Category: Daily Dispatch

  • Harold Arlen Plagiarism? Mahler Too?

    Harold Arlen Plagiarism? Mahler Too?

    Poor Harold Arlen. The coals haven’t yet cooled beneath accusations of plagiarism, in regard to his immortal, Academy Award winning classic “Over the Rainbow,” and now there’s an illustration in this video tying “Ding-Dong! The Witch Is Dead” to Mahler’s 7th! Purely tongue-in-cheek, I suspect. Both songs, of course, are exceedingly well-known, first of all, for their inclusion in “The Wizard of Oz” (1939), which was recognized with music awards for both original song (“Over the Rainbow,” with lyrics by E.Y. Harburg) and score (Herbert Stothart riding their coattails to victory in the year of “Gone with the Wind”).

    Last month, there was a Kansas-style dust-up over whether or not Arlen may have lifted his indelible melody from an obscure Norwegian pianist-composer he may have heard as a boy. I must say, the similarity to Signe Lund’s Concert Etude, Op. 38, is uncanny. (Listen to it at the link below.)

    But, as has been pointed out on many occasions, there are only 12 notes in the scale, and we all hear an awful lot of music in our lifetimes, so coincidences and inadvertent similarities do occur. Why, I myself once unwittingly composed “The Girl with the Flaxen Hair” in my Philadelphia apartment. Too bad Debussy got there first.

    Of course, popular songs get up to this sort of thing all the time. Rachmaninoff has been especially hard hit.

    While we’re on the subject of Mahler, Sammy Fain’s World War II classic “I’ll Be Seeing You” sounds an awful lot like the overarching melody in the last movement of Mahler’s 3rd – a similarity pointed out by musicologist Deryck Cooke in 1970. Coincidence or theft? It’s there for anyone with ears to draw their own conclusions.

    Looking forward to hearing Mahler 7 at the Philadelphia Orchestra this week, with my old chum Robert Moran.


    Philly’s principal timpanist, Don Liuzzi, with tongue in cheek: “Ding! Dong! The Wicked Witch?”

    The case against Arlen

    https://www.hollywoodreporter.com/movies/movie-features/the-wizard-of-oz-over-the-rainbow-plagiarized-1235843128/

    Signe Lund’s Concert Etude, Op. 38, rediscovered… somewhere over the rainbow?

    “I’ll Be Seeing You”

    Borrowed from Mahler’s Symphony No. 3?

  • Florence Price Marian Anderson and History

    Florence Price Marian Anderson and History

    It was quite a birthday present for Florence Price when one of her arrangements was heard by what was likely the largest audience she would ever enjoy in her lifetime.

    On Easter Sunday, on this date in 1939, Marian Anderson, barred from performing at Constitution Hall by the Daughters of the American Revolution, because of her race, sang instead from the steps of the Lincoln Memorial, to a diverse crowd of 75,000 people on the mall and a national radio audience estimated in the millions.

    The program concluded with Price’s arrangement of the spiritual “My Soul’s Been Anchored in the Lord.” By coincidence, it also happened to be Price’s birthday.

    Price, born in Little Rock, Arkansas, in 1887, had become the first African-American woman to be recognized as a symphonic composer, when her Symphony in E minor was performed by the Chicago Symphony in 1933. Needless to say, in an era when White American males struggled to find acceptance on Eurocentric classical music programs, Price, as a Black American woman, faced even greater challenges.

    The playing field has shifted in recent years, and interest in Price’s music has been on the rise. It’s hard to believe, for a composer of her accomplishments, that dozens of her manuscripts were rescued from her dilapidated summer home, on the outskirts of St. Anne, Illinois, only as recently as 2009.

    Price died in 1953.

    It’s an exciting time to be alive. Who knows what other musical riches are out there, undervalued in their time, awaiting rediscovery?

    Anderson sings “My Soul’s Been Anchored in the Lord”

    Price’s Symphony No. 1 in E minor

    Lincoln Memorial Concert

  • Solar Eclipse Playlist: Music Inspired by Sun Moon Stars

    Solar Eclipse Playlist: Music Inspired by Sun Moon Stars

    The last solar eclipse I viewed was on August 21, 2017 – just before a live air shift, as a matter of fact, so I thought why not share the playlist?

