helm of the American Symphony Orchestra and presumably Bard’s own The Orchestra Now (TŌN). Evening concerts will take place at the Sosnoff Theater, the state-of-art concert hall housed in the Frank Gehry-designed Fisher Center for the Performing Arts.

    Daylight concerts and panels will be held across campus in the more intimate surroundings of the 300-seat Olin Hall. Performers will include superb musicians and ensembles from the faculty of the Bard Conservatory, guests, and visiting artists with long relationships with the festival.

    Part of the Martinů problem is surely that he was so prolific, it’s difficult to summarize his significance by ferreting out the important works. For the uninitiated, getting one’s head around the composer’s output can be disorienting and overwhelming. Yet Martinů’s music is immediately appealing, generally easily digestible, and often a great deal of fun.

    Some of the works have a strong Czech national flavor, revealing a spiritual descent from the line of Dvořák and Smetana; others are evidently modernist, full of churning flywheels and motor rhythms, characteristic of a mechanized age; others still flirt with popular styles, especially jazz. He’s a unique mash-up of Bohemian, French, and American influences. His “modernism,” such as it is, is seldom at the expense of broadening passages of great lyrical beauty.

    I’m happy to see a few of my favorites represented: the Nonet, the Cello Sonata No. 3, the Flute Sonata, and the jazz sextet “La revue de cuisine.” Among the larger works will be the Symphonies Nos. 2 & 6, “The Epic of Gilgamesh,” and a semi-staged performance of his opera “Julietta.”

    This being Bard, there will be plenty of fascinating rarities by other hands, including a string quartet by Martinů student (and mistress) Vítězslava Kaprálová and a piano concertino I didn’t even know existed by his friend and champion Rudolf Firkušný.

    Also featured will be works by Iva Bittová, Aaron Copland, David Diamond, Antonín Dvořák, Petr Eben, Karel Husa, Leoš Janáček, Jaroslav Ježek, Arthur Honegger, Kryštof Mařatka, Jan Novák, Maurice Ravel, Jaroslav Řídký, Erwin Schulhoff, Josef Suk, Alexandre Tansman, Joan Tower, and Frank Zappa.

    For more information about “Martinů and His World,” visit

    https://fishercenter.bard.edu/whats-on/programs/bard-music-festival/?utm_source=wordfly&utm_medium=email&utm_campaign=2025-02-11SU25Announcement&utm_content=version_A

    The festival is the crown jewel in the diadem of Bard SummerScape, Bard’s annual celebration of the arts, which will take place July 27- August 17. Fans of Czech music will also eagerly anticipate a fully-stage production of Bedřich Smetana’s “Dalibor,” that will precede the Martinů festival, July 25-Aug 3.

    https://fishercenter.bard.edu/whats-on/programs/summerscape/

    Some of the events, including one of the performances of “Dalibor” will be available for livestreaming.

    The sleeping giant stirs. Set your alarms for Martinů!

    Fisher Center at Bard

  • May Day Madrigals on the Lost Chord

    May Day Madrigals on the Lost Chord

    Now is the month of maying!

    This Sunday night on “The Lost Chord,” at the end of a lusty day of reveling around the maypole and “playing barley-break,” unwind with three 20th century instrumental and orchestral works inspired by Renaissance madrigals.

    Tune in for Igor Stravinsky’s “Monumentum pro Gesualdo di Venosa,” Bohuslav Martinu’s “Three Madrigals” for violin and viola, and Joaquin Rodrigo’s “Concierto Madrigal,” a piece for two guitars and orchestra.

    Fie then! why sit we musing, youth’s sweet delight refusing? Celebrate May Day with “Unsung Madrigals,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


    Throwback to Merrie England

    Maypole dance from “La Fille mal gardée”

    Suite from Howard Hanson’s “Merry Mount” (after Hawthorne’s “The Maypole of Merry Mount”)

    A toast to Merrymount’s Thomas Morton

    https://almostchosenpeople.wordpress.com/tag/thomas-morton/

    Shakespeare, the May Pole and the Hobby Horse

    https://silibrary1.wordpress.com/tag/maypole/

    Welcoming the sun with a good old-fashioned morris dance

    May Day is for capering around the May Pole. Beltane is for embarrassing your parents.

    The May Day Fish-Slapping Dance and the Gavotte of the Long John Silvers

    “Now is the month of maying” on crumhorns

    Deer Man

    Fa la la la la la la la la, fa la la la la la la!

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