Tag: WWFM

  • Kalniņš Symphony Rocks WWFM Today!

    Kalniņš Symphony Rocks WWFM Today!

    When his rock band ran afoul of the Soviet authorities, classically-trained Latvian composer Imants Kalniņš turned to writing symphonies. His Symphony No. 4 was his eloquent response, as much indebted to illegal rock groups of the West as it was to Latvian folklore. Hear Kalniņš stick it to the man this afternoon, on his 76th birthday. We’ll also have a Piano Concerto by Keith Emerson, of the progressive rock group Emerson, Lake & Palmer, among our featured works, from 4 to 6 p.m. EDT.

    Then, immediately following, stick around for music of Jerry Goldsmith on “Picture Perfect,” on WWFM – The Classical Network and wwfm.org.

  • French Classical Music Birthday Salute

    French Classical Music Birthday Salute

    “We seek him here, we seek him there, Those Frenchies seek him everywhere.”

    While those “Frenchies” may search heaven and hell for that damned, elusive Pimpernel, listeners to The Classical Network should have no difficulty locating the French today, as we salute conductor Paul Paray on his birthday. We’ll also have music by the esteemed French hornist (pun intended) Louis François Dauprat.

    Join me for a French toast, aujourd’hui, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Park Slope Concerts on the Radio Today

    Park Slope Concerts on the Radio Today

    Time again to hit the Slope.

    I hope you’ll join me for Tuesday’s Noontime Concert on The Classical Network. when I’ll be introducing music from Concerts on the Slope, from Saint John’s Episcopal Church, located in the Park Slope neighborhood of Brooklyn, NY. On the program will be music by Princeton University Ph.D. candidates Andy Akiho and Caroline Shaw (recipient of the 2013 Pulitzer Prize for Music), John Cage, and the series’ composer-in-residence Ke-Chia Chen.

    Concerts on the Slope’s next program, “The Flowering Viola,” will be presented this Sunday at 3 p.m. The concert will include music by Charles Martin Loeffler, Robert Sirota, Bohuslav Martinu, Rebecca Clarke, and Max Bruch.

    Concerts on the Slope was founded in 2012 to present top-notch chamber music concerts, featuring rising young artists from New York City and around the world. You can find out more about the series at concertsontheslope.org.

    Tune in today at 12:00 p.m. EDT to WWFM – The Classical Network or wwfm.org.

  • Georg Tintner A Centennial Rediscovery

    Georg Tintner A Centennial Rediscovery

    Yesterday would have been conductor Georg Tintner’s 100th birthday. Already at the age of 20, Tintner was one of Vienna’s rising stars. Following the Anschluss, however, he had to sue his employers in an attempt to retain his post at the Vienna Volksoper, then wound up fleeing for his life.

    The bulk of his career played out outside the international limelight of the great capitals of Europe and the United States. He labored mostly in obscurity in New Zealand, Australia, and finally Canada. (His last post was as music director of Symphony Nova Scotia.) Then, suddenly, late in life, he recorded a Bruckner cycle that struck the critics like a thunderbolt. After 60 years, Tintner was an overnight success.

    Stick around following today’s Noontime Concert (a program from Brooklyn’s Concerts on the Slope) to enjoy one of Tintner’s acclaimed Bruckner recordings. It will be among our featured works this afternoon, between 12 and 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Wagner A Love-Hate Birthday Serenade

    Wagner A Love-Hate Birthday Serenade

    “Of all the bête, clumsy, blundering, boggling, baboon-blooded stuff I ever saw on a human stage, … and of all the affected, sapless, soulless, beginningless, endless, topless, bottomless, topsiturviest, tongs and boniest doggerel of sounds I ever endured the deadliness of, that eternity of nothing was the deadliest, so far as the sound went. I never was so relieved, so far as I can remember in my life, by the stopping of any sound – not excepting railway whistles – as I was by the cessation of the cobbler’s bellowing.”

    – John Ruskin on “Die Meistersinger”

    “For me Wagner is impossible… he talks without ever stopping. One just can’t talk all the time.”

    – Robert Schumann

    “One can’t judge Wagner’s opera ‘Lohengrin’ after a first hearing, and I certainly don’t intend hearing it a second time.”

    – Gioachino Rossini

    “I love Wagner. But the music I prefer is that of a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws.”

    – Charles Baudelaire

    “I like Wagner’s music better than any other music. It is so loud that one can talk the whole time without people hearing what one says. That is a great advantage.”

    – Oscar Wilde

    “Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches – he has made music sick. I postulate this viewpoint: Wagner’s art is diseased.”

    – Friedrich Nietzsche

    “Every time I listen to Wagner, I get the urge to invade Poland.”

    – Woody Allen

    “I have witnessed and greatly enjoyed the first act of everything whichWagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”

    – Mark Twain

    “Wagner’s music is better than it sounds.”

    – Edgar Wilson “Bill” Nye

    Happy Birthday, Richard Wagner (1813-1883). Tune in today to make what you will of his art, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

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