    Oh hell, I’ll share the related Facebook post for that day, as well, with the playlist to follow. I hope it inspires you. Remember not to gaze directly at the sun without your special glasses, and enjoy the flooded earthquake Devil Comet eclipse!


    If anything, once we’ve all damaged our retinas trying to view today’s solar eclipse, we’ll have developed a heightened appreciation for our remaining, unimpaired sense of hearing. Bask in the warm afterglow of today’s syzygy by joining me on [REDACTED] for a playlist curated from a wide repertoire of works inspired by the sun, the moon, and the heavens.

    Highlights will include “Hymn to the Sun” from Pietro Mascagni’s opera “Iris,” ballet music from Jacques Offenbach’s operetta “Voyage to the Moon,” Kenneth Fuchs’ horn concerto “Canticle to the Sun,” reflective of St. Francis of Assisi’s appreciation of Brother Sun and Sister Moon, and George Frideric Handel’s “Total Eclipse” from the oratorio “Samson.” There will also be musical responses to the mythological figures of Apollo (the sun god), Helios (the personification of the sun), and Phaeton (Helios’ son, ill-equipped to handle his father’s blazing chariot).

    Make us the bright spot of your day, as we celebrate the eclipse, from 4 to 7 pm EDT, on [REDACTED] and [REDACTED].org.


    CLASSICAL MUSIC WITH ROSS AMICO, 8/21/2017

    4:00 PM

    ALSO SPRACH ZARATHUSTRA: SUNRISE
    COMPOSER: Richard Strauss
    ENSEMBLES: Boston Symphony Orchestra
    CONDUCTOR: Seiji Ozawa

    4:03 PM

    SUNRISE SERENADE
    COMPOSER: Aulis Sallinen
    ENSEMBLES: Finnish Chamber Orchestra
    CONDUCTOR: Okko Kamu

    4:11 PM

    HELIOS OVERTURE
    COMPOSER: Carl Nielsen
    ENSEMBLES: Philadelphia Orchestra
    CONDUCTOR: Eugene Ormandy

    4:22 PM

    SAMSON (Act I, SCENE 2): TOTAL ECLIPSE
    COMPOSER: George Frideric Handel
    ENSEMBLES: The English Concert
    SOLOIST: Mark Padmore, tenor

    4:29 PM

    HOROSCOPE
    COMPOSER: Constant Lambert
    ENSEMBLES: BBC Concert Orchestra
    CONDUCTOR: Barry Wordsworth

    5:02 PM

    PHAÉTON
    COMPOSER: Camille Saint-Saëns
    ENSEMBLES: Pittsburgh Symphony Orchestra
    CONDUCTOR: Lorin Maazel

    5:11 PM

    SYMPHONY NO. 2 in D MAJOR “THE FALL OF PHAETON”
    COMPOSER: Karl Ditters von Dittersdorf
    ENSEMBLES: Prague Chamber Orchestra
    CONDUCTOR: Bohumil Gregor

    5:32 PM

    LE COQ D’OR: HYMN TO THE SUN (rec. 1947)
    COMPOSER: Nikolai Rimsky-Korsakov
    ENSEMBLES: Orchestra
    SOLOIST: Lily Pons, soprano

    5:38 PM

    CANTICLE TO THE SUN
    COMPOSER: Kenneth Fuchs
    ENSEMBLES: London Symphony Orchestra
    SOLOIST: Timothy Jones, horn

    6:02 PM

    IRIS: HYMN TO THE SUN
    COMPOSER: Pietro Mascagni
    ENSEMBLES: Bavarian Radio Chorus; Munich Radio Symphony Orchestra
    CONDUCTOR: Giuseppe Patané

    6:12 PM

    VOYAGE TO THE MOON: BALLET OF THE SNOWFLAKES
    COMPOSER: Jacques Offenbach
    ENSEMBLES: Philharmonia Orchestra
    CONDUCTOR: Antonio de Almeida

    6:25 PM

    APOLLO
    COMPOSER: Igor Stravinsky
    ENSEMBLES: Columbia Symphony Orchestra
    CONDUCTOR: Igor Stravinsky

    6:55 PM

    ESTRELLITA (LITTLE STAR)
    COMPOSER: Manuel Ponce
    SOLOIST: Aaron Rosand, violin; John Covelli, piano
    ALBUM: Heifetz Transcriptions

  • April Enchantments: Music for Spring Showers

    April Enchantments: Music for Spring Showers

    With so much rain falling over the past week (at least in Princeton, NJ, and Eugene, OR), it’s useful to remember that April showers bring May flowers. Not that rain doesn’t bring its own consolations, at least when you’re Classic Ross Amico.

