Category: Daily Dispatch

  • Trains in Movies Music from Hitchcock and More

    Trains in Movies Music from Hitchcock and More

    Traditionally, trains have been very good for drama. They are symbols of departures and arrivals. They are conveyors of prisoners and vehicles of escape. They are objects of romance and objects to “hobo around” on. They are the harbingers of civilization, and they are transports be robbed. You can fight on top of them. You can make out with Eva Marie Saint, or you can protect Marie Windsor so that she can testify against the mob. You can shuffle off to Buffalo.

    For decades, trains have provided good escapist fun at the movies. This week on “Picture Perfect,” we’ve got an hour of music from four memorable films in which trains play an important role.

    In “Strangers on a Train” (1951), arguably Alfred Hitchcock’s most underrated film of the 1950s, Farley Granger plays a tennis pro who unwittingly becomes involved in a double-murder plot through a chance encounter on a passenger train with a psychopath named Bruno (probably Robert Walker’s finest performance). The music is by Dimitri Tiomkin, who scored four films for Hitch – including “Shadow of a Doubt,” “I Confess,” and “Dial M for Murder.”

    Burt Lancaster stars in a film titled, simply, “The Train” (1964), as a reluctant railroad inspector who is persuaded to join the French Underground’s efforts to delay the transport of masterpieces looted from the museums of Paris by the Nazis, since Allied liberation of France is imminent. Paul Scofield plays the art-loving German officer determined to move the art at all costs. Real trains were destroyed in the making of the film, real dynamite was used, and Lancaster, as was often the case, did all his own stunts. The score is by Maurice Jarre.

    “Murder on the Orient Express” (1974) is based on one of the best-known Agatha Christie vehicles conceived for her recurring character, the celebrated detective Hercule Poirot. Albert Finney plays Poirot most memorably in this, the first and best of the all-star Christie thrillers, set on a long-distance passenger train connecting Paris to Istanbul. He’s joined by Lauren Bacall, Martin Balsam, Ingrid Bergman, Sean Connery, John Gielgud, Anthony Perkins, Richard Widmark, and Michael York. The unforgettable score is by Richard Rodney Bennett.

    Finally, we turn to the lighthearted caper film “The Great Train Robbery” (1979), starring Sean Connery, Donald Sutherland, and Leslie-Anne Down. Michael Crichton wrote the screenplay, after his own novel, which in turn was based on an actual historical incident – an 1855 heist, in which an unbelievable amount of gold disappeared from a moving train. Crichton also directed the film. The music is by Jerry Goldsmith.

    We’ll be taking the train today, on “Picture Perfect,” this Friday evening at 6:00 EST, on WWFM – The Classical Network.


    Since today happens to be Jerry Goldsmith’s birthday, join me a little early, as I’ll be cueing up a medley of some of his greatest film themes, to help get you in the mood, starting around 5:30.

  • Snow Day No Ross Amico on WPRB

    Snow Day No Ross Amico on WPRB

    Due to the impending weather event (up to 12 inches of snow according to some sources), I hope you won’t mind too awfully if I sit out for “Classic Ross Amico” tomorrow morning on WPRB. My car is barely road-worthy even under the best of circumstances, and anyway I’ve been sick for the past two days (hence my paper-thin tone by the end of my air shifts). Taking a break will allow me to sit in my pajamas all day, propped up in bed, reading a book.

    Who or what, exactly, will take my place is uncertain. It might be a Princeton student or at any rate someone within walking distance of the station, or it might be the automation, which could not by any means pass for classical. (I’m told this will change, beginning in the 5 a.m. hour, in the coming weeks.) For as much as I would love to do a snow show, it would hinge on my actually being able to get to the station to do one! All in all, this could be a good time to reacquaint yourselves with your CD collections.

    Thank you for your interest. I’m hoping to be back next Thursday, from 6 to 11 a.m., on WPRB 103.3 FM and at wprb.com, with Classic Ross Amico.


