Tag: Richardson Auditorium

  • Anthony Roth Costanzo Returns to Princeton

    Anthony Roth Costanzo Returns to Princeton

    It’s been all high notes for countertenor Anthony Roth Costanzo since he graduated from Princeton University in 2004.

    This weekend, he returns a conquering hero – the winner of a 2022 Grammy Award (his third nomination), for his recording of John Corigliano’s “The Lord of Cries,” and the recipient of the Metropolitan Opera’s 2020 Beverly Sills Artist Award – to sing two works with the Princeton Symphony Orchestra.

    Costanzo will perform not only music by Baroque master George Frideric Handel – the aria “Quella fiamma” from the opera “Arminio” – but also a recent piece by Princeton alum Gregory Spears, “Love Story” – on a text by Tracy K. Smith, who served as U.S. Poet Laureate from 2017 to 2019 – written specifically for Costanzo on a commission from the New York Philharmonic in 2021.

    Princeton University graduate student Nina Shekhar’s “Lumina,” also premiered by the NYP, will open the program, which will conclude with a dramatic rollercoaster – and an audience favorite – Tchaikovsky’s Symphony No. 4.

    Music director Rossen Milanov will conduct at Richardson Auditorium, Saturday at 8 p.m. and Sunday at 4 p.m. A pre-concert talk will precede the Sunday performance at 3 p.m.

    In recent years, Costanzo has proved himself an Akhnaten for the ages, in New York and elsewhere. His performance in Philip Glass’ opera about the first monotheistic pharaoh was revelatory and a high point of the Met’s streaming during the pandemic.

    Costanzo headlined Corigliano’s Dracula opera at its debut in Santa Fe in 2021. He’s also created roles in Jimmy Lopez’s “Bel Canto” and Jack Heggie’s “Great Scott.” Clearly, opportunities for countertenors have expanded well beyond the 18th century.

    Witness Costanzo’s versatility firsthand this weekend with the PSO. For tickets and information, visit princetonsymphony.org.

  • Princeton Symphony Conjures Mazzoli’s Magic

    Play Missy for me.

    According to composer Missy Mazzoli, her Violin Concerto (Procession) “casts the soloist as a soothsayer, sorcerer, healer and pied piper-type character, leading the orchestra through five interconnected healing spells.”

    Jennifer Koh, the violinist for whom the work was written, will weave her magic with the @[100043116381457:2048:Princeton Symphony Orchestra] this weekend.

    Also on the program will be Felix Mendelssohn’s beguiling “Hebrides Overture (Fingal’s Cave),” inspired by a trip to Scotland, and Jean Sibelius’ alchemical Symphony No. 2, embraced at its premiere as a symbol of Finnish nationalism, but described by its composer as “a confession of the soul.“

    Kenneth Bean will conduct at Richardson Auditorium in Princeton University’s Alexander Hall, this Saturday at 8 p.m. and Sunday at 4 p.m. For more information, visit princetonsymphony.org.

  • NJ Symphony Celebrates a Century in Princeton

    A venerable orchestra, celebrating 100 years this season, will strike a balance with some-things-old and something new, when the @[100046173663486:2048:New Jersey Symphony] returns to Princeton University’s Richardson Auditorium this Friday at 8 p.m.

    Established classics by Wolfgang Amadeus Mozart and Anton Bruckner will flank a world premiere by Princeton composer Steven Mackey. Vocal soloists and the Princeton University Glee Club will join the orchestra, led by music director Xian Zhang.

    The program will be repeated at the New Jersey Performing Arts Center (NJPAC) in Newark on Saturday at 8 p.m. and at the State Theatre New Brunswick on Sunday at 3:00.

    Find out more about the concerts and a little bit of the orchestra’s colorful history in my article in this week’s @[100063792690234:2048:U.S. 1 Newspaper – PrincetonInfo], in area vending machines and local business, or online now.

  • Princeton Symphony Britten Elgar Weekend

    English music in Princeton this weekend: Benjamin Britten’s Violin Concerto, with Elina Vähälä, and one of my desert island favorites, Elgar’s “Enigma Variations.” (No Vaughan Williams, sadly.)

    The @[100043116381457:2048:Princeton Symphony Orchestra] performs on two concerts at Richardson Auditorium, Saturday evening at 8:00 and Sunday afternoon at 4:00. Tickets and information here: https://princetonsymphony.org/

  • Princeton Concerts Return Story Mishap

    Princeton Concerts Return Story Mishap

    Okay, so I’m the kind of guy who submits 1,930 words when the quota is 1200. I expected that there would have to be a little trimming.

    But as I was reading the online version of my latest article, posted this morning, I thought it peculiar that all the information about Princeton University Concerts, which I thought was to be the primary focus of the article, was cut!

    Then, as I continued to read, I realized it all started turning up at the bottom of the page. So after the opening, the second half of the article appears first, then the content I imagined would be closer to the top, and then it just kind of ends stone cold. So much for all my careful craftsmanship.

    In the final analysis, not all that much was actually cut. Some, but not as much as I anticipated. It just kind of turned out to be a topsy-turvy presentation of my article.

    But I really can’t complain – as long as the check is cut right-side up. It looks like I got the cover story!

    Read all about Marna Seltzer, director of Princeton University Concerts, and the return of PUC’s tent-pole chamber music series to Richardson Auditorium, in this week’s U.S. 1 newspaper.

    The cover:

    https://www.communitynews.org/princetoninfo/eeditions/page-page-01/page_f39e4886-dc06-5dc2-8c61-7bebba21e4c1.html

    The article:

    https://www.communitynews.org/princetoninfo/eeditions/page-page-13/page_003fe72c-0d12-5a04-ac66-5a4b8d978b79.html

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