Tag: WWFM

  • Dvořák Wagner & Marlboro Music Festival

    Dvořák Wagner & Marlboro Music Festival

    In an interview granted in 1885, Bohemian composer Antonin Dvořák expressed his early admiration for Richard Wagner. Wagner visited Prague in 1863. Dvořák recalled, “I was perfectly crazy about him, and recollect following him as he walked along the streets to get a chance now and again of seeing the great little man’s face.” General opinion seems to be that the Czech master outgrew his infatuation by the 1870s – but perhaps not entirely.

    The two composers will be reunited in spirit on this week’s “Music from Marlboro.” Tying in with The Classical Network’s end-of-the-fiscal-year fundraiser, “Play It Again,” I’ve selected two works from the lists of favorites submitted last week by WWFM hosts and listeners. These will be performed, in their entirety, by musicians from the legendary Marlboro Music Festival.

    So as not to spoil the surprise(s), I won’t tell you what they are in advance, but I do hope you’ll tune in, and I hope you’ll support us with your financial contribution at 1-888-232-1212, or online at wwfm.org.

    We’re now in our second day of sharing YOUR playlists. You never know from one moment to the next what we’ll be playing. In the spirit of the occasion, I won’t know from one moment to the next what I’m doing – but you’re guaranteed I will execute it with such grace, beginning this afternoon at 4 p.m. EDT. “Music from Marlboro” starts at 6.

    Thank you for supporting WWFM – The Classical Network!

    Marlboro School of Music and Festival: Official Page

  • WWFM Listener Favorites Countdown Week

    WWFM Listener Favorites Countdown Week

    Mom always liked you best. Okay, so we really do play favorites on The Classical Network.

    For the remainder of this week, the bulk of our daytime programming will be drawn from “favorites” lists submitted by WWFM staff, guest programmers, and listeners just like you. This should provide a lot of fascinating Venn diagrams as, for instance, we learn what pieces David Osenberg, Glenn Smith, Alice Weiss, and Rachel Katz have in common, or how many listeners hold dear the same Korngold aria as Classic Ross Amico. On Friday, we’ll stack up the pieces with the most votes, and enjoy a classical music countdown.

    Remember, this is also the end of our fiscal year. We’re all going to try to have a lot of fun with this, but we will also be involved in the very serious business of trying to raise the money to keep your favorite classical music station in the black. Don’t think that your contribution won’t make a difference. Donate now at 1-888-232-1212, or online at wwfm.org.

    Thank you for your support. Mom always did like you best. Our “Play It Again” drive gets underway at 9 a.m. EDT. I’ll be along at noon to spin some of our favorites, on WWFM – The Classical Network and wwfm.org.

  • Memorial Day Music on The Classical Network

    Memorial Day Music on The Classical Network

    It looks like it’s turned out to be a gray picnic day in the Trenton-Princeton area. Nonetheless, I’ll be on hand this afternoon at The Classical Network to help lend a little color to your Memorial Day.

    I hope you’ll join me for music of reflection, sacrifice and hard-won victory, as we remember those who gave everything so that we could enjoy the leisure and security of days like today, on which we relax and share food with friends and family.

    Some of the selections will be Memorial Day specific, honoring our war dead; some will be classics composed during World War II; some will be works written for the U.S. military; and some will be more generalized nostalgic throwbacks to an idealized American past.

    Tune in, remember, and give thanks, this afternoon from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • WWFM As Time Goes By Play It Again

    WWFM As Time Goes By Play It Again

    Of all the gin joints in all the towns in all the world, she walks into mine…

    Okay, so maybe working your way to the bottom of a bottle while listening to Dooley Wilson play “As Time Goes By” isn’t the healthiest choice. But I venture to guess your favorite music is imbued with personal significance and may even offer solace when you need it most.

    What are some of your all-time favorite pieces? The ones that move you the most deeply or conjure cherished memories? The ones that have stayed with you the longest? WWFM The Classical Network wants to know.

