Tag: Sean Connery

  • Outland Space Western with Sean Connery

    Outland Space Western with Sean Connery

    By the late 1970s, John Wayne was dead and the enduring genre of the American movie western was left a high-plains drifter.

    Sure, there were revisionist westerns and elegiac westerns and, from beyond our borders, spaghetti westerns and even acid westerns. But by and large, the great tradition of sundrenched morality tales, with white hats beating black hats to lay the cornerstones of justice and civilization, had run their course.

    Still, never underestimate the resonance of a good myth.

    In the wake of “Star Wars,” with its space cowboys, cantinas, and laser sidearms, shoot-‘em-ups and showdowns were increasingly cast on distant worlds, though all-too-frequently without the uncomplicated, “classic western” moral gravitas.

    A notable exception is “Outland” (1981), a gritty update of “High Noon,” transplanted to a mining colony on one of the moons of Jupiter. Sean Connery plays the upright marshal who, like Gary Cooper’s Will Kane, is left to stand alone against hired gunmen.

    Space truly is the final frontier, as Roy and I discuss “Outland” on the next Roy’s Tie-Dye Sci-Fi Corner. We’ll be looking for armchair deputies in the comments section, when we livestream on Facebook, YouTube, etc., this Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

  • Trains on Film: Music for Movie Lovers

    Trains on Film: Music for Movie Lovers

    Trains have always been very good for drama. They are symbols of departures and arrivals. They are conveyors of prisoners and vehicles of escape. They are objects of romance and objects to “hobo around” on. They are harbingers of civilization, and they are transports be robbed. You can fight on top of them. You can make out with Eva Marie Saint, or you can protect Marie Windsor so that she can testify against the mob. You can shuffle off to Buffalo.

    From the beginning, trains have provided good escapist fun at the movies. This week on “Picture Perfect,” we’ve got an hour of music from four memorable films in which trains play an important role.

    In “Strangers on a Train” (1951), arguably Alfred Hitchcock’s most underrated film of the 1950s, Farley Granger plays a tennis pro who unwittingly becomes involved in a double-murder plot (criss-cross!) through a chance encounter on a passenger train with a psychopath named Bruno (probably Robert Walker’s finest performance). The music is by Dimitri Tiomkin, who scored four films for Hitch – including “Shadow of a Doubt,” “I Confess,” and “Dial M for Murder.”

    Burt Lancaster stars in a film titled, simply, “The Train” (1964), as a reluctant railroad inspector who is persuaded to join the French Underground’s efforts to delay the transport of masterpieces looted from the museums of Paris by the Nazis, since Allied liberation of France is imminent. Paul Scofield plays the art-loving German officer determined to move the art at all costs. Real trains were destroyed in the making of the film, real dynamite was employed, and Lancaster, as was often the case, did all his own stunts. The score is by Maurice Jarre.

    “Murder on the Orient Express” (1974) is based on one of the best-known Agatha Christie vehicles involving her recurring character, celebrated detective Hercule Poirot. The late Albert Finney portrays Poirot most memorably in this, the first and best of the all-star Christie thrillers, set on a long-distance passenger train connecting Paris to Istanbul. The list of suspects includes Lauren Bacall, Martin Balsam, Ingrid Bergman, Sean Connery, John Gielgud, Anthony Perkins, Richard Widmark, and Michael York. The unforgettable score is by Richard Rodney Bennett.

    Finally, we turn to the lighthearted caper “The Great Train Robbery” (1979), starring Sean Connery, Donald Sutherland, and Leslie-Anne Down. Michael Crichton wrote the screenplay, after his own novel, which in turn was based on an actual historical incident – an 1855 heist, in which an unbelievable amount of gold disappeared from a moving train. Crichton also directed the film. The music is by the great Jerry Goldsmith.

    All aboard! We’ll be taking the train today, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    TOP: Sutherland and Connery

    BOTTOM (left to right): Farley Granger and Alfred Hitchcock pass in the night; Finney as Hercule Poirot; Lancaster means business

  • Darby O’Gill Sean Connery & Wee Folk

    Darby O’Gill Sean Connery & Wee Folk

    It’s the “come hither” King Brian will be putting on you, on the next Roy’s Tie-Dye Sci-Fi Corner, as we settle in with our clay pipes, and with our pints in our fists, to discuss “Darby O’Gill and the Little People” (1959).

    Walt Disney’s tall tale about the wee folk makes clever use of matte paintings and forced perspective shots of a type later embraced by Peter Jackson in “The Lord of the Rings” trilogy. But no special effect can disguise a 29 year-old Sean Connery, singing and flashing his dimples, as he attempts to handle a scythe.

    Draw we round the cheerful ring. Two days after St. Paddy’s, we’ll be doling out the blarney, and laughing and weeping and donnybrooking for 60 hours and counting. Leave an eight-pack of Guinness in the comments section. There’s a pot of gold at the end of every rainbow, as we livestream on Facebook, this Friday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner

  • Perfect Match Murders Live Stream Darby O’Gill Review

    Perfect Match Murders Live Stream Darby O’Gill Review

    The tie-dye is at the dry cleaners this weekend, as Roy takes off to appear in another mystery, “The Perfect Match Murders,” courtesy of Country Gate Players in Belvidere, NJ. Performances will be live-streamed, via Zoom, tomorrow at 8 pm EST and Sunday at 2 pm EDT. Admission is free, but donations help support the playhouse, which has been hard hit, like everyone else, by the deprivations of Covid. To register, visit billscurato.com.

    Roy and I will reunite next Friday to chase away your delirium tremens, with a post-St. Patrick’s Day discussion of “Darby O’Gill and the Little People” (1959). This Walt Disney classic pioneered forced perspective effects of a type employed so effectively in Peter Jackson’s “The Lord of the Rings” trilogy. Furthermore, it boasts an early film appearance by the late Sean Connery.

    Be sure and save yourself a hair of the dog. We’ll see you next Friday, even as we’re seeing double, on Roy’s Tie-Dye Sci-Fi Corner.

    https://www.facebook.com/roystiedyescificorner

  • Britten’s Birthday Sean Connery Orchestra Guide

    Britten’s Birthday Sean Connery Orchestra Guide

    Not only is it St. Cecilia’s Day (Cecilia being the patron saint of music), it also happens to be Benjamin Britten’s birthday. Hear Sean Connery narrate Britten’s “The Young Person’s Guide to the Orchestra.”

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