Tag: Robert Moran

  • Lion King Flutist Philadelphia Encounter

    Lion King Flutist Philadelphia Encounter

    Yesterday, I was in Philadelphia to meet composer Robert Moran for lunch, and we wound up at Indian Restaurant (yes, that’s the name) at 1634 South Street. We were the only ones eating in, until the arrival of a third diner, who couldn’t help but overhear our fascinating conversation, as we sat in the window of the otherwise empty establishment. This is how we came to meet Darlene Drew, a musician, it turns out, in town with a touring production of “The Lion King.” That’s Darlene in the pit, during the show, playing no fewer than 13 ethnic flutes! She’s been doing this for 20 years, and has received a fair amount of press for it, as here, in Salt Lake City…

    and here, at the Kennedy Center:

    https://wjla.com/news/local/iconic-disney-the-lion-king-returns-kennedy-center-flutist-darlene-drew-plays-13-flutes-throughout-show-music-musician-performance?fbclid=IwAR0bMKMqThDI6ICxG6sfEFnmQk2aP5JytChOFNSyXJISZuuh5D0EIxS8L2M

    You can learn more about her at her website.

    https://www.darlenedrew.com/

    “The Lion King” continues in Philadelphia at the Academy of Music through September 10.


    PHOTOS: Fast friends in Philadelphia

  • Robert Moran Turns 86 Composer Interview & Music

    Robert Moran Turns 86 Composer Interview & Music

    Robert Moran is the only composer I’ve ever interviewed to produce two sizable wine glasses and proceed to top them off (several times) with chilled vodka from his freezer. It was quite the interesting conversation. Fortunately we were talking about his mystery play-cum-puppet pageant, “Game of the Antichrist.” Bob, a good friend for many years now, turns 86 today. Happy birthday, Bob! Keep on flying high (over Albania).

    An aria from Bob’s opera “Desert of Roses”

    Selections from “Trinity Requiem,” for the tenth anniversary of 9/11

    “Alice,” after Lewis Carroll, for Scottish Ballet

    Looking groovy and introducing his “Lunchbag Opera” for the BBC

    “Buddha Goes to Bayreuth”

    The Antichrist Summons a Musician

    “Modern Love Waltz” by Philip Glass, arranged by Robert Moran for accordion and cello

    “Waltz. In Memoriam Maurice Ravel”

  • Avraamov’s Symphony of Sirens: Moran’s Precursor

    Avraamov’s Symphony of Sirens: Moran’s Precursor

    Who knew? Anticipating by roughly fifty years the city-wide performance pieces of my friend, Philadelphia composer Robert Moran, was this work by Azerbaijani composer Arseny Avraamov.

    Moran gained notoriety in the late 1960s and early ‘70s through a series of events incorporating, respectively, the cities of San Francisco (“39 Minutes for 39 Autos”), Bethlehem, PA (“Hallelujah”), and Graz, Austria (“Pachelbel Promenade”). These involved tens of thousands of performers.

    With “39 minutes for 39 Autos,” Moran enlisted skyscrapers, airplanes, radio stations, musicians, dancers, and yes, automobiles, to create a one-of-a-kind, purely-of-the-moment spectacular of light and sound. Sooner or later, such a thing was bound to occur to a composer living in San Francisco in 1969.

    Avraamov, on the other hand, had his own motivation. He was celebrating the fifth anniversary of the October Revolution.

    Thanks to Debbie Smith for bringing to my attention this article about Avraamov and the centenary of his “Symphony of Sirens.”

    https://www.bbc.com/culture/article/20221103-arseny-avraamov-the-man-who-conducted-a-city

    On a related note, and wholly by coincidence, on November 20, I’ll be observing the centenary of Azerbaijani composer Fikret Amirov on “The Lost Chord” on WWFM – The Classical Network and wwfm.org!


    An atmospheric recreation of Avraamov’s “Symphony of Sirens”

    Sadly, to my knowledge, no such document exists of Moran’s city pieces, so we’ll just have to settle for his roughly contemporaneous “Lunchbag Opera”

  • 9/11 Reflection Music Solace & Memory

    9/11 Reflection Music Solace & Memory

    9/11: A morning for reflection. The horror and surreality of that September morning, now 21 years ago, will never be forgotten. When my telephone (a land line!) rang around 9:00, I was already at work on my home computer (a Macintosh!), oblivious to the news. I picked up. A friend was on the line. She said a plane had crashed into the World Trade Center. I imagined the Empire State Building and the B-25 accident, back in the 1940s. I was thinking maybe a piper. Bad enough in itself, certainly, but accidents do happen. Then she said one of the towers “fell over.” That was what sent me to the TV.

    I had parents in the air that morning, on the way to China. The first leg of their journey took them west across Pennsylvania. Thankfully, they were not on United States Airlines Flight 93, that crashed near Shanksville, southeast of Pittsburgh, at 10:03.

    The phone lines were jammed. Nobody owned a cell phone. It was a long day until I learned that their flight had been grounded in Pittsburgh.

    My heart goes out to those who died senselessly, and for their survivors, for whom the day remains most vivid and painful, I’m sure.

    It was a dark turning point for America at the start of a new century, and a new millennium. I wonder if we ever fully appreciated how good we had it here in the halcyon days of the late 20th century?

    Not surprisingly, there has been a lot of music written in response to the horrific events of that morning, and the pain, heroism, and sacrifice. I’ve heard a lot of it, and for me, none of it as successful as Robert Moran’s “Trinity Requiem,” a masterpiece of solace and consolation.

    The work was composed in 2011 for Trinity Wall Street, the so-called “Ground Zero Church” in Lower Manhattan, to mark the tenth anniversary of the attacks.

    Here’s an interview I recorded with Bob shortly after the release of the CD (which I tweaked for rebroadcast last year), followed by a complete performance of the piece, a great balm for troubled times. If you’re not in the mood for the chit-chat, jump to the 16-minute mark for some truly lovely, reflective music.

    https://www.wwfm.org/webcasts/2021-09-02/the-lost-chord-september-5-the-persistence-of-memory

  • Happy Birthday Robert Moran Composer & Legend

    Happy Birthday Robert Moran Composer & Legend

    Happy birthday, Robert Moran, the only composer who’s had the wisdom to repeatedly top off my wine glass with chilled vodka in the middle of recording an interview at his home. Keep on flying high (over Albania)!

    An aria from Bob’s opera “Desert of Roses”

    Selections from “Trinity Requiem”

    “Alice” for Scottish Ballet

    Looking groovy and introducing his “Lunchbag Opera” for the BBC

    “Buddha Goes to Bayreuth”

    “Modern Love Waltz” by Philip Glass, arranged by Robert Moran for accordion and cello

    “Waltz. In Memoriam Maurice Ravel”

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