    Next week, we will embark on a special fundraiser that should be full of personal significance for us all, as we share the music that is closest to our hearts. Add your most personal favorites to those of your favorite radio hosts. Your selections have a chance to become part of the programming, as we present “Play It Again,” May 29 to June 1.

    Playlists will be compiled from all-time favorites of WWFM hosts, guest programmers, and listeners just like you. The event will culminate in a countdown of most-requested pieces, which will be presented on June 1.

    It may be of interest to anyone who participates to discover a shared and perhaps unexpected affinity with some of our hosts. You can make your selections now by visiting wwfm.org and clicking on the “Play It Again” box, located on the upper right hand side of the homepage. There you’ll find a link to a form that will allow you to list twenty of your personal favorites.

    While you’re at it, consider making a contribution to the station. We’re coming up on the end of our fiscal year, and we could really use your support!

    There’s a reason why the classics are the classics. But who knows? Maybe a few unusual choices will find their way in. We look forward to hearing from you and sharing in the discovery. You could have a direct impact on the programming by filling out and submitting your list no later than Friday, May 25, at noon.

    Even more so, your financial contribution will help to ensure that The Classical Network is able to continue doing what it does best – providing a haven of great music and engaging programming any time you decide to tune us in.

    Thank you for supporting WWFM – The Classical Network, and we look forward to “playing it again!”

  • Wagner Mendelssohn Feud & Chamber Music

    Wagner Mendelssohn Feud & Chamber Music

    Richard Wagner, of course, was not very fond of Felix Mendelssohn. He had given the manuscript of his early Symphony in C major to Mendelssohn as a “gift” in 1836, and then became resentful when Mendelssohn didn’t make a special case for the work in his position as kapellmeister of the Leipzig Gewandhaus Orchestra. For this, Wagner never forgave him. Nevermind the fact that the symphony had been performed by the Leipzig orchestra in 1833.

    Okay, so Wagner may have been a little disappointed, but he could have stopped short of his notorious screed “Judaism in Music,” first published in 1850, in which Mendelssohn was singled out for preferential treatment. But at least he was in good company. Wagner also targeted Giacomo Meyerbeer, who had helped secure the first performance of Wagner’s break-out success, “Rienzi,” in 1842. (The conductor Hans von Bülow joked that “Rienzi” was Meyerbeer’s best opera.) Mendelssohn had already been dead for three years, and Wagner published his essay under a pseudonym. Not exactly fair play, by any standard.

    Ironically, the tract wound up damaging his own reputation more than Mendelssohn’s. It’s a good thing for Wagner that his genius was such that we still revere his innovative music dramas even in the shadow of his own psychological frailty.

    Mendelssohn, too, remains in the canon, his own genius undiminished. Mendelssohn’s String Quintet No. 1 in A minor will be the concluding work on today’s Noontime Concert on The Classical Network, which will be made up of performances by the Manhattan Chamber Players.

    Also on the program will be Maurice Ravel’s Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet, Johannes Brahms’ Clarinet Trio, and John Blasdale’s Elegy in F sharp minor, a work for string quartet inspired by Beethoven’s Piano Sonata in E major, Op. 109. The broadcast will be drawn from two concerts given at the Baruch Performing Arts Center in December and April. The Baruch Performing Arts Center is located on 25th Street, between Lexington and 3rd Avenues, in New York City.

    This Thursday, the Manhattan Chamber Players will be joined by formidable cellist Peter Wiley. Wiley is a veteran of both the Beaux Arts Trio and the Guarneri Quartet. The program, titled “Cello Power,” will include Wolfgang Amadeus Mozart’s String Quartet in B flat major, K. 589, and the String Quintets by Alexander Glazunov and Franz Schubert. The concert will take place at 7:30 p.m. at Holy Trinity Lutheran Church, New York City, 3 West 65th Street, at the corner of 65th and Central Park West. For more information, visit manhattanchamberplayers.com.

    Following today’s Noontime Concert broadcast, I’ll mark Wagner’s birthday anniversary with some unusual works and exceptional performances – maybe even the Symphony in C. We’ll find beauty in the beast, between 12 and 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

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