Tag: Theremin

  • Theremin Sounds from Classic Sci-Fi & Horror Films

    Theremin Sounds from Classic Sci-Fi & Horror Films

    We all know the sound. That crazy, trilled electronic whistle that dips into a whoop. Or it starts in a trough and shoots up into the super stratosphere. It’s the sound of UFOs and mad science. It’s the sound of the theremin.

    This week on “Picture Perfect,” we anticipate a hands-off Halloween with selections from four films enhanced by Leon Theremin’s visionary instrument.

    “The Thing from Another World” was one of two seminal science fiction scores written in 1951. (The other was Bernard Herrmann’s “The Day the Earth Stood Still.”) On the soundtrack, the theremin acts as a musical counterpart to James Arness’ rampaging humanoid carrot. This was unquestionably composer Dimitri Tiomkin’s wildest hour; he never wrote anything like it again.

    “The Thing” and “The Day the Earth Stood Still” may have been the most influential, but “Rocketship X-M” was the first. The film was rushed into production to beat George Pal’s “Destination Moon” to theaters in 1950. It was shot in just 18 days! The unlikely plot has the crew of a moon expedition blown off course to Mars. Interestingly, the composer was none other than Ferde Grofé – he of the “Grand Canyon Suite” fame.

    Far more reputable, but still not wholly comfortable with its science, is Alfred Hitchcock’s “Spellbound,” from 1945. Gregory Peck plays an amnesiac, who may or may not have committed murder, and Ingrid Bergman is the psychoanalyst who falls in love with him. The film is of greatest interest for its production design, which features dream sequences conceived by Salvador Dali, and for its score, by Miklós Rózsa.

    Hitchcock disliked the music – he thought it got in the way of his direction – but Academy voters disagreed, and the score earned Rózsa the first of his three Academy Awards.

    Closer to our own time, Howard Shore incorporated the theremin into his Mancini-esque music for “Ed Wood,” released in 1991. The film is Tim Burton’s love letter to the grade-Z director of “Plan 9 from Outer Space.” “Plan 9” is widely regarded as the worst movie ever made (worse even than “Rocketship X-M”).

    Make contact with the theremin – its distinctive, extraterrestrial timbre, you’ll recall, conjured without physical touch – on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    FUN FACT: On three of the four movies from which scores we’ll be sampling (“Spellbound,” “Rocketship X-M,” and “The Thing”), the original thereminist was Samuel Hoffman. Hoffman played in dozens of Hollywood films in the 1940s and ‘50s. By day, he worked as a podiatrist!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Theremin Sounds from Outer Space & Classic Film

    Theremin Sounds from Outer Space & Classic Film

    What is that… THING?

    Why, it’s the theremin!

    This week on “Picture Perfect,” thrill to the distinctive extraterrestrial timbre of this whooping, whistling, wailing electronic instrument invented by Leon Theremin in 1928. The theremin may be unique of its kind in that it is played without actual physical contact. Pitch and volume are determined by the proximity of a player’s hands to two antennae. You won’t find any frets on this one!

    That said, it can certainly generate fret. Brace yourself for eerie, at times otherworldly selections from “The Thing” by Dimitri Tiomkin (great music for cooking carrots), “Ed Wood” by Howard Shore (Tim Burton’s love letter to the director of “Plan 9 from Outer Space”), “Rocketship X-M” by Ferde Grofé (composer of the “Grand Canyon Suite”), and, one week after the death of Rhonda Fleming, Alfred Hitchcock’s “Spellbound” (with Academy Award winning music by Miklós Rózsa).

    If you’ve got a THING for theremins, you’ll want to be on “hand” (or maybe not). I hope you’ll join me for madness, monsters, and Martians, on “Picture Perfect,” this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PEOPLE OF EARTH: WWFM is in the midst of its fall fundraiser. If, like me, you find great film music to be out of this world, please consider supporting it. Your donation online at wwfm.org allows us to continue to bring you stellar specialty programs like “Picture Perfect.” Thank you for your part in maintaining quality film music on the astral airwaves!

  • Theremin in Film A Halloween Soundscape

    Theremin in Film A Halloween Soundscape

    We all know the sound. That crazy, trilled electronic whistle that dips into a whoop. Or it starts in a trough and shoots up into the super stratosphere. It’s the sound of UFOs and mad science. It’s the sound of the theremin.

    This week on “Picture Perfect,” we anticipate a hands-off Halloween with selections from four films enhanced by Leon Theremin’s visionary instrument.

    “The Thing from Another World” was one of two seminal science fiction scores written in 1951. (The other was Bernard Herrmann’s “The Day the Earth Stood Still.”) On the soundtrack, the theremin acts as a musical counterpart to James Arness’ rampaging humanoid carrot. This was unquestionably composer Dimitri Tiomkin’s wildest hour; he never wrote anything like it again.

