Tag: WPRB

  • Maxwell Davies at Princeton Returns

    Maxwell Davies at Princeton Returns

    Sir Peter Maxwell Davies returns to Princeton University! Maxwell Davies attended Princeton on a Harkness Fellowship, which he secured with the help of Aaron Copland and Benjamin Britten in 1962. This morning, from deep beneath Bloomberg Hall, we honor the angry young man of Manchester, who went on to become Master of the Queen’s Music, on what would have been his 82nd birthday.

    The composer lived in the Orkney Islands, off the northern coast of Scotland, for his last 45 years. We’ll have all music on Scottish themes and of Scottish inspiration, whether that inspiration be the Celtic folk traditions of Maxwell Davies’ adopted land or the austere seascapes churning outside his cottage.

    At Princeton, Max studied with Roger Sessions, Milton Babbitt and Earl Kim. His own music could be madcap and iconoclastic, drawing from a dizzying array of sources, ranging from Renaissance polyphony to foxtrots.

    No one during those early years, least of all Max, would have expected him to embrace the time-honored form of the symphony. In the event, he wrote ten of them. They are austere affairs that require careful attention, imbued with the composer’s coastal impressions and frequently compared to the great masterworks of Jean Sibelius. Maxwell Davies is regarded as the foremost British symphonist of his generation. Be that as it may, the symphonies are not exactly an easy listen.

    We’ll be sampling from Max’s Scottish works, whether they be charming or severe, alongside pieces by others who hailed from Scotland, were of Scottish descent, or just plain loved to visit.

    You take the high road and I’ll take the low road, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. Our love for Max is like a red, red rose, on Classic Ross Amico.

  • Sir Peter Maxwell Davies Symphony No 5

    Sir Peter Maxwell Davies Symphony No 5

    Right now we’re listening to the Symphony No. 5 by Sir Peter Maxwell Davies. The work, cast in a single movement of some 26-minutes, is the composer’s most compact symphonic expression. It’s a far cry from the populist style of “An Orkney Wedding with Sunrise” (heard earlier in this hour), but a good example of how he could emulate the organic processes of Sibelius. Admittedly, his symphonies can be as cold and forbidding as the North Sea churning outside his cottage in the Orkney Islands, but they reward close and repeated listening.

    Max would have been 82 today. We’re honoring him with music inspired by Scotland until 11 a.m. EDT on WPRB 103.3 FM and at wprb.com.

  • Remembering Sir Peter Maxwell Davies

    Remembering Sir Peter Maxwell Davies

    Sir Peter Maxwell Davies, the former enfant terrible, who, in his later years, served for a decade in the ultimate Establishment post as Master of the Queen’s Music, died of leukemia on March 14th. He was recognized as one of the leading British composers of his generation.

    Max made his home in the Orkney Islands, off the northern coast of Scotland, for the last 45 years of his life. Though he composed in a multiplicity of forms and styles, many of his most attractive and deeply felt works were inspired by the austere seascapes churning outside his cottage and the Celtic folk traditions of his adopted land.

    September 8th would have been Max’s 82nd birthday. Tomorrow morning on WPRB, I’ll honor the composer with a number of representative works drawn from his prodigious output.

    Since five hours of uninterrupted Maxwell Davies could very well push anyone over the edge, especially when it comes to his more challenging works, I’ll mix things up a bit by interpolating music by other composers who hailed from Scotland, were of Scottish descent, or just plain loved to visit.

    The Scotch will be on the rocks, as we travel from the Highlands to the Orkney Islands, tomorrow morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.org. It will be more appetizing than a plate full of haggis, on Classic Ross Amico.

  • Labor Day Music for the Working Class

    Labor Day Music for the Working Class

    Who wants to work today? You, you, and you!

    Climb aboard this morning and earn your keep, as we listen to music about labor and for the worker in anticipation of Labor Day. This will be an international affair, with Prokofiev’s “Le pas d’acier” (“The Steel Step”), a love story set in a factory, Manuel Rosenthal’s “Les petits métiers” (“The Small Trades”), and Nikolai Medtner’s “Three Hymns in Praise of Toil.”

    There will also be two Danish symphonies: Rued Laangaard’s Symphony No. 14, “The Morning,” which culminates in the start of the work day, and Carl Nielsen’s Symphony No. 3, “Sinfonia espansiva,” concluding with “a hymn to work and the healthy activity of living.”

    Naturally, it being an American holiday, we’ll have plenty of music by our native composers, as well, including the construction worker ballet “Skyscrapers” by John Alden Carpenter, Frederick Shepherd Converse’s tone poem about automobile manufacturing, “Flivver Ten Million,” and a suite from that quintessential film about violent longshoremen, “On the Waterfront,” by Leonard Bernstein.

    We’ll be busting our hump for the man, from 6 to 11 EDT on WPRB 103.3 FM and at wprb.com. I coulda been somebody; I coulda been a contender, on Classic Ross Amico.

  • Labor Day Music Salute Workers on WPRB

    Labor Day Music Salute Workers on WPRB

    Construction workers seek distraction from their labors with a side trip to Coney Island – right now, we’re listening to the ballet “Skyscrapers” by John Alden Carpenter. In just a few minutes, we’ll have a piano suite celebrating blue collar Brooklyn on a Sunday afternoon, “Sunday in Brooklyn,” by Elie Siegmeister. There will be more music evocative of factory workers, longshoremen, and various other trades, as we look ahead to Labor Day, with a guest appearance by Princeton’s own Paul Robeson, who will sing “Joe Hill.”

    It’s music for the working stiff this morning until 11 EDT on WPRB 103.3 FM and at wprb.com.

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