December 6 is the Feast of Saint Nicholas.

The historical and legendary Nicholas, fourth century Bishop of Myra, is the patron saint of sailors, merchants, travelers, brewers, prisoners, prostitutes, Russia, and of course children. THAT Nicholas is celebrated for his secret acts of charity, even if he could be rather short-tempered and a bit severe. Nicholas is said to have punched a few heretics, on occasion.

One famous episode tells of Nicholas saving three daughters of a poor man from a life of prostitution by tossing bags of gold down their chimney, thereby providing them with proper dowries. The episode is reflected in the familiar pawnbrokers’ symbol of three gold spheres suspended from a bar (and also the practice of hanging stockings by the chimney with care).

In another legend, three boys are slain by a butcher, chopped up and pickled in brine, with the goal of passing them off as ham. Nicholas restores the youths, and the butcher repents. The episode forms the basis of “Nicolas and the Pickled Boys,” from the cantata “Saint Nicolas,” by Benjamin Britten. I’ll be playing it this afternoon, sometime after our noon concert.

We’ll also hear the musical equivalent of Clement Moore’s conception of St. Nick in the “Santa Claus Symphony,” by 19th century Philadelphia composer William Henry Fry.

Today’s edition of “The Classical Network in Concert” will feature the Manhattan Choral Ensemble, in a program titled “Noel: Christmas in France.” It was recorded live last December at the Church of St. Jean Baptiste, East 76th Street and Lexington Avenue, in New York City. The ensemble’s next set of concerts, “A Russian Christmas,” will take place on December 9, at 8 p.m., and December 11, at 3 p.m., at St. Nicholas of Myra Orthodox Church, 288 East 10th Street, also in NYC. You can find out more at the choir’s website, http://www.mce.nyc.

I hope you’ll join me for Christmas and more (or Moore, as the case may be), from 12 to 4:00 EST, on WWFM – The Classical Network and wwfm.org.

IMAGES: The original “Bad Santa” (left); with Thomas Nast’s reinvention, after Clement Moore