    UPDATE: It looks as if the shift will be split between two student DJs, Nicky and Bobby, starting at 7 a.m. They’ll likely draw pretty heavily from the station’s arcana section, so a lot of the music will be contemporary and/or avant-garde. The name Pauline Oliveros has been bandied. Thanks, guys!

  • Radio Days Snowstorm to Pantaloon Slumber

    Radio Days Snowstorm to Pantaloon Slumber

    When I was a lad I would brave all weather in order to get to a radio shift.

    On one notable occasion, I remember being nearly snowed in on the job. New Jersey literally shut down its highways just as I was crossing the Scudder Falls Bridge into Pa. All of Bucks County stretched out before me like a field of amorphous snow cones. I could scarcely distinguish road from countryside, and there was no one in front of me, so I had to do my best to navigate across the tops of the scoops.

    By the time I got back to Philly the snow as so high, I could scarcely get traction. There was no way I would be able to parallel park, so it was very fortunate indeed that there was a legal parking space open at the end of a line of cars. Sure it was six blocks from my apartment, but beggars can’t be choosers. I was certainly more fortunate than the evening board-op, who literally rode into the station on the plow and had to sleep there, rising early to spin CDs all by herself into the following evening. Such was the dedication of the radio host.

    That was then. Now that I am a middle-aged pantaloon I’d just as soon stay in bed. Thanks again to Bobby and Nicky for filling in for me this morning on WPRB 103.3 FM and at wprb.com. Tune in before 11:00 EST if electronic, minimalist and drone music are your thing.


    All the world’s a stage,
    And all the men and women merely players;
    They have their exits and their entrances,
    And one man in his time plays many parts,
    His acts being seven ages. At first, the infant,
    Mewling and puking in the nurse’s arms.
    Then the whining schoolboy, with his satchel
    And shining morning face, creeping like snail
    Unwillingly to school. And then the lover,
    Sighing like furnace, with a woeful ballad
    Made to his mistress’ eyebrow. Then a soldier,
    Full of strange oaths and bearded like the pard,
    Jealous in honor, sudden and quick in quarrel,
    Seeking the bubble reputation
    Even in the cannon’s mouth. And then the justice,
    In fair round belly with good capon lined,
    With eyes severe and beard of formal cut,
    Full of wise saws and modern instances;
    And so he plays his part. The sixth age shifts
    Into THE LEAN AND SLIPPERED PANTALOON,
    With spectacles on nose and pouch on side;
    His youthful hose, well saved, a world too wide
    For his shrunk shank, and his big manly voice,
    Turning again toward childish treble, pipes
    And whistles in his sound. Last scene of all,
    That ends this strange eventful history,
    Is second childishness and mere oblivion,
    Sans teeth, sans eyes, sans taste, sans everything.

  • Nicolai Gedda Dies at 91

    Nicolai Gedda Dies at 91

    Like Mark Twain, reports of his death were greatly exaggerated. In 2015, legendary Swedish tenor Nicolai Gedda became the subject of a death hoax that sent panic and despair rippling through the opera-loving community. Alas, today is no hoax. Gedda has died at the age of 91. One of the most widely-recorded tenors in history, he made his final opera recording in 2003 at 77 years-old. R.I.P.

    https://www.francemusique.fr/opera/nicolai-gedda-est-32119


    A devil-may-care Gedda as Berlioz’s Benvenuto Cellini

  • John Williams 85th Birthday Salute

    John Williams 85th Birthday Salute

    Hard to believe, John Williams is 85 years-old today. Oh Johnny, how do I love thee? Enough to go to battle with Norman Lebrecht on his blog, slippedisc.

    John Williams is 85 tomorrow

    I hope you’ll join me today, as I give Williams a more proper birthday salute, from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.

    Thank you, John, for all the great music. You’ve been an essential part of the soundtrack of my life for 40 years. Long may you reign.


    PHOTOS (clockwise from left): Williams with the 2016 AFI Lifetime Achievement Award, the first bestowed upon a composer; Williams with his “Star Wars” Oscar in 1978; Williams conducting sometime in the 1970s; Williams takes a bow.

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