Tag: Movie Music

  • Remembering Jerry Goldsmith: A Film Music Legend

    Remembering Jerry Goldsmith: A Film Music Legend

    Oh, Jerry, I can’t tell you how much I miss you. What a joy it was to go to the movies when you were still alive. Of course, the movies got precipitously worse in your last decade, but you lent a degree of enjoyment even to the transparently crappy ones – even if it was combined with a lingering wistfulness for the glory days of the 1970s.

    I will always cherish your music for “The Flim Flam Man,” “Patton,” “Chinatown,” “Papillon,” “The Great Train Robbery,” “Star Trek: The Motion Picture,” and especially “The Wind and the Lion.”

    You often wound up playing second banana to John Williams (Williams got “Superman;” you got “Supergirl”), and a great many of the films you scored were unworthy of your talents, but you were always a professional (if at times a bit grouchy). I can recall many a moviegoing experience when your music wound up being the only redeeming quality.

    But that’s the price of being fast and good. You were often brought on, on very short notice, especially late in your career, to write replacement scores for bad movies. Still, every once in a while you were tossed a bone, as with “L.A. Confidential.”

    Criminally, you were honored with but a single Academy Award, for your work on “The Omen.” It was bad luck that “The Wind and the Lion” was released the same year as “Jaws.”

    How many people know you also worked in television, providing music for shows like “Gunsmoke” and “The Twilight Zone,” or that you wrote the theme music for “The Man from U.N.C.L.E.” and “The Waltons?”

    I confess I don’t share your enthusiasm for electronics, but I understand you felt it was something you needed to work through. At least you didn’t require an intervention like Maurice Jarre.

    What I would give to go see a quasi-intelligent, mainstream American movie again and see the credit, “Music by Jerry Goldsmith.” Those days will never come again, on any level.

    Happy birthday, Jerry. I hope they’re still making good movies where you are.

    “The Wind and the Lion”

    “Patton”
    https://www.youtube.com/watch?v=vdEy4GneZfw

    “Star Trek: The Motion Picture”

    PHOTO: Jerry Goldsmith (1929-2004)

  • Toy Movie Music Picture Perfect

    Toy Movie Music Picture Perfect

    Eesh. Two posts already today, and I forgot to mention “Picture Perfect!” What day is it, anyway? Holidays…

    With everyone still reeling from Christmas, I thought I would present an hour of music from movies about toys, including selections from “Citizen Kane” (shhh, don’t give it away), with music by Bernard Herrmann; “Pee Wee’s Big Adventure” (it’s in the basement of the Alamo!), with music by Danny Elfman; “Toccata for Toy Trains” (Charles and Ray Eames love vintage toys), with music by Elmer Bernstein; and “Toy Story” (not much of a stretch there), with music by Randy Newman.

    That’s toys everywhere this week, on “Picture Perfect,” music for the movies. I hope you’ll join me tonight at 6 ET, or for the repeat, tomorrow morning at 6; or that you’ll catch it later as a webcast at http://www.wwfm.org.

  • Sherlock Holmes Movie Music on Picture Perfect

    Sherlock Holmes Movie Music on Picture Perfect

    The game’s afoot!

    This week on “Picture Perfect,” it’s an hour of music from movies inspired by the world’s greatest detective.

    Intrada Records has released the soundtrack to Bruce Broughton’s “Young Sherlock Holmes,” which is finally making it to compact disc after the better part of three decades.

    Steven Spielberg produced the 1985 film, which offers a conjectural origins story, including Holmes and Watson’s first meeting as teenagers (ignoring the particulars laid out by Arthur Conan Doyle in his stories, with Watson already a war veteran who had served in Afghanistan).

    It’s all for fun, though it’s unfortunate the filmmakers felt the need to interject ‘80s-style special effects, rather than simply trust in the inherent magic of the subject matter. “Young Sherlock Holmes” features the first photorealistic, fully computer-generated character. Also, some Indiana Jones B-movie antics involving an Egyptian cult seem especially out of place.

    Interestingly, the film’s screenwriter, Chris Columbus, went on to direct the first two Harry Potter films. By my recollection, “Young Sherlock Holmes,” with its boarding school setting, has some of that same feel.

    The music is certainly buoyant and beautiful, in the best John Williams tradition. Broughton, who’s probably best-known for his rousing music for the western “Silverado,” was one of the great film music hopes of the 1980s. He did score a handful of big screen hits, notably “Tombstone,” though arguably it is in the medium of television that he’s made his greatest impact. Thus far, his work has been recognized with a record 10 Grammy Awards.

    Also featured will be selections from Hans Zimmer’s score for the Robert Downey, Jr., “Sherlock Holmes” (2009), Miklós Rózsa’s lovely, melancholy music for “The Private Life of Sherlock Holmes” (1970), and Henry Mancini’s theme for the tame Holmes comedy “Without a Clue” (1988).

    It’s elementary, my dear Watson. “Picture Perfect” can be heard this Friday evening at 6 ET, or later as a webcast, at http://www.wwfm.org.

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