Category: Daily Dispatch

  • Beecham Handel Before It Was Cool Lost Chord

    Beecham Handel Before It Was Cool Lost Chord

    Sir Thomas Beecham was championing Handel before it was cool.

    At a time when most people’s knowledge of the composer’s large-scale vocal works began and ended with “Messiah,” Beecham was dipping into the operas and polishing up the oratorios for the delectation of a new age. He defended these curations and modifications, stating that “without some effort along these lines, the greater portion of [Handel’s] magnificent output will remain unplayed, possibly to the satisfaction of drowsy armchair purists, but hardly to the advantage of the keenly alive and enquiring concertgoer.”

    Experience the vitality of Beecham’s beautiful Handel realizations this week on “The Lost Chord.” I hope you’ll join me today for “Handeling Beecham,” now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EASTERN)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EASTERN)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EASTERN)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/

  • May Flowers & Floral Music on Sweetness and Light

    May Flowers & Floral Music on Sweetness and Light

    This morning on “Sweetness and Light,” we’ll take some time to smell the flowers – May flowers, that is! No, you wiseacres, nothing to do with the Pilgrims. Rather a celebration of gardens and all things floral. I’ve assembled some bouquets of music by Albert Ketèlbey, Johann Strauss II, Ethelbert Nevin, Edward MacDowell, Scott Joplin, Gilbert & Sullivan, Billy Mayerl, Percy Grainger, Léo Delibes, and Sergei Rachmaninoff.

    The centerpiece will be “L’horoge de flore” (“The Flower Clock”) by Jean Françaix, written for John de Lancie, principal oboist of the Philadelphia Orchestra. Each of the seven movements corresponds to a flower whose blooms open at a certain time of day. The first floral clock was formulated by the Swedish botanist Carl Linnaeus, back in 1748.

    Surely, there are more accurate ways to keep time. Use one to mark the minutes until “Sweetness and Light,” a program of music calculated to charm and to cheer, this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

  • Out Sick But KWAX Shows Still Airing

    Out Sick But KWAX Shows Still Airing

    For anyone expecting a response from me today, I am sorry to have to report that I am sick. Horrible chills and light-headedness and an afternoon spent shuddering under the covers, in robe and many layers of pajamas, but no sleep. Not looking for your pity; it’s just that I know I promised a bunch of you I would get back to you today, as soon as I finished recording tomorrow morning’s show (“Sweetness and Light”) for KWAX. Miraculously, I was able to get it in. I wonder if Esa-Pekka Salonen cast the runes and put the whammy on me for my scathing review of his Sibelius that I posted earlier this week? In any case, I am not ignoring you! I’ve just been too active and not getting enough sleep, and now I’m paying for it. I’ll respond as soon as I am feeling up to it. My weekend shows will air as scheduled, at the times below. Thank you for your patience, and have a great weekend!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EASTERN)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EASTERN)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EASTERN)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/

  • Jane Austen Film Scores on KWAX Picture Perfect

    Jane Austen Film Scores on KWAX Picture Perfect

    It is a truth universally acknowledged that a radio host in possession of a weekly film music show must be in want of a good theme. This week on “Picture Perfect,” we eschew the usual fare of Vikings, pirates, and dinosaurs, to enter the world of Jane Austen.

    We’ll hear Rachel Portman’s Academy Award winning score for “Emma” (1996), Patrick Doyle’s music for “Sense and Sensibility” (1995), and selections from two versions of “Pride and Prejudice,” with music by Carl Davis (1995) and Dario Marianelli (2005).

    Not only do Austen adaptations sport amazing casts, the scores attract some of classical music’s star performers. Listen in for contributions by soprano Jane Eaglen, pianist Jean-Yves Thibaudet, and fortepianist Melvyn Tan.

    A large income is the best recipe for happiness I ever heard of – at least according to “Mansfield Park.” The next best is a playlist assembled from Jane Austen movies. There’s an urgency for Regency this week on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for those of you listening in the East. Here are the respective air-times for all three of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PM PACIFIC TIME (8:00 PM EASTERN)

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday on KWAX at 8:00 AM PACIFIC TIME (11:00 AM EASTERN)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PM PACIFIC TIME (7:00 PM EASTERN)

    Stream all three, at the times indicated, by following the link!

    https://kwax.uoregon.edu/

  • William Seward Alaska Lincoln and a Close Call

    William Seward Alaska Lincoln and a Close Call

    Today is the birthday of William H. Seward, one-time governor of New York, United States senator, and Secretary of State under Lincoln, part of Lincoln’s “team of rivals,” who endures in the minds of most Americans, if they remember him at all, for his purchase of Alaska, widely lampooned at the time as “Seward’s folly.”

    Seward was more overtly radical than Lincoln, as a senator in the 1840s and ‘50s already outspokenly anti-slavery and pro-Black rights. At a time when it was illegal to harbor escaped slaves in New York, his house was a stop on the Underground Railroad and he was instrumental in setting up Harriet Tubman in a permanent residence down the street.

    Lincoln and Seward grew unexpectedly close as they put their heads together and drew on the brain trust of their uneasy cohort, with its varying political perspectives, in order to navigate a civil war and preserve the Union.

    There are those who hated what they stood for. Seward was already bedridden, the result of a carriage accident, on the night of Lincoln’s assassination. On April 14, 1865, an assailant entered the Seward home to make a bloody attempt on his life. Many serious injuries resulted, including to members of the Seward family. A son, Frederick, had his skull staved with a pistol. (He was in a coma for two months, but ultimately recovered.) Two other sons, Andrew and William, were stabbed. A daughter, Fanny, was also attacked. Eight people in all were injured in the attempt, part of a broader plot to take out the three senior members of the Executive Branch. (A third conspirator was to have attacked Vice President Andrew Johnson, but lost his nerve.) Seward, who was stabbed five times in the face, neck, and chest, survived, protected in part by a brace he wore as he was convalescing from the carriage accident. Those in the house who escaped physical harm suffered from the shock of the assault. Seward’s wife died of a heart attack not long after, and the family lived with the emotional trauma for many years.

    I was at a wedding last summer in Auburn, New York, when I learned that Seward’s house, now a museum, was only a few blocks from where I was staying. Of course, I had to check it out. I had played Seward in a school play when I was in the fourth grade.

    Up the side steps I sauntered and opened the door into the reception area, and before my eyes could adjust, I heard, “Aren’t you Ross Amico?” Naturally, I was surprised. Had my early triumph as an actor preceded me?

    No, it turns out that one of my listeners in the Princeton area happened to be visiting Auburn and was friends with one of the docents. She had recognized my voice as I entered. Elocution proved mightier than my Seward.

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