    This week on “Sweetness and Light,” we’ll start your day with no less than three works that bear some relation to Elizabeth von Arnim’s lightest and most ebullient novel, “Enchanted April” – including a substantial suite from the score to a 1991 film version, by Richard Rodney Bennett. If you’re wondering what that otherworldly timbre is, it’s an electronic instrument called the ondes Martenot.

    In addition, there will be a couple of April fools: John Foulds (we’ll hear his buoyant “April – England,” alone worth the price of admission) and Billy Mayerl (his energetic piano miniature “April’s Fool”).

    T.S. Eliot wrote that April is the cruelest month. American composer Rick Sowash wouldn’t necessarily disagree, as we’ll note in his tuneful, though undeniably bittersweet Clarinet Trio No. 2, subtitled “Enchantement d’avril.” (That’s right, “Enchanted April.”)

    The clouds will part for Trevor Duncan’s light music classic, “Enchanted April,” the very thing to chase away the blues.

    While surely into each life some rain must fall, we’ll be holding out a bright umbrella and a cup of cheer, when you tune in for a playlist of April enchantments on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/


    IMAGE: “Enchanted April” by Robert LaDuke, an artist who’s new to me, but I love his retro vibe!

    https://www.meyergalleries.com/artist/robert-laduke

  • It Came From Outer Space 4th Anniversary

    It Came From Outer Space 4th Anniversary

    It came from outer space? Shouldn’t it be “they?” As in, more than one?

    Or perhaps “Them!,” as the film shares a desert setting with that post-atomic-colossal-ants-run-amok milestone.

    But who are we to quibble over grammar, when our aim is to party like it’s 1953?

    I hope you’ll join us for a special FOURTH ANNIVERSARY CELEBRATION of Roy’s Tie-Dye Sci-Fi Corner and a no-doubt-slightly-tipsy discussion of “It Came from Outer Space.”

    This is just about the quintessential 1950s sci-fi flick, replete with theremins, bug-eyed monsters, and shrieking heroines, all presented in eyepopping 3-D. The film was released the same year as “The War of the Worlds” and “Invaders from Mars.” Clearly, there were some serious anxieties churning beneath the veneer of post-war prosperity.

    Ray Bradbury came up with the story, in which liberal and conservative ideologies strike sparks and everyone is suspect, and Jack Arnold directed. Arnold brought his share of young couples closer with such subsequent drive-in fare as “Creature from the Black Lagoon” (1954), “Tarantula” (1955), and “The Incredible Shrinking Man” (1957).

    You know you’re watching a 1950s science fiction movie when it opens with the protagonist, an amateur astronomer and confirmed bachelor, enjoying a night in the desert by candlelight, before a crackling fire, in his tweed jacket with patches on the elbows, smoking his pipe, with his impeccably-dressed, devoted girlfriend at his side. Talk about enjoying all your pleasures at once! But for our astronomer-Adam, it just isn’t enough; so he goes in search of the forbidden fruit of a super-meteorite that crashes among spiders and Joshua trees within range of his telescope.

    And what do you know, in a movie full of scientists, who should turn up but the Professor from “Gilligan’s Island!”

    Technically, I wasn’t brought aboard the sci-fi flagship until June 2020, but Roy broke the champagne bottle across the bow on April 3, launching a virtual life raft for a worldwide community of housebound science fiction lovers. I’m honored to participate in this fourth-anniversary celebration of “Roy’s Tie-Dye Sci-Fi Corner” – also serving as a memorial of sorts for actress Barbara Rush, who died on March 31st.

    You just know the discussion will exceed the 80-minute running time of the actual movie. Bring your clashing values to the comments section and be sure to have a libation on hand, as we reminisce about Covid, camaraderie, and “It Came from Outer Space.” It will be one meaty meteor, when we livestream on Facebook, YouTube, etc., this Sunday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

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