Tag: Yul Brynner

  • Yul Brynner More Than The King

    Yul Brynner More Than The King

    It seems there’s nothing Yul Brynner could not do.

    Trapeze acrobat. Bare-knuckle brawler. Radio commentator. Nude model. Honorary president of the International Romani Union.

    As if his life weren’t fanciful enough, numerous legends were perpetuated about him by reporters, publicists, and even Brynner himself.

    On his tenth birthday, his father gave him an acoustic guitar. In quintessential Yul Brynner fashion, that guitar became a challenge to be mastered. Not only did Yul study classical and contemporary music, the skills he acquired, exercising his curiosity, creativity, and imagination, left their lasting stamp on every aspect of his professional life.

    Brynner continued to study music with his sister, Vera, a professional opera singer. Vera, who spelled her name “Bryner” (Yul added a second “n”), sang roles at New York City Opera, “Carmen” on NBC television, and the soprano lead in Gian Carlo Menotti’s “The Consul” on Broadway. “The Consul” earned Menotti the 1950 Pulitzer Prize for Music.

    Beginning at 14, Yul played and sang Gypsy songs in Parisian nightclubs. He teamed with Aliosha Dimitrievitch, with whom, in 1967, he released an album, “The Gypsy and I” (Vanguard VSD 79265).

    Of course, Brynner’s most celebrated role was the King of Siam in Rodger’s and Hammerstein’s “The King and I.” He was recognized for his magnetic performances of the part with two Tony Awards and an Oscar. In all, he played the King 4,625 times.

    Et cetera, et cetera, et cetera!

    Happy birthday, Yul Brynner!


    Yul sings Gypsy songs

    On “The Ed Sullivan Show”

    Vera Bryner sings

    Yul also spoke 11 languages. Evidently, he was fluent in French.

    “Shall We Dance?”

  • Solomon & Sheba’s Wild Pagan Revels

    Solomon & Sheba’s Wild Pagan Revels

    “Among the more astounding spectacles in ‘Solomon and Sheba’ are the PAGAN REVELS… the WINE-BATHED ORGY… before the GRAVEN IMAGE. The shameless FERTILITY RITES… as recorded in the BOOK OF KINGS!”

    If I had been around in 1959, I would have bought a ticket for this one so fast. I just love Biblical epics that purport to teach a moral lesson and instill a reverence for the awesome power and majesty of the Almighty, while juicing up the action with as much sex and violence as humanly possible.

    What red-blooded male could ever forget Gina Lollobrigida as the Queen of Sheba? What connoisseur of toupées could ever forget Yul Brynner as Solomon?

    The composer is Mario Nascimbene, the poor man’s Miklós Rózsa. Rózsa, of course, achieved a career high that year with his music for “Ben-Hur.” “Solomon and Sheba” is no “Ben-Hur.”

    Spectacle like this transcends wisdom. Take my 46 cents (the average price of a movie ticket in 1959), please!

    R.I.P., Gina.

  • Alex North’s Fury Yul Brynner in Faulkner Film

    Alex North’s Fury Yul Brynner in Faulkner Film

    Yul Brynner as Jason Compson? Okay, so the 1959 film version of “The Sound and the Fury” is a mess. But the score by Alex North is wonderful. If you’re a North fan, you’ll want to be on hand this week for “Picture Perfect,” when we present an hour of literary pairings: “The Sound AND the Fury,” “War AND Peace,” “Crime AND Punishment,” and “Sense AND Sensibility.”

    You get the picture? Perfect!

    I hope you’ll join me for music by Alex North, Nino Rota, Arthur Honegger and Patrick Doyle, written for movies inspired by the writings of William Faulkner, Leo Tolstoy, Feodor Dostoyevsky and Jane Austen, this Friday evening at 6 ET, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.


    PHOTO: [Feigning a Yoknapatawphan accent] “Et cetera, et cetera, et cetera…”

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