Tag: Ruth Gipps

  • MLSO Shines with Gipps Bloch & Vaughan Williams

    MLSO Shines with Gipps Bloch & Vaughan Williams

    The Main Line Symphony Orchestra and conductor Don Liuzzi deserve breakfast in bed – an English breakfast, of course – for last night’s impressive rendering of Ruth Gipps’ Symphony No. 2, a work I never dreamed I would ever get to hear live. Their performance of Ernest Bloch’s “Schelomo,” with the Philadelphia Orchestra’s Yumi Kendall the cello soloist, was also very fine. Of course, I can turn down no opportunity to hear Vaughan Williams’ Symphony No. 5. The program will be repeated at Reform Congregation Keneseth Israel in Elkins Park, PA, this afternoon at 1:00. Thank you, MLSO!

    For more information, visit http://www.mlso.org.

  • Main Line Symphony’s Rare Gems

    Main Line Symphony’s Rare Gems

    I am looking forward to this ambitious program tomorrow night with the Main Line Symphony Orchestra. Vaughan Williams’ Symphony No. 5, of course, is a longtime favorite, and somehow the stars have aligned so that I’ll have heard it three times within two months! Quite a harvest, considering Vaughan Williams’ music is so rarely done – beyond the “Fantasia on a Theme by Thomas Tallis” and “The Lark Ascending” – by American orchestras. In this instance, however, there is an added incentive in the inclusion, to open the concert, of Ruth Gipps’ Symphony No. 2.

    Gipps, who lived from 1921 to 1999, was a Vaughan Williams pupil. At 26, she became the youngest English woman ever to receive a doctorate in music. Her mastery of both the oboe and piano suggested a promising future as soloist in virtuoso concert works. However, a shoulder injury, suffered in her early 30s, caused her to shift her focus primarily to composition. Along the way, she also founded two orchestras and directed a choral ensemble.

    Despite early success (her tone poem, “Knight in Armour,” was performed at the Last Night of the Proms in 1942), she encountered resistance in a field dominated by men. No doubt this contributed to her steely resolve. She was tenacious. Some found her off-putting.

    In all, she left five symphonies, a respectable number of concertos and concertante works, chamber and instrumental music, and choral pieces. Hopefully, this is a harbinger of more Gipps to come, as her works are being revived and recorded. In fact, I have two recordings of this particular symphony, but I never dreamed I would ever hear it in person!

    Also on the program will be Ernest Bloch’s “Schelomo,” with Yumi Kendall, assistant principal cello of the Philadelphia Orchestra, the soloist. Don Liuzzi, Philly’s longtime principal timpanist, is the Main Line Symphony Orchestra’s music director.

    The concert will be presented at Valley Forge Middle School in Wayne, PA, tomorrow night, Friday, at 8 p.m. The program will be repeated at Reform Congregation Keneseth Israel in Elkins Park, PA, Saturday at 1 p.m.

    For tickets and information, visit http://www.mlso.org.

  • Vaughan Williams Concerts US 2023-24

    Vaughan Williams Concerts US 2023-24

    I know I’ve groused about the lack of Vaughan Williams performances in the United States, especially last year, surrounding the composer’s sesquicentenary, while seemingly the party never stopped – and continues – in the U.K.

    This year, things are looking a little better, with more Vaughan Williams performances across the U.S. I can’t make all of these, of course – it’s a big country, and I’ve got limited resources – but, if I am able to make arrangements, I am game for anything roughly down to the D.C area, possibly up to Boston, and as far west as Pittsburgh.

    In the U.S., you’re most likely to encounter the composer’s choral and vocal works. Beyond the “Fantasia on a Theme by Thomas Tallis” and “The Lark Ascending,” performances of the big orchestral pieces by major orchestras are rare.

    Here are some RVW performances that have come to my attention for the 2023-24 season, with a special emphasis on fairly local performances scheduled to take place over the next seven weeks or so.

