Tag: Orchestral Music

  • Rediscovering Ulysses Kay: A Neglected American Voice

    Rediscovering Ulysses Kay: A Neglected American Voice

    Regrettably, the music of Ulysses Kay is under-represented in the current catalogue. His delightful “Six Dances for String Orchestra,” probably the lightest music he ever wrote, has been available sporadically on the Vox label, though always badly in need of a new recording. This Sunday night on “The Lost Chord,” we’ll hear one of those dances as part of an hour devoted to Kay’s music.

    Born in Tuscon, AZ, in 1917, Kay was the nephew of jazz musician King Oliver. His uncle encouraged him to study music formally. Likewise, he received moral support from William Grant Still, then recognized as the “Dean of Afro-American Composers.” Kay attended the University of Arizona, before heading on to the Eastman-School, where he studied with Howard Hanson and Bernard Rogers. Also influential were studies with Paul Hindemith at the Berkshire Music Center, and then Yale.

    Kay served in the United States Navy during World War II. He then continued his studies at Columbia with Otto Luening. A recipient of multiple scholarships, grants and awards, he was able to live and study abroad, in Rome, where he attended the American Academy, for several years.

    From 1953 to 1968, he worked for BMI. He was then appointed professor at Lehman College of the City University of New York, where he remained until his retirement, two decades later. A longtime resident of Teaneck, NJ, he composed orchestral, chamber, choral and instrumental works, and five operas. He died in 1995 at the age of 88.

    In addition to that dance for strings, we’ll also hear Kay’s work for trumpet and piano, “Tromba,” from 1985; a long out-of-print LP of his “Concerto for Orchestra,” recorded in 1953; and a suite from his film score to “The Quiet One,” from 1947. A quasi-documentary about an abused African American child and his subsequent coming of age, “The Quiet One” received an Oscar nomination for Best Story and Screenplay, and was listed by the New York Times and the National Board of Review as one of the ten best movies of 1948.

    I hope you’ll join me for “Giving Kay His Say,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    An interview with Kay conducted by Bruce Duffie:
    http://www.bruceduffie.com/kay.html


    PHOTO: Kay gets Lucky!

  • Copland Sensually Played Independence Day

    Copland Sensually Played Independence Day

    The most sensually played Copland you will ever hear. Happy Independence Day.

  • Thanksgiving with Copland’s Letter from Home

    Thanksgiving with Copland’s Letter from Home

    For Thanksgiving, here’s Aaron Copland’s “Letter from Home.” Best wishes to you and yours.

  • Charles Ives Fourth of July Patriotic Music

    Charles Ives Fourth of July Patriotic Music

    Happy Fourth, everyone!

    Charles Ives’ “The Fourth of July:”

    His program note:

    “It’s a boy’s ‘4th—no historical orations—no patriotic grandiloquences by ‘grown-ups’—no program in his yard! But he knows what he’s celebrating—better than most of the county politicians. And he goes at it in his own way, with a patriotism nearer kin to nature than jingoism. His festivities start in quiet of the midnight before, and grow raucous with the sun. Everybody knows what it’s like—if everybody doesn’t—Cannon on the Green, Village Band on Main Street, fire crackers, shanks mixed on cornets, strings around big toes, torpedoes, Church bells, lost finger, fifes, clam-chowder, a prize-fight, drum-corps, burnt shins, parades (in and out of step), saloons all closed (more drunks than usual), baseball game (Danbury All-Stars vs Beaver Brook Boys), pistols, mobbed umpire, Red, White, and Blue runaway horse,—and the day ends with the sky-rocket over the Church-steeple, just after the annual explosion sets the Town-Hall on fire. All this is not in the music,—not now.”

    More about it:

    http://www.npr.org/templates/story/story.php?storyId=92196531

    Be careful out there!

  • Leopold Stokowski on WWFM Today

    Leopold Stokowski on WWFM Today

    In just one half hour, get ready for LEOPOLD!

    It’s all-Stokowski between 2 & 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

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