Tag: WPRB

  • WPRB’s All-Vinyl Week: Rare Grooves & Local Music

    WPRB’s All-Vinyl Week: Rare Grooves & Local Music

    Vinyl, vinyl everywhere!

    Music by contemporary composers released on the CRI label. Lesser known works, recorded by major artists on major labels, which have never been reissued. A long out-of-print DG recording of music by a Canadian master. The late Louis Lane conducting American music. Works by Philadelphia composers Paul Nordoff and Richard Yardumian. A cult classic featuring the songs of humpback whales.

    These are some of the curiosities that I’ll be sharing with you this morning, as I comb the WPRB record library (leavened with a few choice albums from my own collection). It’s part of WPRB’s All-Vinyl Week. That’s right, WPRB is playing nothing but good old-fashioned vinyl through Sunday.

    Ruth Ochs, music director of the Westminster Community Orchestra, will drop by around 9:00 to talk a little bit about the upcoming Westminster Conservatory of Music showcase concert, which will take place on Sunday at 3 p.m. at Princeton University’s Richardson Auditorium. The program will include performances by community ensembles, students and conservatory competition winners. Ochs is also conductor of the Princeton University Sinfonia.

    Other than that, it all comes off the turntables this morning, from 6 to 11 ET on WPRB 103.3 FM and at wprb.com. We put the style in “stylus,” on Classic Ross Amico.

  • WPRB All-Vinyl Week: Ross Amico’s Throwback

    WPRB All-Vinyl Week: Ross Amico’s Throwback

    The medium is the message this week, as Classic Ross Amico tosses his hat into the ring for WPRB’s All-Vinyl Week. That’s right, WPRB is playing wall-to-wall, honest-to-goodness records until Sunday night. No CD players. No laptops. No iPhones. It’s radio the way it used to be, back when I started in 1986. Back then, if I wanted to play a CD, I had to bring my own player (a component; there was no such thing as a portable) and go around to the back of the board and hook it up myself.

    There’s still something magical about holding an album in my hands. And the smell… the smell! To this day, I am propelled back through the decades whenever I happen to catch a whiff of whatever kind of paper they used for the original “Star Wars” two-LP set.

    Those were the days, the days when I’d spend hours in my bedroom, flat on my back, every aspect of the packaging seared into my brain as I listened repeatedly to the music. Album covers were a work of art then. The covers were like canvases, large enough for the images to have an impact, and for the listener to be able to take in all the detail. Frequently there was enough tantalizing information on the back cover to keep one engaged and salivating until one got home from the record store.

    The arrangement of the tracks was an art in itself, a fading one in danger of extinction in this day of digital downloads. There was so much care lavished on every aspect of an LP release. It had much more resonance for me, personally, to buy a record then, than it does for me to walk home with a stack of used CDs now. And when one listened, one tended to really listen. It was an active pursuit, not just background.

    Having grown up in the era that I did, marked by the twilight of the LP, I possess a certain longing to listen to the radio in the middle of the night, and sense the presence of stylus in groove, the soft whir, the occasional pop. There was something very human and reassuring in those things.

    Now, on the unfortunately rare occasions when I do play an LP, comparative listening with its compact disc remastering(s) almost always reflects poorly on the later incarnations. I don’t really consider myself an audiophile, but to me the depth and inherent warmth of an LP recording are immediately evident.

    Finally, with every change in format, something is lost. Even in this age of previously undreamt of access to a seemingly unfathomable wealth of recordings, there is still much which, sadly, is simply no longer available. Combing through the WPRB library last week, I was happily taken by surprise again and again by albums that have never been reissued. There is a veritable Aladdin’s Cave awaiting rediscovery.

    Augmented by a few gems from my own collection – the odd Louisville First Edition, major performers playing works by neglected contemporary composers – tomorrow’s show should be a fascinating journey on many levels. There will be plenty of snap, crackle and pop, from 6 to 11 ET, on WPRB 103.3 FM and at wprb.com, as we’ll be giving you the needle, on Classic Ross Amico.

  • Black Composers on WPRB Radio

    Black Composers on WPRB Radio

    William Levi Dawson’s “Negro Folk Symphony.” Joseph White’s Violin Concerto in F-sharp Minor. Samuel Coleridge-Taylor’s “Hiawatha’s Wedding Feast.” Olly Wilson’s “Piano Piece for Piano and Electronic Sound.” Joseph Bologne, le Chevalier de Saint-George’s Symphony in G Major, Op. 11, No. 1. Adolphus Hailstork’s exuberant psalm-setting for soloist, chorus and orchestra, “I Will Lift Up Mine Eyes.” Florence Price’s Symphony No. 3. Duke Ellington’s “A Tone Parallel to Harlem.”

    These are some of the pieces we’ll be listening to this morning, as we explore the diversity of music of the black experience, from 6 to 11 ET, on WPRB 103.3 FM or at wprb.com. We’ll be serving your coffee black, on Classic Ross Amico.

  • Black Composers on WPRB for Black History Month

    Black Composers on WPRB for Black History Month

    Yet to come this morning: William Levi Dawson’s “Negro Folk Symphony,” Olly Wilson’s “Piano Piece for Piano and Electronic Sound,” Joseph Bologne, le Chevalier de Saint-George’s Symphony in G Major, Op. 11, No. 1, Adolphus Hailstork’s cantata “I Will Lift Up Mine Eyes,” Florence Price’s Symphony No. 3, Duke Ellington’s “A Tone Parallel to Harlem,” and more.

    Also, Dashon Burton, Bass-Baritone will perform spirituals, arranged by Harry T. Burleigh and others, from a new album, titled “Songs of Struggle and Redemption: We Shall Overcome.”

    We’re celebrating Black History Month until 11:00, on WPRB 103.3 FM and at wprb.com.

  • Black History Month: A Musical Celebration

    Black History Month: A Musical Celebration

    Now that we’re done with the Groundhog, Mardi Gras, St. Valentine, and the Presidents, we can turn our attention fully to Black History Month. Tomorrow morning on WPRB, we’ll survey over 200 years worth of music by composers of color, including many we didn’t get to during last month’s Martin Luther King celebration.

    We’ll hear works by Marion Bauer, Joseph Bologne (Chevalier de Saint-Georges), Margaret Bonds, Samuel Coleridge-Taylor, William Levi Dawson, R. Nathaniel Dett, Duke Ellington, Adolphus Hailstork, Florence Price, William Grant Still, José Silvestre White Lafitte (a.k.a. Joseph White), and Olly Wilson.

    In addition, Dashon Burton, Bass-Baritone will perform spirituals, arranged by Harry T. Burleigh and others, from a new album, titled “Songs of Struggle and Redemption: We Shall Overcome.”

    I hope you’ll join me for a playlist celebrating Black History Month, tomorrow morning from 6 to 11 ET, on WPRB 103.3 FM or online at wprb.com. Black is the new black, on Classic Ross Amico.

    PHOTOS: (clockwise from left) Joseph White, Florence Price, Le Chevalier de Saint-Georges, and Samuel Coleridge-Taylor

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