When heat index values crest 100, nothing is as refreshing, it seems, as a nice swim. But spare a thought for what lurks beneath. This week on “Picture Perfect,” we’ll think twice about heading into the water with an hour of music from movies featuring aquatic traumas.
“Beneath the 12-Mile Reef” (1953) stars Robert Wagner, Terry Moore, and Peter Graves in a Romeo and Juliet story about two families of competing fishermen along the Gulf coast of Florida, one working class and of Greek origin, and the other a family of privileged WASPs. Gilbert Roland is the Greek patriarch who runs afoul of an improbably large octopus. Bernard Herrmann wrote the music, which employs no fewer than nine harps (one for each arm, and a spare).
A young Henry Mancini was one of three composers to work on “Creature from the Black Lagoon” (1954). Mancini, soon to be world famous for “Moon River,” “Baby Elephant Walk,” and “The Pink Panther,” was teamed with veteran film composer Hans J. Salter and Herman Stein. None of the three were credited on screen – typical of what was then considered just another low-budget B-movie.
What can I say about John Williams’ masterful music for “Jaws” (1975)? It’s right up there with “Psycho” and “The Good, the Bad and the Ugly,” in terms of most recognized and most frequently parodied. Everyone remembers the primal shark theme, but what is sometimes overlooked is that “Jaws” is also one of the great adventure scores, the music effortlessly navigating the choppy waters of suspense, horror, and seafaring swashbuckler. The composer was recognized with a richly-deserved Academy Award (his second of five).
The conflict in “The Swimmer” (1968) is not a giant octopus, nor a great white shark, nor a prehistoric gill man, but rather the progressive psychological breakdown of an upper middle class Connecticut man who believes he’s living the American Dream.
Adapted from a short story by John Cheever, “The Swimmer” stars Burt Lancaster as the man, who acts on a quixotic impulse to travel all the way home, across county, by way of a network of suburban swimming pools. The adventure starts out well enough, with Lancaster and everyone he encounters full of optimism and fun; but the further he moves along his allegorical journey, the more the enterprise, the climate, and the people begin to grow cold.
“The Swimmer” is a decidedly downbeat tale which could make the viewer as reluctant to dip a toe into a chlorinated in-ground swimming pool as the shark-infested waters of Peter Benchley’s Amity Beach. The score is by Marvin Hamlisch, of all people, and it suits the film brilliantly.
Better stick to the bath. Dreams of aquatic refreshment are all wet this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!
Keep in mind, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):
PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)
THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)
Stream them here!
https://kwax.uoregon.edu/
PHOTO: “Farewell and adieu to you, fair Spanish ladies…”
