Tag: Sweetness and Light

  • Mother’s Day Music on KWAX

    Mother’s Day Music on KWAX

    In a rare display of efficiency and common sense, learned from Mom, I promote both my Saturday specialty shows – “Sweetness and Light” and “The Lost Chord” – within a single post, under the unifying theme of Mother’s Day.

    First the light stuff, as we indulge in a suite of sweets on nursery themes by Grace Williams, Charles Williams, and Vaughan Williams (all unrelated). Also, Wolfgang Amadeus Williams – er, I mean Mozart.

    Of course, Mom deserves more, so we’ll also hear Yo-Yo Ma (despite his name, not really a mother, though if inflected a certain way when spoken, guaranteed to get Mom’s attention) and Luciano Pavarotti (accompanied by Henry Mancini, no less).

    Start the day with a musical candygram on “Sweetness and Light, this Saturday morning at 11:00 EDT/8:00 EDT.

    Then drop back later, as we go long-hair, on “The Lost Chord,” with an hour of more substantial works honoring mothers.

    Josef Suk, former pupil and son-in-law of Antonín Dvořák, composed the bittersweet cycle of piano pieces “About Mother” to enshrine his tenderest memories of his wife – Dvořák’s daughter Ottilie – in music, for his son, who would have been too young at the time of her death to remember her himself.

    Craig Russell conceived the second movement of his Symphony No. 2, “American Scenes,” as a homage to his mother. Given the title “Gate City: Methodist Hymn,” the work is intended not only as a reflection of her personal faith but also the Appalachian beauty of her hometown of Gate City, Virginia.

    Finally, Camille Saint-Saëns had his mother very much in mind when he composed his Cello Sonata No. 1. Here, the second movement is constructed on a theme from Giacomo Meyerbeer’s opera “L’Africaine,” of which his mother was particularly fond. Her influence also looms over the last movement, which the composer wrote as a hasty replacement after she objected to the original version (which was premiere at one of her salons). Gabriel Fauré described the sonata as one of Saint-Saëns’ finest works.

    Mama knows best, on “I Remember Mama,” on “The Lost Chord,” this Saturday evening/afternoon at 7:00 EDT/4:00 PDT.

    It’s a multifaceted celebration of Mom for Mother’s Day, on “Sweetness and Light” AND “The Lost Chord,” exclusively on KWAX, the radio station of the University of Oregon!

    Stream them wherever you are at the link:

    https://kwax.uoregon.edu/

  • Avian Music Playlist Sweetness and Light KWAX

    Avian Music Playlist Sweetness and Light KWAX

    This week on “Sweetness and Light,” I’ve assembled a playlist of avian music for the month of May.

    Yes, yes, I’ve programmed Ottorino Respighi’s “The Birds,” his evergreen suite for small orchestra based on musical bird portraits of the 17th and 18th centuries, and Handel’s Organ Concerto in F major, “The Cuckoo and the Nightingale.”

    But I’ve also included a lesser-heard selection by Hubert Parry, from his incidental music for Aristophanes’ “The Birds,” a bridal march revived for the weddings of both Princess Elizabeth (soon to be Elizabeth II) and Prince William; a piece of light music kitsch juxtaposing bird song and chanting monks by Albert Ketèlbey; and a galop by Danish composer Hans Christian Lumbye, the Johann Strauss of the North, celebrating the exotic birds of the Tivoli Volière.

    Finally, it’s very much my pleasure to have dusted off some vintage recordings of Elisabeth Schumann (whose hobby it was to engage in bird-whistling) and John McCormack, who will sing works by Carl Zeller and Eric Coates, respectively.

    Better start lining the cage with newspaper. It’s “For the Birds” this week on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Shakespeare’s Birthday Celebration on KWAX

    Shakespeare’s Birthday Celebration on KWAX

    Some are born great, some achieve greatness, and some have greatness thrust upon them.

    We don’t know exactly when Shakespeare was born, but he was baptized on April 26, 1564 – which means it could have been a few days earlier. Since he died on April 23, 1616, and because everyone loves symmetry, his birthday is most commonly observed on the presumptively-shared anniversary of his death. His little life may have been rounded with a sleep, but posterity has fluffed the pillows in an impulse to keep things tidy.

    At any rate, we hardly need an excuse to celebrate his plays, which have inspired lots of colorful music. This morning on “Sweetness Light,” we’ll quaff our fill of Shakespearean comedy, with selections by Otto Nicolai, Edward German, Felix Mendelssohn (as transcribed and performed by Sergei Rachmaninoff), and William Walton.

    We’ll also hear a fragment of a projected opera by Pyotr Ilych Tchaikovsky on the subject of “Romeo and Juliet,” left incomplete at the time of the composer’s death. It was edited and orchestrated by his pupil, Sergei Taneyev. You may not know the fragment, but you will most definitely recognize the thematic material!

    Partying is such sweet sorrow. We’ll celebrate the Bard on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/


    IMAGE: William Hamilton, “As You Like It” (1790)

  • Paris Spring Music KWAX Radio

    Paris Spring Music KWAX Radio

    This morning on “Sweetness and Light,” join me for an hour of cherry blossoms and sunshine, birdsong, and café au lait. It’s our annual celebration of spring in the City of Light!

    We’ll hear April-and-Paris themed songs by Charles Trenet and Vernon Duke, a suite for four pianos by Darius Milhaud, a jaunty work for trumpet and winds by Jean Françaix (who sounded the “x” when pronouncing his name), a couple of pieces of British Light Music on Parisian themes, and the world premiere recording of George Gershwin’s “An American in Paris,” performed by musicians of the Philadelphia Orchestra (masquerading as the Victor Symphony), with the composer himself on the celesta. It’s music as good as spring itself!

    I hope you’ll join me for an hour of cafés and croissants, boulevards, blossoms, and bisous, on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

  • Renaissance Dances on KWAX Radio Spring Rebirth

    Renaissance Dances on KWAX Radio Spring Rebirth

    Spring is a time of rebirth – a renaissance, if you will – so I thought it might be fun, this week “Sweetness and Light,” to round out Early Music Month with an hour of Renaissance dances. Most of these will be reimagined by 20th century composers – though with a couple of notable exceptions – and in the case of Ralph Vaughan Williams, we’ll hear a wholly original work employing early instruments. (When’s the last time you heard RVW’s “Suite for Pipes?”)

    It will be venison and peacock for breakfast. Put your hands up for a program of courtly and rustic dances on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

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