Tag: Orchestral Music

  • Rimsky-Korsakov Birthday My Favorite Music

    Rimsky-Korsakov Birthday My Favorite Music

    Happy birthday, Nikolai Rimsky-Korsakov! I’ve always been a fan.


    Recommended Rimsky playlist:

    Ormandy and the “Procession of the Nobles” from “Mlada”

    Song of the Viking Guest from “Sadko,” with Mark Reizen

    Lots of intoxicating music in this staged performance of “Sadko” (complete, Gergiev conducting)

    Ernest Ansermet conducts the Symphony No. 2 “Antar,” a haunting work, full of beautiful melodies, that was once much better known

    Leopold Stokowski conducts the “Russian Easter Festival Overture,” employing a bass-baritone in place of a trombone solo, for maximum liturgical effect

    Evgeny Mravinsky conducts a suite from “The Invisible City of Kitezh”

    Mikhail Pletnev in Rimsky’s little-known gem, the Quintet for Piano and Winds

    Lily Pons sings the “Hymn to the Sun” from “Le coq d’or”

    Leif Segerstam conducts “Scheherazade,” with a highly unconventional, piratical conclusion

    “Flight of the Bumblebee” with real bees (!), courtesy of The Lost Fingers

  • Halloween Hobgoblin Chadwick Music

    Halloween Hobgoblin Chadwick Music

    31 DAYS OF HALLOWEEN (DAY 11)

    “Hobgoblin,” from the “Symphonic Sketches” of George Whitefield Chadwick

  • Bora Yoon Premieres Orchestral Work at Princeton

    Bora Yoon Premieres Orchestral Work at Princeton

    When Bora Yoon’s “The Wind of Two Koreas” is performed at Princeton University’s Richardson Auditorium on Saturday, July 20, it will be unique among her body of works.

    Yoon, a doctoral candidate at Princeton University, describes herself as an interdisciplinary composer. Typically her works assimilate classical, electronic, and cross-cultural elements and employ unconventional instruments and technologies. In this instance, however, she will be taking a more traditional approach, though not to the detriment of exploring some of her usual artistic concerns.

    In her first purely orchestral piece, Yoon will continue to draw musical connections to her heritage as an American of Korean descent and all of the paradoxical tensions she finds therein. But she’ll also be measuring herself against the early works of Igor Stravinsky.

    Yoon’s new piece will be heard on a concert that is the public face of this year’s New Jersey Symphony Orchestra Edward T. Cone Composition Institute, which will be held from July 15 through July 20.

    The Cone Institute, now in its sixth year, brings together representatives of the New Jersey Symphony Orchestra and the Princeton University Music Department to offer four emerging composers a unique laboratory experience.

    You can read more about it, Yoon, and the concert, in my article in this week’s U.S. 1 Newspaper – PrincetonInfo, out today.

    https://princetoninfo.com/a-premiere-for-princeton-composers-symphonic-expression/

  • Michael Torke July Slow News Day

    Michael Torke July Slow News Day

    Slow news day. Here’s Michael Torke’s “July.”

  • Celibidache Bruckner Viola Fever?

    Celibidache Bruckner Viola Fever?

    Celibidache has a fever, and the only prescription is more viola!

    We’ll have one of Celi’s divisive Bruckner performances this afternoon. Is it visionary, transcendent… or just painfully self-indulgent? If you’re up for a Brucknerian challenge, tune in, beginning around 2:25 EDT, to WWFM – The Classical Network or wwfm.org.

    VIOLA!

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