    Wouldn’t you know it, my favorite of the symphonies, the Symphony No. 5, makes a strong showing this year. Unfortunately, I’ve got scheduling conflicts for both performances by the Baltimore Symphony Orchestra, which will take place this Thursday and Saturday. Sir Andrew Davis will conduct. If you’re in the Baltimore area, go!

    https://my.bsomusic.org/overview/18271

    Happily, there’s another performance this week, by the New Jersey Festival Orchestra, and it will be held only about an hour from where I live. The concert will take place on Friday at 7 p.m. at St. Helen’s Church, 1600 Rahway Ave., in Westfield, NJ. Also on the program will be Beethoven’s Fifth. David Wroe will conduct.

    https://www.njfestivalorchestra.org/concerts

    Then on November 4 at 7:30 p.m., the Southeastern Pennsylvania Symphony Orchestra will perform the Fifth at Calvary Baptist Church, 1380 S. Valley Forge Road, in Lansdale, PA – again, for me about an hour away. Also on the program will be Elgar’s “Enigma Variations.” Allan R. Scott will conduct.

    https://www.spso.info/concert-ii-elgars-enigma/

    Not to be outdone, the Main Line Symphony Orchestra will perform the Fifth on November 17 at 8 p.m., again about an hour away, at Valley Forge Middle School in Wayne, PA. The latter concert is especially attractive in that the Symphony No. 2 by Vaughan Williams pupil Ruth Gipps will also be performed. Ernest Bloch’s “Schelomo” will feature as soloist Philadelphia Orchestra cellist Yumi Kendall. The conductor will be Don Liuzzi, also of the Philadelphia Orchestra.

    https://www.mlso.org/concerts.htm

    That’s a lot of Fifths! With the exception of the Baltimore performances, which, as I say, I cannot make, I will do my best to attend the rest.

    More astonishingly, the Symphony No. 8 will be undertaken by the New Conductors Orchestra at Good Shepherd-Faith Church, 152 W. 66th St., in New York City, on Oct. 21 at 8 p.m. & Oct. 22 at 6 p.m. I say astonishingly, because the percussion section in this work is quite lavish, including tuned gongs, which makes me wonder if there will be substitutions. Also on the program will be works by Kabalevsky, Smetana, and Gershwin. The program’s conductors will include Eric R. Stewart, Hannah Nacheman, and Mark Powell.

    https://www.newconductorsorchestra.org/concerts

    Anyone know of any other Vaughan Williams concerts, between Boston and D.C.? If so, let me know!

    A cursory glance at 2023-24 concert schedules across the U.S. reveals the Utah Symphony will perform the Symphony No. 5 with Donald Runnicles on January 12 & 13; the Los Angeles Philharmonic will perform the Symphony No. 8 with Simone Young on April 4, 6 & 7; the Seattle Symphony will perform the “Sinfonia Antartica” with Gemma New on April 25, 27 & 28; the Charlotte Symphony will perform “A Sea Symphony” with Christopher Warren-Green on April 26 & 27; and the Colorado Symphony will perform “A Sea Symphony” with Peter Oundjian on May 18 & 19.

    Surely, there are others, especially among regional orchestras. The Oboe Concerto is being done with the Saint Louis Symphony Orchestra on December 1, the Illinois Symphony Orchestra on April 12 & 13, and the Fort Worth Symphony Orchestra on March 1-3. Perhaps elsewhere?

    I probably won’t be able to make these farther-flung concerts, but perhaps you can?

    EDIT: Sincere thanks to David Woodward for informing me that the Colorado Symphony Orchestra will also perform the “Serenade to Music,” with Duain Wolfe conducting, Nov. 17-19.

    And thanks also to Byron Adams for pointing out that “Serenade to Music” is also on this season’s concerts of the Portland Symphony Orchestra. It was performed there this past weekend.


    PHOTO: Harvesting a veritable bumper crop of Vaughan Williams

  • Christmas Music Book Haul Gipps Grondahl Ives

    Christmas Music Book Haul Gipps Grondahl Ives

    Too late to post anything of substance today, so I’m just sharing some highlights from my Christmas booty: two CDs of unusual and neglected repertoire (orchestral works by English composer Ruth Gipps and piano music by Norwegian composer Agathe Backer Grøndahl) and two books (“Mad Music: Charles Ives, the Nostalgic Rebel” by Stephen Budiansky and “Vaughan Williams” by Eric Saylor) — all new except the Ives bio, which was issued in 2014. Something must have happened to Santa’s naughty list!

  • Florence Price Rediscovered A Women’s Day Gift

    Florence Price Rediscovered A Women’s Day Gift

    Only yesterday, I was enjoying BBC Radio 3’s programming of wall-to-wall women composers, for International Women’s Day (after first attending a Ruth Gipps video conference in honor of her centenary), and now this comes my way from two different sources – a rediscovered piece by American composer Florence Price. If you haven’t heard it yet, I’m sharing it here.

    https://www.bbc.com/news/entertainment-arts-56322440

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