Category: Daily Dispatch

  • Spooky Classics with Karloff & Lee for Halloween

    Spooky Classics with Karloff & Lee for Halloween

    Grab a second cup of coffee and join me, if you haven’t already. It’s a morning of spooky classics, as we look ahead to Hallowe’en.

    Among our tricks and treats will be recordings of Boris Karloff and Christopher Lee, revered for their onscreen personifications of classic movie monsters. Karloff will narrate Prokofiev’s “Peter and the Wolf” – you need to tune in if only to hear how he relishes his final line, giving it a delightfully macabre spin – and Lee will prove himself a quick-change artist in his portrayal of all the characters (including the Princess!) in Igor Stravinsky’s take on the Faust legend, “The Soldier’s Tale.”

    It’s a steady diet of jack o’lanterns and candy corn until 11:00 EDT, on WPRB 103.3 FM and at wprb.com.

  • Support Classical Music Before Winter Arrives

    Support Classical Music Before Winter Arrives

    The day of reckoning is upon us!

    October is membership month at WWFM – The Classical Network, and while we have been soft pitching for weeks, today we take to the air waves to rake up the stragglers like so many autumn leaves.

    We’ve affectionately dubbed October Procrastinator’s Amnesty Month. Believe me, we know what it’s like to put things off. Often, it’s not so much procrastination as it is simply not having enough time, the needs of the moment generally foremost in our thoughts. But with autumn upon us, it’s time to be like the ant, not the grasshopper, and to fortify ourselves against the winter.

    Think of the cozy months ahead, and how we warm your cockles around the clock with music from Abel to Zelenka. You can also warm yourself with our “What Makes It Great” mug. Named for Rob Kapilow’s popular show, the mug answers its own question. Turn it around, and it on the reverse you’ll find the exclamation “You!” It’s because of you that we are able to pay for programs like “What Makes It Great.” We are only as good as our member support. The mug is yours for a contribution to The Classical Network in the amount of $75. If you commit to a sustaining membership of $5 a month, we’ll send it to you for $60 (charged in monthly installments, of course). That $15 in savings will buy you a lot of cider.

    The sooner we reach 3500 members, the sooner we get back to uninterrupted music. So lend us a hand, won’t you? Your vital contribution will fortify us as the days grow shorter. Make your commitment at wwfm.org, or by calling 1-888-232-1212.

    We can enjoy the fiddling once the stores are full. Thank you, as always, for your warming support!

  • Classical Music Jukebox WWFM Procrastinators Amnesty

    Classical Music Jukebox WWFM Procrastinators Amnesty

    Coming up! Music by Dmitri Shostakovich, Domenico Scarlatti, Johan Helmich Roman, Benjamin Britten, Franz Lehar, Ralph Vaughan Williams, Bedrich Smetana, and more.

    Put another dime in the jukebox, baby! I’ll be spinning the platters for the next three hours to help elicit your support, as we continue with our Procrastinator’s Amnesty Membership Drive, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and at wwfm.org.

    Thanks for donating online, or calling us at 1-888-232-1212!

  • Copland’s Appalachian Spring on The Classical Network

    Copland’s Appalachian Spring on The Classical Network

    It’s an aseasonal treat this afternoon, as WWFM concludes its binge festival of “What Makes It Great.” Rob Kapilow will deconstruct Aaron Copland’s “Appalachian Spring,” followed by an uninterrupted performance of the piece, which was recorded in April at Merkin Concert Hall at Kaufman Music Center in New York City.

    “What Makes It Great” concludes its binge run today, beginning at 12:00 EDT. Enjoy the upcoming season as a member of The Classical Network. For a donation of $75, we will send you the “What Makes It Great” mug. On one side is the name of the show, “What Makes It Great,” and on the reverse is the answer, “You!” In fact, we’d be happy to send you the mug for your commitment to become a sustaining member of The Classical Network in the amount of $5 a month – that’s a savings of $15! Put it toward the beverage of your choice.

    Of course, what you’re really paying for is all the great music that comes your way each and every day on The Classical Network, including that heard on “Picture Perfect,” “The Lost Chord,” and my recently instated afternoon live air shifts. Be sure to mention how much you enjoy these in the comments section when you make your donation at wwfm.org. Your commitment now could shorten our live membership campaign, which will begin on the morrow. The sooner we reach our goal, the sooner we’ll get back to presenting uninterrupted music.

    Stick around: following Rob’s informative analysis of “Appalachian Spring,” and its exemplary performance, we’ll enjoy a late romantic symphony by Ukrainian composer Boris Lyatoshynsky. I’ll be with you until 4:00, on WWFM – The Classical Network and at wwfm.org.

  • Avant-Garde Fun with Crumb and Berio

    Avant-Garde Fun with Crumb and Berio

    Just because someone classifies you as avant-garde doesn’t mean your music can’t be fun. Join me today as we celebrate two of music’s more engaging avant-gardists, George Crumb and Luciano Berio.

    Crumb, who makes his home in Swarthmore, Pa., near Philadelphia, turns 87 today. Sure, he’s written his share of spooky music, but, like Charles Ives, personal connections and playful juxtapositions are seldom far away. For example, he’s devoted his twilight years to colorful and inventive settings of hymns and folk tunes from his formative years, growing up in West Virginia, which he’s collected into seven cycles for voice and percussion, titled “American Songbook.” These are remarkably effective and affecting works, especially when heard live in concert and the breadth and subtlety of the instrumentation can be fully appreciated.

    Be that as it may, what we’ll hear this afternoon are five humoresques, titled “Mundus Canis” (“A Dog’s World”), a musical portrait gallery for guitar and percussion of the Crumbs’ family dogs. Apparently Yoda, a fluffy white mixed-breed adopted from a New York City pound, was especially disobedient.

    In his best-known music, Berio had a tendency to work in collages (a term the composer disliked), but he also made groundbreaking use of electronics and extended techniques. There’s none of that in his own set of “Folk Songs,” from 1964. Written for his wife, the mezzo-soprano Cathy Berberian, the songs are mostly drawn from traditions of various countries and cultures, but some of them were actually written by Berio himself.

    We’ll also raise a glass to German-Jewish composer and conductor Ferdinand Hiller, a close friend of Felix Mendelssohn. Mendelssohn and Hiller were both directors of the Leipzig Gewandhaus Orchestra. One of Hiller’s pupils was Max Bruch, who was not Jewish. It was through Hiller that Bruch was introduced to the Yom Kippur prayer “Kol Nidre,” which became the basis for one of Bruch’s most famous concert pieces. Hiller was also the dedicatee of Schumann’s Piano Concerto.

    I hope you’ll join me for music of Crumb, Berio, Hiller and more, today from 4 to 7 p.m., on WWFM – The Classical Network and at wwfm.org.


    PHOTO: George Crumb with “bad dog” Yoda

Tag Cloud

Aaron Copland (94) Beethoven (95) Composer (114) Film Music (153) Film Score (143) Film Scores (255) Halloween (107) John Williams (198) KWAX (233) Leonard Bernstein (105) Marlboro Music Festival (125) Movie Music (168) Mozart (92) Opera (222) Philadelphia Orchestra (91) Picture Perfect (174) Princeton Symphony Orchestra (110) Radio (90) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (269) Vaughan Williams (107) WPRB (397) WWFM (881)

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