Tag: Stop-Motion Animation

  • Quay Brothers, UArts Closure & Philly’s Arts Scene

    Quay Brothers, UArts Closure & Philly’s Arts Scene

    When Philadelphia’s University of the Arts slammed its gates with only one week’s notice on June 7th, it was an abrupt conclusion to its 150-year history. Among the countless artists the school fostered were the Brothers Quay, Stephen and Timothy, the unnerving stop-motion animators, who, by coincidence, were born on this date in 1947.

    The first film I ever saw by them, on the big screen, was “Street of Crocodiles” (1986) – moody, atmospheric, surreal, unsettling, claustrophobic, and even a little creepy. It’s like an animated cabinet of curiosities, or perhaps being locked overnight inside Philadelphia’s Mütter Museum. If you’re not familiar with it, the museum is home to a preserved nine-foot colon from 1892, a collection of syphilitic skulls, a two-headed fetus, a segment of Einstein’s brain, and a tumor removed from the jawbone of President Grover Cleveland. Book your reservation now! Having lived in Philadelphia for 32 years myself, I’d say, yes, the Quays pretty much nailed it. Philadelphia, after all, left its mark not only on the brothers, but also David Lynch. It’s a good introduction to their aesthetic sensibility. Experience “Street of Crocodiles” here:

    The Quay Brothers have always been strongly influenced by literature and classical music. They’ve even expanded into stage design for live opera productions of works such as Prokofiev’s “The Love for Three Oranges” and Louis Andriessen’s “Theatre of the World.”

    I say they were born on this date “by coincidence,” as today also happens to be the anniversary of the birth of Igor Stravinsky, and my original intention had been to share a link to the Quays’ 1983 short, “Igor, The Paris Years Chez Pleyel.” You can experience that here too:

    The University of the Arts’ post-closure drama continues, with the most recent news announcing tentative agreements with six other schools now poised to try to help displaced students to pick up the pieces of their lives and continue their education. These include the already overburdened Moore College of Art and Design, Drexel University, Temple University, Montclair State University, Point Park in Pittsburgh, and The New School in New York City. In the meantime, there’s a gaping hole left in Center City, all around the Kimmel Center for the Performing Arts, home of the Philadelphia Orchestra.

    With the announcement earlier this year of the discontinuation of the degree program at the Pennsylvania Academy of Fine Arts, a 200 year-old institution located at Broad and Cherry Streets, it’s a double black eye for Philadelphia’s so-called Avenue of the Arts.

    And you thought “The Rite of Spring” was brutal.

    Happy birthday, Igor Stravinsky – and the Brothers Quay!

    https://believemedia.com/brothers-quay

    Curious about visiting the Mütter?

    Mütter Museum

    160 years after its founding, the museum continues to stir controversy

    https://www.phillymag.com/news/2023/09/23/mutter-museum-ethics-controversy/

  • Reimagine Christmas with Folklore & Film

    Reimagine Christmas with Folklore & Film

    Only ten days into the month of December, and you’re already played-out on all the tinsel and consumerism? Reinvigorate your Christmas spirit with Nikolai Rimsky-Korsakov and Władysław Starewicz!

    Rimsky-Korsakov’s “Christmas Eve” was given its first performance at St. Petersburg’s Mariinsky Theater on this date in 1895. The opera, based on a story from Nikolai Gogol’s collection “Evenings on a Farm Near Dikanka,” is part fairy tale and part farce. Gogol’s source material is steeped in Ukrainian folklore.

    In Ukraine, Christmas Eve is a solemn occasion, marked by fasts and sacred services. Meatless dishes are served for Holy Night supper. But there are also carols. And the caroling is no simple singing of Christmas songs! Similar to the mumming traditions of the British Isles, there is also a fair amount of play involved, with ritualistic dancing and even the participation of a live goat. As in the West, pre-Christian symbols and rituals are embraced in the celebration of Christmas, to lend cheer to the shortest days and hope for a fertile spring.

    With this in mind, is it any surprise that Gogol’s story tells of the theft of the moon by the Devil, amorous peasants secreting themselves in burlap sacks, and a ride through the air, on the Devil’s back, to collect the Tsarina’s slippers?

    My preferred recording of Rimsky-Korsakov’s “Christmas Eve” is still the one from 1948, conducted by Nikolai Golovanov:

    In 1912, Starewicz, Polish-born Russian pioneer of stop-motion animation, directed a live-action adaptation of the tale, called “The Night Before Christmas.” Here it’s silent, so you’ll have to provide your own soundtrack. At least the intertitles are translated:

    More wondrous still is Starewicz’s animated classic, “The Insects’ Christmas,” from 1911. It’s not Christmas until beetles skate to Tchaikovsky’s “The Seasons.” Watch it now and be astonished!

    Starewicz directed a number of films on subjects that were also made into operas, by Rimsky, Tchaikovsky, Mussorgsky, and Glinka, including adaptations of “Russlan and Ludmilla” (1913), “The Snow Maiden” (1914), “The Sorotchninsk Fair” (1918), and “May Night” (1918).

    With the holidays awash in silver and gold, I’ll be soaking in horilka for Christmas.

    Z Rizdvom Khrystovym!

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