Tag: Verdi

  • Free Opera Week at the Met: Glass, Verdi & More

    Free Opera Week at the Met: Glass, Verdi & More

    Good Lord! Two Philip Glass operas in one week! I offer this mild oath in tribute to the monotheistic pharaoh at the center of Glass’ “Akhnaten.”

    Even if you think Minimalism drives you up a wall, try to catch the Metropolitan Opera production, which features an uncanny performance by Princeton University alumnus Anthony Roth Costanzo in the title role, impressive sets, evocative costumes, and plenty of jugglers (!).

    The Met will also offer two – count ‘em – two Rossini operas, “Armida” and “Semiramide.” The Met’s Rossini has been among the more gratifying revelations for me since the COVID-era streaming began. It sounds a little silly to state the obvious, but he’s a very theatrical composer!

    Oh yeah, and there will be two by Verdi, as well, including “La Forza” with Leontyne Price.

    The Met continues to make good on its pledge to stream free opera for the duration of the house’s shutdown. Each opera is accessible for approximately 23 hours, starting every day around 7 p.m. EDT. Handel’s “Rodelinda” streams through 6 p.m. today, at metopera.org.

    Here’s a complete schedule of this week’s offerings. You’ll find teasers and bonus materials when following the link:

    https://www.metopera.org/user-information/nightly-met-opera-streams/week-14/

    Monday, June 15
    Rossini’s Armida
    Starring Renée Fleming, Lawrence Brownlee, John Osborn, Barry Banks, and Kobie van Rensburg, conducted by Riccardo Frizza. From May 1, 2010.

    Tuesday, June 16
    Rossini’s Semiramide
    Starring Angela Meade, Elizabeth DeShong, Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green, conducted by Maurizio Benini. From March 10, 2018.

    Wednesday, June 17
    Gluck’s Iphigénie en Tauride
    Starring Susan Graham, Plácido Domingo, and Paul Groves, conducted by Patrick Summers. From February 26, 2011.

    Thursday, June 18, and Friday, June 19
    Verdi’s La Forza del Destino
    Starring Leontyne Price, Giuseppe Giacomini, Leo Nucci, and Bonaldo Giaiotti, conducted by James Levine. From March 24, 1984.

    Saturday, June 20
    Philip Glass’s Akhnaten
    Starring Dísella Lárusdóttir, J’Nai Bridges, Anthony Roth Costanzo, Aaron Blake, Will Liverman, Richard Bernstein, and Zachary James, conducted by Karen Kamensek. From November 23, 2019.

    Sunday, June 21
    Philip Glass’s Satyagraha
    Starring Rachelle Durkin, Richard Croft, Kim Josephson, and Alfred Walker, conducted by Dante Anzolini. From November 19, 2011.

  • Toscanini’s Forza A Birthday Celebration

    Toscanini’s Forza A Birthday Celebration

    Happy birthday, Arturo Toscanini. Now this is a forcefully conducted “Forza!”

  • Verdi’s Goth Macbeth Witches Halloween Day 10

    Verdi’s Goth Macbeth Witches Halloween Day 10

    31 DAYS OF HALLOWEEN (DAY 10)

    For Giuseppe Verdi’s birthday, a totally Goth witches’ chorus from “Macbeth”

    https://www.youtube.com/watch?v=7b4tKhV5mcg

    Act III Witches’ Dance from Taiwan


    IMAGE: “The Three Witches from Macbeth” (1827) by Alexandre-Marie Colin

  • Boheme Opera NJ Celebrates 30 Years with Aida

    Boheme Opera NJ Celebrates 30 Years with Aida

    Boheme Opera NJ will celebrate its 30th anniversary with two performances of Verdi’s “Aida” at The College of New Jersey, this Friday at 8 p.m. and Sunday at 3 p.m.

    Joseph and Sandra Pucciatti staged their first production – a skeletal performance of “I Pagliacci” – in a Trenton parking lot, back in 1981. From this unlikely acorn sprang central New Jersey’s most enduring opera company, which gave its first main stage performance in 1989.

    Opera is a colorful business. Read all about the Pucciattis’ incredible journey, from “Hey! Let’s put on a show!” to the Radamès’ triumphal march, in my article in this week’s U.S. 1 Newspaper – PrincetonInfo, out today.

    https://princetoninfo.com/boheme-opera-celebrates-30-with-triumphal-march/


    PHOTO: Marsha Thompson will head the cast in this weekend’s “Aida”

  • Verdi, Mendelssohn & Italian Music from Marlboro

    Verdi, Mendelssohn & Italian Music from Marlboro

    Viva Italia!

    We’re off to sunny Italy for this week’s “Music from Marlboro.”

    Like a kind of musical Hannibal, Giuseppe Verdi brought elephants to the operatic stage. The premiere of “Aida” in Cairo in 1871 featured a dozen pachyderms and fifteen camels into the bargain. But when a Naples performance of Verdi’s grandest grand opera was delayed, the composer sought diversion on a much smaller scale. Verdi tossed off his first piece of chamber music at the age of 60.

    The String Quartet in E minor was given an informal performance at the Hotel delle Crocelle on April 1, 1873. Said Verdi of his latest creation, “I don’t know whether the Quartet is beautiful or ugly, but I do know that it’s a Quartet!” We’ll get to hear it in a 1969 performance featuring violinists Pina Carmirelli and Endre Granat, violist Martha Strongin Katz, and cellist Ronald Leonard.

    Felix Mendelssohn’s Symphony No. 4 – known as the “Italian” – had its origins in a European tour undertaken by the composer between 1829 and 1831. Mendelssohn’s Italian sojourn threw him into ecstasies. In a letter to his parents, he effused, “Italy at last! …[W]hat I have all my life considered as the greatest possible felicity is now begun, and I am basking in it. …[T]hank you, my dear parents, for having given me all this happiness.”

    The composer did his best to capture his impressions in music. The symphony’s first performance in London in 1833, which Mendelssohn himself conducted, made him the most emulated composer in England for the remainder of the 19th century. However, despite the work’s overwhelmingly positive reception, he continued to feel a nagging dissatisfaction with it. He revised the symphony in 1834, with plans for further changes, and the score was never published in his lifetime. He even claimed that it caused him some of the bitterest moments of his career. Naturally, it went on to become his best-loved symphony.

    We’ll hear Pablo Casals lead an enviable roster of musicians from the 1963 Marlboro Music Festival. It’s difficult to single anyone out, but Bernard Goldberg, John Mack, Myron Bloom, Shmuel Ashkenasi, Jaime Laredo, Caroline Levine, Irene Serkin, Sidney Curtiss, Samuel Rhodes, Herman Busch, Lynn Harrell, Julius Levine, and all four members of the Guarneri String Quartet are among the personnel. Casals was affiliated with Marlboro for the last 13 years of his life, from 1960 until his death, at the age of 96, in 1973.

    We’ve got sunshine on a rainy day on the next “Music from Marlboro,” this Wednesday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.


    This summer’s Marlboro Music Festival continues through August 12. Find out more at marlboromusic.org.

    Marlboro School of Music and Festival: Official Page

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