Category: Daily Dispatch

  • Agathe Backer Grøndahl 175th Anniversary

    Agathe Backer Grøndahl 175th Anniversary

    Today is the 175th anniversary of the birth of Norwegian pianist and composer Agathe Backer Grøndahl. Backer, from a well-to-do, art-loving family, studied music in Christiana, Berlin, and Florence. Among her teachers were Theodor Kullak and Hans von Bülow.

    She made her professional debut in Christiana in 1868, as soloist in Beethoven’s “Emperor” Concerto, with Edvard Grieg on the podium. Of course, she was also a celebrated interpreter of Grieg’s own piano concerto. In fact, the two artists enjoyed a close friendship. She was also guided by Ole Bull, the famed Norwegian violinist, who recommended teachers and had a special piano constructed for her.

    In 1873, she became part of Franz Liszt’s circle at Weimar, and she took lessons with him. She herself was to become an influential teacher. George Bernard Shaw praised her as one of the greatest piano virtuosos of the century.

    She married Olaus Andreas Grøndahl, a vocal teacher, in 1875. A mother of three, Backer Grøndahl yet managed to compose more than 400 works for piano, voice, and orchestra. Over 70 of these were published in her lifetime. She died in 1907 at the age of 59.

    Her sister was the painter Harriet Backer.


    Sara Aimée Smiseth talks about and plays Agathe Backer Grøndahl. Smiseth recorded an album of Grøndahl’s works for the Grand Piano label.

    Geir Henning Braaten plays Grøndahl’s 3 Morceaux, Op. 15. The opening “Serenade” is among her most frequently performed works.

    Lubov Timofeyeva plays a Grøndahl assortment

    More about Grøndahl’s sister, Harriet Backer

    https://www.norwegianamerican.com/harriet-backer-a-gifted-determined-artist/


    PHOTOS: Agathe Backer Grøndahl, top, and at center, at an 1898 music festival in Bergen. To her left (our right) are some of the most famous names in Norwegian music: Edvard Grieg, Christian Sinding, Johan Svendsen, and Johan Halvorsen.

  • Stravinsky’s Agon A Ballet Masterpiece

    Stravinsky’s Agon A Ballet Masterpiece

    Forget Balanchine’s “The Nutcracker,” with its insipid candy cane hula hoops. This is the one to beat!

    Stravinsky’s “Agon” was first staged by Balanchine’s New York City Ballet (co-founded with Lincoln Kirstein) on this date in 1957. The first performance of the music alone took place at UCLA’s Royce Hall earlier in the year, on June 17th, on a 75th birthday concert for the composer, less than two months after Stravinsky completed the work. Stravinsky’s assistant, Robert Craft, conducted. The next day, the composer himself led the sessions for the work’s first recording.

    “Agon” is Greek for “contest,” but it also implies “anguish” or “struggle.” The ballet has no story, but consists of a series of dance movements. Groupings of dancers interact in pairs, trios, quartets, etc. A number of the movements are based on 17th-century French court dances – sarabande, galliard, bransle – but Stravinsky reinterprets them in his own distinctive up-to-date manner. The twelve-tone music is as flirty as anything displayed in the choreography.

    I’m no balletomane, but the first time I saw it danced, I knew it was genius.

    Stravinsky conducts an excerpt from “Agon”

    Some danced selections

    Maria Kowroski shares her insights

    The complete ballet, seen from a fixed position. Suzanne Farrell, a Balanchine muse, founded her own company at the Kennedy Center in 2000.

    A 1960 performance with the New York City Ballet

    Of course, watching it on video is not the same as experiencing it in the theater.

    I love “The Nutcracker,” but I can’t stand this: it takes a lot to spoil the “Russian Dance,” but Balanchine found a way!


    PHOTO: Balanchine and Stravinsky, center, during rehearsals for “Agon”

  • Apollo 8 Earthrise Inspires NJ Concert

    Apollo 8 Earthrise Inspires NJ Concert

    With the inauguration of the James Webb Space Telescope and the launch of Artemis I, NASA is back on top of the news cycle. Images of the Earth from space recall the wonder experienced by the astronauts of Apollo 8, 54 years ago. The Christmas Eve mission was the first to send humans to orbit the moon and return safely to Earth. “Earthrise,” a photograph taken from the capsule by William Anders during lunar orbit, is one of the most iconic ever taken.

    Kile Smith’s 35-minute choral work, “The Consolation of Apollo,” sets the actual words of the Apollo 8 astronauts, framed by selections from “The Consolation of Philosophy,” writings by the 6th century philosopher Boethius. The juxtaposition of Apollo, mythical charioteer of the sun, with Apollo 8, the manmade spacecraft bearing his name, each traversing the skies of their respective eras, can’t help but inspire a kind of awed reflection on what humanity is capable of achieving.

    Smith’s piece will receive a unique performance on a concert by The LOTUS Project, which will be presented at the Planetarium at the New Jersey State Museum in Trenton this Saturday at 7 p.m.

    You can read more about it in my article in the Princeton weekly U.S. 1, in vending machines and online today.

    https://www.communitynews.org/princetoninfo/coverstories/cool-christmas-concert-gets-planetarium-lift-off/article_ab5f507a-6fe9-11ed-8b0b-7f0faa84849a.html

  • Donizetti Birthday Opera Swordfight!

    Donizetti Birthday Opera Swordfight!

    More swordfights in opera, please!

    On Gaetano Donizetti’s 225th birthday, here’s Mario Filippeschi as Edgardo in “Lucia di Lammermoor,” taking on multiple opponents with ease. He even pushes over a candelabra.

    It all starts with “Chi mi frena”:

    The film adaptation was made in 1946. On this particular print (likely transferred from video), the soundtrack is a little out of alignment. A minor distraction. Why is it not available on DVD?

    Put this guy in a room with Errol Flynn and Stewart Granger!

    Here’s the complete film, a little darker, but not as fuzzy. The clip above starts around 1 hour and 1 minute in.

    There are no subtitles, unfortunately. But isn’t it about time you brushed up on your Italian, anyway?

    Buon compleanno, Donizetti!

  • Giving Tuesday Animal Charity Thanksgiving

    Giving Tuesday Animal Charity Thanksgiving

    The second half of Thanksgiving is giving. I hope, if you’re in a position to do so, you will donate to a charitable cause of your choice this Giving Tuesday. And I especially hope you will remember all the animals who, for good or for ill, are subject to man’s whims. Wherever you decide to give, may it be to a cause that tries to make the world a better place, or a kinder one.

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