Tag: Thomas Newman

  • Bustin’ Out of the Joint on “Picture Perfect”

    Bustin’ Out of the Joint on “Picture Perfect”

    This week on “Picture Perfect,” get yourself free. It’s an hour of music from movies about prison breaks.

    Indomitable Steve McQueen does hard time on Devil’s Island in “Papillon” (Jerry Goldsmith); Paul Newman sticks it to The Man in “Cool Hand Luke” (Lalo Schifrin); Tim Robbins makes good use of a Rita Hayworth poster in “The Shawshank Redemption” (Thomas Newman); and an all-star cast, led by a barbed-wire hopping McQueen, flee their Nazi captors in “The Great Escape” (Elmer Bernstein).

    Let’s face it, nobody looks good in orange. Grab a shank and a file. We’re bustin’ out of the joint, on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!

    ——–

    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu
  • Dystopian Film Scores on WWFM This Week

    Dystopian Film Scores on WWFM This Week

    This week on “Picture Perfect,” it’s an hour of dystopian visions – glimpses of a bleak future rendered hopeful, in large part, by the music. We’ll hear selections from “Fahrenheit 451” (Bernard Herrmann), “WALL-E” (Thomas Newman), “A.I. Artificial Intelligence” (John Williams), and “Metropolis” (Gottfried Huppertz).

    Join the fight against totalitarian government, corporate control, and technology gone awry, this Friday evening at 6 EDT, on WWFM – The Classical Network and wwfm.org.

  • 2016 Oscar Best Original Score Nominees

    2016 Oscar Best Original Score Nominees

    This year’s Academy Awards ceremony will take place on February 28. We’ll do our best to get you in the mood this week on “Picture Perfect,” by sampling from the nominations for Best Original Score.

    In the Cold War drama, “Bridge of Spies,” Tom Hanks plays an American lawyer who is recruited to defend a Soviet operative, then enlisted to facilitate an exchange with the Soviets for a captured American pilot. Director Steven Spielberg’s regular collaborator, John Williams, had been engaged to write the score, but when Williams fell ill, Thomas Newman stepped in to provide the music.

    Over the years, Newman has been nominated for 13 Academy Awards. He is the most nominated living composer to have never won an Oscar. He is surpassed in that regard only by Alex North, who was nominated 14 times. North finally received an honorary Oscar in 1986.

    Though active as a film composer for over 30 years, Carter Burwell – composer of choice for the Coen Brothers – has never even been nominated – until now. “Carol,” starring Cate Blanchett and Rooney Mara, is based on Patricia Highsmith’s 1952 novel, “The Price of Salt.” A departure for Highsmith, who is known for her thrillers, which became the basis for such films as “Strangers on a Train” and “The Talented Mr. Ripley,” “The Price of Salt” defies expectations to explore the relationship between an aspiring young female photographer and an older woman going through a difficult divorce.

    Burwell captured the Academy’s attention with his tender score that nonetheless owes a bit to Philip Glass.

    Icelandic composer Johann Johannsson has received his second Academy Award nomination. Last year, he was nominated for his music to “The Theory of Everything,” which won the Golden Globe. This year, he has been nominated for his work on “Sicario.”

    Emily Blunt plays an idealistic FBI agent enlisted by a mysterious government official (played by Josh Brolin) to join a task force in the escalating war on drugs. Benicio del Toro also stars in this thriller set along the U.S.-Mexico border. Here is a sample of Johann Johannsson’s music for “Sicario.” It’s not exactly feel-good music, and it’s probably very effective in the film. Your enjoyment may depend on your tolerance for processed sounds.

    Five-time Academy Award winner John Williams is the 800-pound gorilla of film composers. His music for the latest installment of “Star Wars,” “The Force Awakens,” features a preponderance of action cues and rare moments of poetry and lyricism. The score has earned Williams’ his 50th Academy Award nomination. He is not only the most-nominated person alive, he is the second most-nominated ever, behind only Walt Disney.

    The great Ennio Morricone, despite having scored over 500 film and television projects in a career which has spanned 60 years, has never won a competitive Oscar. He received an honorary award from the Academy in 2007. His music for “The Hateful Eight” has earned him his sixth nomination. Having already collected this year’s Golden Globe and BAFTA awards, he is a favorite to win. Above and beyond the usual fine craftsmanship in evidence, there seems to be a wave of sentiment in favor of the beloved 87 year-old composer, who will be making a rare trip to the United States to attend the ceremony and the dedication of a star on Hollywood’s Walk of Fame.

    “The Hateful Eight,” of course, is Quentin Tarantino’s synthesis of slow-burn Agatha Christie mystery and ultra-violent western. The music is one of its stronger elements.

    Tune in tonight to find out what’s been deemed award-worthy in 2016. “Picture Perfect” airs at 6:00 ET, with a repeat tomorrow morning at 6; or you can listen to it later as a webcast at wwfm.org.


    PHOTOS: John Williams, at the center of the film score universe, surrounded by (clockwise from bottom left) Johann Johannsson, Carter Burwell, Oscar fave Ennio Morricone, and always-a-bridesmaid-never-a-bride Thomas Newman

  • John Williams Out Spielberg’s Bridge of Spies

    John Williams Out Spielberg’s Bridge of Spies

    It’s been announced that John Williams will not be writing the music for Steven Spielberg’s upcoming Cold War thriller, “Bridge of Spies,” scheduled for release on October 18. This is perhaps not surprising, since Williams is committed to score the next “Star Wars” film, slated to open on December 18. The man is, after all, 83 years-old.

    However, it is not his age, but rather an unspecified, apparently minor health setback that caused Williams to walk away from the Spielberg project. It is said that the issue is now “corrected.”

    Thomas Newman will be stepping in to write the music. It will be only the second Spielberg feature not to be graced by one of Williams’ scores. (The other was “The Color Purple,” released in 1985.) Williams and Spielberg first worked together on “The Sugarland Express,” in 1974.

    I confess that this is a personal disappointment, since I was looking forward to two fine film scores this year, which has become a rarity in the Age of Zimmer.

    The last film scored by Williams was “The Book Thief,” in 2013. He plans to return for Spielberg’s next project, a film based on Roald Dahl’s novel, “The BFG,” projected for a July 1, 2016 release.

    Read the news here:

    http://www.theverge.com/2015/3/18/8243915/john-williams-not-scoring-spielberg-film

    PHOTO: I think you recognize the players

Tag Cloud

Aaron Copland (92) Beethoven (95) Composer (114) Film Music (123) Film Score (143) Film Scores (255) Halloween (94) John Williams (187) KWAX (229) Leonard Bernstein (101) Marlboro Music Festival (125) Movie Music (138) Opera (202) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS