Tag: Ross Amico

  • Shostakovich McQueen Webcasts Are Here

    Shostakovich McQueen Webcasts Are Here

    My weekend shows, “Bustin’ Out of the Joint” (on “Picture Perfect”) and “Black and White and Red All Over” (on “The Lost Chord”), are now posted as webcasts. Not bad! Only four hours late this time.

    At any rate, if you missed the Shostakovich show because of the Super Bowl, or can’t get enough of Steve McQueen jumping over barbed wire on a motorcycle, you’ve just been handed a gift. Or a file baked in a cake. Select the show you want, and click on the “Listen” button.

    Picture Perfect:

    https://www.wwfm.org/programs/picture-perfect-ross-amico

    The Lost Chord:

    https://www.wwfm.org/programs/lost-chord-ross-amico

  • Lost Chord & Picture Perfect Archives Updated

    Lost Chord & Picture Perfect Archives Updated

    I am happy to announce, on the heels of having caught up yesterday on my “Picture Perfect” webcasts, I have now uploaded all my past-due programs of “The Lost Chord.”

    Everything should be up to date, on the station website, and ready for your listening pleasure.

    You can scroll through the offerings after you follow the link below. Look for the “Listen” button once you click on an individual show.

    Going forward, both of my recorded programs, “Picture Perfect” and “The Lost Chord,” should be uploaded on Monday afternoon, probably around 3 p.m., following their weekend broadcast.

    Please let me know if you encounter any difficulties. Again, thank you for your patience. I was lost, but now I am found!

    https://www.wwfm.org/programs/lost-chord-ross-amico

    I have also located the audio for the October 11th “Picture Perfect,” focusing on the films of Brian De Palma. So that’s been uploaded too, to the “Picture Perfect” archive.

    https://www.wwfm.org/programs/picture-perfect-ross-amico

  • Picture Perfect Webcasts Now Online!

    Picture Perfect Webcasts Now Online!

    I spent my afternoon air shift, when not on microphone, uploading all my past-due “Picture Perfect” webcasts – going all the way back to the spring! Clearly, I have been less than perfect about following through.

    At any rate, they should all be up there now, on the station website, available for your listening edification. All except the Brian De Palma show that aired on October 11. I still have to locate the audio for that one… Also, last year’s Oscar party, a three-hour extravaganza, broadcast on February 22, was done live. There is no recording.

    You can scroll through everything when you follow the link below. You’ll find the “Listen” button when you click on the individual shows.

    Please let me know if you encounter any difficulties. Thank you for your patience, my long-suffering fans and fellow admirers of film music! I hope to get the past-due files for “The Lost Chord” up tomorrow.

    https://www.wwfm.org/programs/picture-perfect-ross-amico

  • WWFM Gratitude Gala: A Haunting & Future Support

    WWFM Gratitude Gala: A Haunting & Future Support

    For anyone who missed it, here I am, haunting the bar at last night’s WWFM Gratitude Gala – to my knowledge, the only documented proof of my attendance. (That’s coffee in the cup, by the way.)

    If you are a supporter of the station, thank you. I met some very nice people and made a few contacts that may allow me to produce further installments of “Picture Perfect.”

    If you think it’s not in your budget to contribute enough to make a difference as an underwriter, we are now offering the option of supporting our specialty shows as part of a consortium. That means the station will act as matchmaker, pooling donations from multiple sources in order to fund individual programs.

    If that sounds like something you would like to do, to spruce up and ensure the future of your favorite shows, contact the station at 609-587-8989, during business hours – be sure to specify “Picture Perfect” or “The Lost Chord,” if that is your intention – or private message me here.

    It was great fun to jawbone with George Marriner Maull, of the Discovery Orchestra and “Inside Music,” and Joseph Horowitz and Angel-Gil Ordóñez, of the PostClassical Ensemble. It was also good to reconnect with some of the other hosts I myself seldom see.

    Of course, nothing eclipses a nice compliment, of which I gratefully received several. I am always deeply appreciative, humbled even, by sincere praise from obviously engaged listeners. Last night, one of them even sang the theme from John Williams’ “Dracula” for me. That’s NOT one of his better-known scores. Thanks to all those who attended.


    PHOTO: Classic Ross Amico, all blurred-out like Sasquatch

  • Sleepless Week Apes Deadlines and Local Music

    Sleepless Week Apes Deadlines and Local Music

    What a week it’s been! It’s getting so that a guy can’t simply procrastinate and push a deadline on a newspaper article. This week, I was late because I had no choice. (Of course, the fact that the would-be subject was incommunicado in New Mexico didn’t help.)

    On top of this, my radio shifts, my volunteer work, and certain personal obligations, I knew I had to push myself if I was ever going to get the new Planet of the Apes boxed set on to “Picture Perfect.” Even getting four or five hours sleep on three consecutive nights, there was not enough time in the day. The “Apes” show was recorded and in the can only by around 1:00 on Friday afternoon. (Deadline for weekend shows is Thursday.)

    That in itself might not be enough to draw sympathetic tears, but when I produce new material for “Picture Perfect” and “The Lost Chord,” I do not get paid. The only way I receive compensation for all my hard work is if the shows have an underwriter. And I’ve been working without an underwriter for over a year. Which is why, from time to time, you may dimly recollect having once or twice previously heard a show. I’m pretty good at disguising leftovers, but in a pinch and at the end of a long week, sometimes I just have to dole out a rerun.

    With my schedule, If I’m to produce a new show for free, I really have to be enthusiastic about it.

    How can you help? You can message me with any suggestions for potential underwriters.

    Also, in connection to my newspaper work, if you have any ideas for really interesting, music-related stories with a local slant, please let me know. The local slant is important. U.S. 1 (based in Princeton) prefers to emphasize a community angle. While the story can certainly tie in with your favorite organization’s upcoming concert, the hook should be something that inspires community interest.

    That said, if they’re planning an important or unique concert, a profile of the organization, performer or conductor may be enough. But if they’ve been profiled recently, please don’t be disappointed if I can’t get the go-ahead to do the story, and they wind up as a listing in the arts calendar.

    Again, please feel free to message me with any leads or suggestions. Thank you for your help in keeping Classic Ross Amico solvent (if sleepless).

Tag Cloud

Aaron Copland (92) Beethoven (95) Composer (114) Film Music (123) Film Score (143) Film Scores (255) Halloween (94) John Williams (187) KWAX (229) Leonard Bernstein (101) Marlboro Music Festival (125) Movie Music (138) Opera (202) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

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