Category: Daily Dispatch

  • Passover Movie Music From Biblical Epics

    Passover Movie Music From Biblical Epics

    This week on “Picture Perfect,” with Passover right around the corner, it’s an hour of music from epics inspired by the Old Testament – including “Samson and Delilah” (Victor Young), “Solomon and Sheba” (Mario Nascimbene), “Sodom and Gomorrah” (Miklós Rózsa) and “The Ten Commandments” (Elmer Bernstein).

    We begin and end with two Cecil B. DeMille productions. DeMille could always be counted on to give his audience a good show. Both “Samson” and “The Ten Commandments” feature sultry temptresses, violent, bare-chested men, and plenty of austere moralizing. The climactic special effects in both films are still sublime.

    Tyrone Power was originally cast as Solomon in King Vidor’s “Solomon and Sheba.” However, he died of a massive heart attack during shooting (at the age of 44), paving the way for Yul Brynner to assume the role of the wise king. Brynner, of course, would later become DeMille’s pharaoh Rameses. With Gina Lollobrigida as the Queen of Sheba, you know there has to be an orgiastic dance.

    Miklós Rózsa characterized “Sodom of Gomorrah” as “an intriguing subject which developed into a bad picture,” and most critics agreed. Any film that casts Stewart Granger as Lot should be taken with a pillar of salt. Rózsa determined not to score any more Biblical epics after “Sodom,” though his music is nothing to be ashamed of. It possesses that classic Rózsa epic sound, much beloved thanks to his work on “Quo Vadis,” “Ben-Hur” and “King of Kings.”

    Chariots! Tunics! Histrionic acting! Get in on the fun, this Friday evening at 6 p.m. ET at http://www.wwfm.org .

    Miss a show? Past and recent installments of “Picture Perfect” and “The Lost Chord” are archived for your enjoyment at the WWFM website. Click on “webcasts,” and then select the show.

    PHOTOS: Victor Mature’s stuffed lion vs. Charlton Heston’s cotton candy beard

  • John Shirley-Quirk Obituary

    John Shirley-Quirk Obituary

    Bass-baritone John Shirley-Quirk, a recording studio stalwart of music by Benjamin Britten, Ralph Vaughan Williams, and Frederick Delius, among others, died on Monday. He performed most of his repertoire on stage in England, naturally; Americans are very lucky to have so much of it preserved on recordings. Stateside, he has been on the faculty of the Peabody Conservatory of Music since 1991.

    My favorite Shirley-Quirk recording is his “Five Mystical Songs” of Vaughan Williams, on texts of the metaphysical poet George Herbert, which I try to get on the air every Easter. Here he is in Vaughan Williams’ “Linden Lea.”

    Thanks for the beautiful music, John.

    PHOTO: Shirley-Quirk (left) with Sir William Walton

  • Phillies Opening Day & Baseball Music

    Phillies Opening Day & Baseball Music

    Opening Day at the Phillies. Recommended listening for baseball season:

    John Williams, “Fanfare for Fenway” (for the Red Sox)

    Charles Denler, “Take the Field” (for the Colorado Rockies)

    George Kleinsinger, “Brooklyn Baseball Cantata” (with Robert Merrill, the Dodgers vs. the Yankees)
    Part 1, https://www.youtube.com/watch?v=J-vyRkeUm5M
    Part 2, https://www.youtube.com/watch?v=VMeiTqT4kiI

    P.D.Q. Bach, “New Horizons in Music Appreciation” (Beethoven’s Fifth Symphony “called” in the manner of a baseball game)

    Fred Sturm, “The Green Fields of the Mind,” from “Forever Spring”

    Charles Ives, “Some Southpaw Pitching”
    https://www.youtube.com/watch?v=xmc018ywR6I

    Charles Ives, “Baseball Take-Off”
    https://www.youtube.com/watch?v=nJs64qJLqN8

    William Schuman, “The Mighty Casey” (the entire opera is actually quite delightful)
    https://www.youtube.com/watch?v=K_foGwX_5bk

    John Philip Sousa, “The National Game”
    https://www.youtube.com/watch?v=lTkPyGaGa6o

    Edward Meeker, “Take Me Out to the Ballgame” (Edison Records, 1908)

    PHOTO: Charles Ives (left) ready to play ball

  • Persian Music’s Opulent Revival on The Lost Chord

    Persian Music’s Opulent Revival on The Lost Chord

    I had heard Behzad Ranjbaran’s lyrical Piano Concerto at a concert of the Philadelphia Orchestra several seasons past, but it did not prepare me for the beauty and opulence of his “Persian Trilogy.” It’s rare for a contemporary composer to demonstrate such fluency in working on a large, romantic canvas. If you enjoy the music of Rimsky-Korsakov, Debussy, Paul Dukas or Ottorino Respighi, I think you’ll really enjoy this.

    I’ll be presenting two-thirds of the “Persian Trilogy” – “Seven Passages” and “Seemorgh” – this Sunday night on “The Lost Chord,” alongside a work for flute and cello, “Folk Songs (Set No. 9),” by Reza Vali. That’s a lot of music for an hour, so I really had to butcher my script in the editing process. But it was worth it.

    The program is titled “Roses of Persia: A Bouquet of Persian Polyphonic Music.” You can catch it at 10 ET, with a repeat Thursday night at 11. Later, the show will be archived as a webcast. Enjoy it here, at http://www.wwfm.org.

    Pictured: The mythical bird Seemorgh, from the Persian epic, the “Shanameh.” She raises the abandoned newborn Zaal as her own. When Zaal goes out into the world, he is given one of her feathers, with which he is able to summon her in times of crisis.

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