Tag: WPRB

  • Stravinsky A Princeton Celebration

    Stravinsky A Princeton Celebration

    If it’s not too early for Igor, who traveled so far, it shouldn’t be too early for you.

    So pull up a chair and enjoy a cup of neoclassicism. Pour yourself a bowl of serialism. Nibble on some Russian nationalism. It’s music by the 20th century’s most versatile composer, an incredible journey from a student symphony steeped in the idiom of the Mighty Handful to the absorption of twelve-tone technique in the moving “Requiem Canticles,” his last major work.

    In 1966, the “Requiem Canticles” was commissioned by Princeton University, which led to a residency by the composer, who, at 84, conducted the world premiere of the work at McCarter Theatre. Join me this morning, as we gaze back a half-century to this remarkable event, with a full playlist of Stravinsky’s music.

    The program will be enhanced by commentary by Maida Pollock, now 90 years-old and living in Hawaii. Pollock was the university’s concert manager at the time of Stravinsky’s visit. In the 9:00 hour, we’ll hear recorded excerpts from a conversation we had yesterday by telephone. That will be followed by a recording of “Requiem Canticles.”

    In addition, we’ll have some special guests in the 10:00 hour: Michael Pratt, who will conduct the suite from Stravinsky’s “The Firebird” on two concerts of the Princeton University Orchestra, on Dec. 8 & 9, and Gabriel Crouch, who will lead a program including Stravinsky’s “Les Noces,” with the Princeton University Glee Club and So Percussion, on Dec. 11. All three concerts will be held at Richardson Auditorium.

    It’s a full morning of grapefruit and Grape Nuts with the 20th century’s greatest composer, from 6 to 11 EST, on WPRB 103.3 FM and wprb.com. Suddenly we’re kind of hungry, on Classic Ross Amico.

  • Stravinsky’s “Funeral Song” Rediscovered & Streamed

    Stravinsky’s “Funeral Song” Rediscovered & Streamed

    Tying in with our celebration of Igor Stravinsky this morning on WPRB, I just learned that the composer’s recently rediscovered “Funeral Song,” composed in memory of his teacher Rimsky-Korsakov, will receive its first performance in over 100 years (its second performance ever!) tomorrow afternoon, and it will be streamed live. Valery Gergiev will conduct the Mariinsky Orchestra in St. Petersburg at 2:00 EST. Take a late lunch and watch it here:

    http://www.medici.tv/#!/valery-gergiev-stravinsky-chant-funebre

    Here’s more about it::

    http://www.nytimes.com/2016/11/29/arts/second-ever-concert-of-stravinskys-lost-funeral-song-to-stream-free.html?_r=0

    Stravinsky served a residency at Princeton University in 1966, which culminated in the first performance of his “Requiem Canticles” at McCarter Theatre. To mark the 50th anniversary of his visit, it’s all Stravinsky this morning until 11:00 EST, with interviews, on WPRB 103.3 FM and at wprb.com.


    PHOTO: Stravinsky (left) with his hirsute teacher

  • Opera’s Dark Side Merry Mount on WPRB

    Opera’s Dark Side Merry Mount on WPRB

    If the long holiday weekend has filled your head with warm and fuzzy notions of Pilgrims sitting down to dine with Native Americans in perfect concord, think again. I am guest host on “Sunday Morning Opera with Sandy” today, and we are listening to Howard Hanson’s “Merry Mount.” An adaptation of the Nathaniel Hawthorne short story, “The May-Pole of Merry Mount,” the work is an at times hallucinatory study in fanaticism, sexual obsession and demonology. Enjoy that with your leftover turkey sandwiches!

    It’s on right now, on “Sunday Morning Opera,” until 10:00 EST, on WPRB 103.3 FM and wprb.com.

  • Hanson’s Merry Mount: Puritanism & Opera

    Hanson’s Merry Mount: Puritanism & Opera

    Now that the feasting and the parades are past, it’s time to look beneath the quaint images of idealized Pilgrims to the dark underbelly of Puritan intolerance, fanaticism and repression. But that doesn’t mean the lesson has to be a bitter pill.

    Join me tomorrow for Sunday Morning Opera with Sandy, as once again I sit in for host Sandy Steiglitz to present Howard Hanson’s “Merry Mount.” Hanson cloaks his libretto – by Richard Stokes, loosely based upon Nathaniel Hawthorne’s short story, “The May-Pole of Merry Mount” – in the romantic idiom so characteristic of this composer of the “Romantic Symphony” (Hanson’s Symphony No. 2). No expense was spared for the work’s lavish premiere, at New York’s Metropolitan Opera, despite its having been mounted at the height of the Great Depression. No doubt Wrestling Bradford, the Puritan minister originally portrayed by Lawrence Tibbett, would not have approved.

    Coverage of the rehearsals in the New York Times questioned whether the candor and blunt Anglo-Saxonisms of the English libretto would slip past the censors. The plot seethes with sexual obsession and demonology. In fact, a good portion of Act II is set in Hell. Even so, there are stirring melodies and catchy tunes in abundance. The “Maypole Dances” are downright Polovtsian in their colorful excess.

    If the press is anything to go by, the opera was a smash. At its premiere in 1934, “Merry Mount” received no less than 50 curtain calls, with a headline in the Times proclaiming, “Reception of Hanson-Stokes Opera Most Enthusiastic of 10 Years at Metropolitan.” Yet, despite its initial success, the work is never done. It was dropped from the Met repertoire following the 1933-34 season and has rarely been heard since.

    Tastes changed. “Merry Mount” is never going to compete with “Carmen,” but I believe the pendulum has swung far enough that its voluptuous romanticism can again be enjoyed without a trace of Hawthornian guilt. We’ll be listening to a recording made from performances mounted in 1996, with soprano Lauren Flanigan (Lady Marigold Sandys), tenor Walter MacNeil (Sir Gower Lackland), baritone Richard Zeller (Wrestling Bradford), and bass Charles Robert Austin (Praise-God Tewke). The Seattle Symphony & Chorale are conducted by Gerard Schwarz.

    Before the morning is out, we’ll also have a chance to sample from Tibbett’s original characterization.

    Tune in tomorrow to see what all the fuss was about, with “Merry Mount,” on “Sunday Morning Opera,” from 7 to 10:00 EST, on WPRB 103.3 FM and at wprb.com.


    Learn about the historical Merrymount here:

    The Maypole That Infuriated the Puritans

  • American Music Thanksgiving on WPRB

    American Music Thanksgiving on WPRB

    Is Thanksgiving making you hungry for American music? Join Marvin Rosen for his 20th annual Thanksgiving special, “Music of the Americas,” on WPRB. The program is a two-parter, and it can be heard on Wednesday and Thursday this week, from 5:30 to 11 a.m. EST.

    According to a post on Marvin’s Facebook page, the programs will feature “music representing people from the entire American continent! (native and immigrants everywhere).” It’s easy to understand the frustration underlying his tone, and his good intentions.

    Let’s all sit down and break bread together. Tune in to Classical Discoveries, on Wednesday and Thursday this week, for “Music of the Americas,” on WPRB 103.3 FM and at wprb.com.

    Thanks, Marvin, and happy Thanksgiving!

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