    “The Thing” and “The Day the Earth Stood Still” may have been the most influential, but “Rocketship X-M” was the first. The film was rushed into production to beat George Pal’s “Destination Moon” to theaters in 1950. It was shot in just 18 days! The unlikely plot has the crew of a moon expedition blown off course to Mars. Interestingly, the composer was none other than Ferde Grofé – he of the “Grand Canyon Suite” fame.

    Far more reputable, but still not wholly comfortable with its science, is Alfred Hitchcock’s “Spellbound,” from 1945. Gregory Peck plays an amnesiac, who may or may not have committed murder, and Ingrid Bergman is the psychoanalyst who falls in love with him. The film is of greatest interest for its production design, which features dream sequences conceived by Salvador Dali, and for its score, by Miklós Rózsa.

    Hitchcock disliked the music – he thought it got in the way of his direction – but Academy voters disagreed, and the score earned Rózsa the first of his three Academy Awards.

    Closer to our own time, Howard Shore incorporated the theremin into his Mancini-esque music for “Ed Wood,” released in 1991. The film is Tim Burton’s love letter to the grade-Z director of “Plan 9 from Outer Space.” “Plan 9” is widely regarded as the worst movie ever made (worse even than “Rocketship X-M”).

    Make contact with the theremin – its distinctive, extraterrestrial timbre, you’ll recall, conjured without physical touch – on “Picture Perfect,” music for the movies, THIS SATURDAY EVENING AT 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    Children of the night… what music they make! WWFM is in the midst of its fall fundraiser. If you’re a fan of “Picture Perfect,” please support it by making a contribution at 1-888-232-1212, or by donating online at wwfm.org. Thank you for your part in keeping the legacy of classic film music ALIVE!

  • NJSO Violinist Demos Theremin Freely

    New Jersey Symphony Orchestra violinist Darryl Kubian demonstrates the theremin. At the very opening, you’ll hear a quotation from Miklós Rózsa’s score for Alfred Hitchcock’s “Spellbound.” Kubian plays a more extended selection as he talks about the role of the theremin in movie music, beginning just before the 12-minute mark.

    I wrote about Kubian twice, as thereminist and composer, during my days at the Trenton Times.

    https://www.nj.com/times-entertainment/2013/04/theremin_adds_otherworldly_tou.html

    https://www.nj.com/times-entertainment/2015/03/classical_music_shakespeare_in.html

  • Theremin in Film Spooky Sounds for Halloween

    Theremin in Film Spooky Sounds for Halloween

    You all know the sound. That crazy, trilled electronic whistle that dips into a whoop. Or it starts in a trough and shoots up into the super stratosphere. It’s the sound of UFOs and mad science. It’s the sound of the theremin.

    The electronic instrument, invented by Leon Theremin in 1928, is played without physical contact. The proximity of the hands to two antennae determines volume and pitch.

    This week on “Picture Perfect,” we’ll hear music from four films which feature the instrument’s distinctive, extraterrestrial timbre.

    “The Thing from Another World” was one of two seminal science fiction scores written in 1951. (The other was Bernard Herrmann’s “The Day the Earth Stood Still.”) On the soundtrack, the theremin acts as a musical counterpart to James Arness’ rampaging humanoid carrot. This was unquestionably composer Dimitri Tiomkin’s wildest hour; he never wrote anything like it again.

    “The Thing” and “The Day the Earth Stood Still” may have been the most influential, but “Rocketship X-M” was the first. The film was rushed into production in 1950 to beat George Pal’s “Destination Moon” to theaters. It was shot in just 18 days! The unlikely plot has the crew of a moon expedition blown off course to Mars. Interestingly, the composer was none other than Ferde Grofé – he of the “Grand Canyon Suite” fame.

    Far more reputable, but still not wholly comfortable with its science, is Alfred Hitchcock’s “Spellbound,” from 1945. Gregory Peck plays an amnesiac, who may or may not have committed murder, and Ingrid Bergman plays the psychoanalyst who falls in love with him. The film is of greatest interest for its production design, which features dream sequences conceived by Salvador Dali, and for its music, by Miklós Rózsa.

    Hitchcock disliked the score – he thought it got in the way of his direction – but the Academy disagreed, and the music earned Rózsa the first of his three Academy Awards.

    Closer to our own time, Howard Shore incorporated the theremin into his Mancini-esque score to “Ed Wood,” released in 1991, Tim Burton’s love letter to the grade-Z director of “Plan 9 from Outer Space,” which is widely regarded as the worst movie ever made (worse even than “Rocketship X-M”).

    Join me for an hour of theremins for Hallowe’en this week, on “Picture Perfect,” music for the movies – this Friday evening at 6 EDT, on WWFM – The Classical Network and at wwfm.org.

    FUN FACT: On three of the four movies from which scores we’ll be sampling (“Spellbound,” “Rocketship X-M,” and “The Thing”), the original thereminist was Samuel Hoffman. Hoffman played in dozens of Hollywood films in the 1940s and ‘50s. By day, he worked as a podiatrist!


    PHOTO: Hoffman (right) looks on as Cary Grant tries his hand at the theremin

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