Tag: WPRB

  • Pagan Spring Music for Walpurgis Night on WPRB

    Pagan Spring Music for Walpurgis Night on WPRB

    Nymphs and satyrs. Bacchus and the Great God Pan. Headman and Hobby Horse. Hecuba and the Goat of Mendes.

    Join me this morning on WPRB, as we partake of a pagan spring. In anticipation of Walpurgis Night and a May Day dance around the maypole, we’ll have music by Sir Arnold Bax, Arrigo Boito, Benjamin Britten, Sir Peter Maxwell Davies, Howard Hanson, Gustav Holst, Nikos Skalkottas, Bedrich Smetana, and more, as witches and warlocks cavort around bonfires, maenads and bassarids run riot, and Druids and wicker men scoff at Christian piety.

    We anticipate the “other Hallowe’en,” this morning from 6 to 11 EDT on WPRB 103.3 FM and wprb.com. I’ll be meticulously applying the body paint, on Classic Ross Amico.


    IMAGE: “Departure of the Witches,” or “Faust’s Vision” (1878), by Luis Ricardo Falero

  • Walpurgis Night Music on WPRB

    Walpurgis Night Music on WPRB

    Strap on your goat leggings! Sunday is Walpurgis Night, the eve of the feast day of 8th century abbess Saint Walpurga. It’s a great witches’ holiday – the “other” Hallowe’en – and therefore a popular celebration in Europe, where they still know how to make everything festive creepy. And more power to them. This Thursday morning on WPRB, we’ll have music in celebration of Walpurgis Night and May Day.

    Music lovers and devotees of German romantic literature, of course, already know a thing or two about Walpurgisnacht. It’s the night Mephistopheles escorts Faust to the Harz Mountains, where they encounter witches and warlocks cavorting on the Brocken. It’s also the night Faust, Mephistopheles and Homunculus travel to ancient Greece to encounter the shade of Helena (a.k.a. Helen of Troy). We’ll hear appropriate selections from Arrigo Boito’s opera, “Mefistofele.”

    Mendelssohn wrote a fairly tame cantata, “Die erste Walpurigisnacht” (“The First Walpurgis Night”), on another Goethe poem about prankish Druids freaking out some Christians. (EDIT: Sandy Steiglitz tells me she’ll be playing this piece as part of this week’s Sunday Morning Opera with Sandy. The featured work will be Franz Lehar’s “Paganini.” Tune in to WPRB to hear it this Sunday between 5:30 and 10 a.m.)

    Brahms composed a song, “Walpurgisnacht,” about a mother scaring the living daylights out of her daughter, by telling her a thunderstorm is actually the sound of witches celebrating on the Brocken; as if that isn’t enough, she tells her that she herself is a witch. Ha ha! So German.

    Among our other works will be Sir Peter Maxwell Davies’ “Beltane Fire,” Gustav Holst’s “The Morning of the Year,” Nikos Skalkottas’ “Mayday Spell,” and Benjamin Britten’s “Spring Symphony,” a piece which climaxes in a setting of the 13th century May Day round, “Sumer is a-cumen in.” It’s all verrrry Wicker Man.

    We’ll be leaping naked over bonfires, this Thursday morning from 6 to 11 EDT, on WPRB 103.3 FM and wprb.com. Keep Walpurga in Walpurgis Night, with Classic Ross Amico.

  • Shakespeare Birthday Music on WPRB

    Shakespeare Birthday Music on WPRB

    First comes Groundhog Day, then comes Easter, then comes Shakespeare’s birthday. All that remains is for us to lock up a sacrifice in the Wicker Man on April 30 and Sulis will have been appeased.

    We don’t know when, exactly, the Bard was born, but his baptismal date is April 26, 1564. Since it’s human nature to try to keep things neat, his natal day is generally held to be April 23, the very date of his death in 1616.

    I hope you’ll join me this morning, as we celebrate the Bard, with a full morning of music inspired by his plays. We’ll hear selections from composers who were Shakespeare’s contemporaries, right on down to Paul Moravec’s “Tempest Fantasy,” which was awarded the Pulitzer Prize for Music in 2004.

    Other treats will include a recording of Ralph Vaughan Williams conducting his own “Serenade to Music,” after a text from “The Merchant of Venice,” a reconstructed duet from a projected opera on the subject of “Romeo and Juliet” by Peter Ilych Tchaikovsky, and incidental music for a production of “Antony and Cleopatra” by French composer Florent Schmitt, in an opulent recording conducted by JoAnn Falletta.

    Just some of the ingredients that will go into a secret recipe made public from 6 to 11 a.m. EDT, on WPRB 103.3 FM and wprb.com. We engage in a little Shake and bake, on Classic Ross Amico.


    If music be the food of love, bake on.

  • Shakespeare Radio Hour WPRB

    Shakespeare Radio Hour WPRB

    Shall I compare thee to a rainy Thursday?

    Join me tomorrow morning on WPRB as I remember William Shakespeare (1564-1616), in advance of his birthday anniversary on April 23.

    We’ll hear music inspired by a number of his plays, including “Antony and Cleopatra,” “As You Like It,” “Hamlet,” “Measure for Measure,” “The Merchant of Venice,” “Much Ado About Nothing,” “Othello,” “Romeo and Juliet,” “The Taming of the Shrew,” and “The Tempest,” by composers such as Geoffrey Bush, Mario Castelnuovo-Tedesco, Samuel Coleridge-Taylor, Gerald Finzi, Joseph Joachim, Erich Wolfgang Korngold, Paul Moravec, Florent Schmitt, Ralph Vaughan Williams, Johan Wagenaar, Richard Wagner, and Sir William Walton.

    Piece out our imperfections with your thoughts, this Thursday morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. Some are born great, some achieve greatness, and some have Classic Ross Amico thrust upon them.

  • Easter Music on WPRB Holy Week Special

    Easter Music on WPRB Holy Week Special

    It’s wholly works for Holy Week this morning, or just about.

    I hope you’ll join me on WPRB for 500 years of Easter music, ranging from Richard Davy’s “Stabat Mater” (1490) through Osvaldo Golijov’s “La Pasión según San Marcos” (2000). In between, we’ll also enjoy reflective (and occasionally bombastic) works by Gregorio Allegri, William Alwyn, George Frideric Handel, Franz Liszt, Victor de Sabata, Ottorino Respighi, Edmund Rubbra, John Tavener, and Ralph Vaughan Williams.

    At 9:00, we’ll take a break for a special visit from Douglas Martin, artistic director of American Repertory Ballet, and Marc Uys, executive director of the Princeton Symphony Orchestra. They’ll drop by to talk about Martin’s new ballet, “Pride and Prejudice,” which sets the classic novel by Jane Austen to music by Ignaz Pleyel. The PSO will provide live musical accompaniment for the dancers, at McCarter Theatre Center on April 21 & 22.

    Otherwise, we’ll make a habit of the rabbit, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. I’ll be putting all my eggs in one basket, on Classic Ross Amico.

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