Category: Daily Dispatch

  • Isaac Stern a Centennial Celebration

    Isaac Stern a Centennial Celebration

    A not-so-stern birthday observance for Isaac Stern, born 102 years ago today. The great violinist’s hands can be seen in the film “Humoresque” (1947), whenever John Garfield’s character “plays.”

    Franz Waxman’s “Carmen Fantasie,” written for the film, took on a life of its own. Not surprisingly, Stern remained a champion of the piece.

    He also appeared on the soundtrack of the film version of “Fiddler on the Roof” (1971), playing John Williams’ arrangements. No doubt his contributions helped Williams earn his first Oscar.

    A decade later, a documentary about his trip to China, “From Mao to Mozart” (1979), won an Academy Award for Best Documentary Feature.

    https://www.youtube.com/watch?v=SlDJ2aE7iGs

    Of course, Stern’s impact ranged far beyond the silver screen. He was a prolific recording artist and kingmaker who held an enormous influence over other concert artist’s careers – many for the better, some for the worse.

    Most famously, he is credited with having saved Carnegie Hall from the wrecking ball in 1960. Sure, it cost New York a parking lot, but the city seems to have done all right without it.

    Happy birthday, Isaac Stern.


    The Istomin-Stern-Rose Trio in music by Franz Schubert

    Stern plays Bach

    Stern plays Barber

    Stern on “The Jack Benny Program”


    Stern in a photo inscribed to Carnegie Hall, ten years before he rescued it from demolition

  • Terje Isungset Ice Music Cool Sounds of Norway

    Terje Isungset Ice Music Cool Sounds of Norway

    It’s going to be another scorcher today. Think cool thoughts with the icy inspirations of Terje Isungset.

    Ice Music Festival, Geilo, Norway

    Ice Music 2018 (Växjö Concert Hall in Växjö, Sweden)

    Website with embedded video of world’s most northerly concert

    https://www.terjeisungset.no/

  • Déodat de Séverac Summer Music

    Déodat de Séverac Summer Music

    150 summers have passed since the birth of Déodat de Séverac. I suppose it’s only appropriate that the composer best known for “En vacances” be born in the season of vacations.

    Musically speaking, there are two types of getaways: (1) actual travel music, inspired by a journey to a particular locale; and (2) the flight of fancy, a vacation of the creative mind. Either lends itself to compiling collections of miniatures, after the fashion, perhaps, of some of the great keyboard works of Robert Schumann.

    Séverac studied in Paris with Vincent d’Indy and Albéric Magnard. He also acted as an assistant to Isaac Albéniz, whose character pieces certainly influenced some of his own evocative regionalisms for the keyboard.

    Séverac himself composed two sets of piano pieces, which he collected under the title “En vacances” (“On Vacation”). The second of these, sadly, was left incomplete at the time of his death at the age of 48.

    These sketches suggest the experiences of his children, Mimi and Toto, in particular, with individual movements titled “Invocation to Schumann,” “Grandmother’s caresses,” “Visit from the little girls next door,” “Toto pretends to be a verger,” “Mimi dresses up as a Marquise,” “In the park,” “On listening to a musical box,” and “Romantic Waltz.”

    Enjoy both sets, performed here by Aldo Ciccolini:

    Happy birthday, Déodat de Séverac, born 150 years ago!


    PHOTO: For Déodat de Séverac, a good smoke is like a vacation

  • Fernande Decruck Rediscovered Harp Concerto

    Fernande Decruck Rediscovered Harp Concerto

    I heard this on the radio yesterday, and I think it’s terrific.

    Fernande Decruck, born on Christmas Day, 1896, is best-known, if at all, for her works for the saxophone. She composed over 40 pieces for the instrument. Playing piano from the age of 8, she attended the Toulouse Conservatory. She was then accepted into the Paris Conservatory, beginning in 1918. There, she studied organ and composition. Her mastery of the instrument led to a concert tour of the U.S.

    In 1928, Decruck and her husband, Maurice, moved to the United States with their young family. Maurice played clarinet and saxophone and was appointed principal bassist with the New York Philharmonic. He would return to France in 1932 to become a music publisher. At home, he established Les Editions de Paris. Fernande rejoined him there in 1933. She then found work as a professor at the Toulouse Conservatory. She lived in Toulouse with her three children, while Maurice remained in Paris.

    In 1942, she returned to the capital, where many of her works were performed. After years of separation, the Decrucks finally divorced in 1950. Fernande died of a stroke in 1954. She was 57 years-old.

    Her Harp Concerto was given its first performance on a program of the Concerts Colonne in 1946. Pierre Jamet was the soloist (and its dedicatee), and the orchestra was conducted by Paul Paray. Also on the program was Schumann’s “Manfred Overture” and Berlioz’s “Symphonie Fantastique.”

    The concerto received favorable notices, then promptly faded into obscurity. It was recorded this year and released on Claves Records, thanks to the Jackson Symphony Orchestra, of Jackson, Michigan, as part of the organization’s Equal Billing Project. The project supports and records works by composers who weren’t equally billed or adequately recognized in their lifetimes. A laudable endeavor. You can learn more about it here:

    Equal Billing Project

    I’ll be placing my order for Fernande Decruck’s concertante works today!

    Enjoy the first movement of the Harp Concerto at the link:

  • Oskar Sala Google Doodle Celebrates Electronic Music Pioneer

    Oskar Sala Google Doodle Celebrates Electronic Music Pioneer

    Oh my! This is a surprise. Oskar Sala gets a Google Doodle for his 112th birthday!

    Sala was a physicist and electronic music pioneer, who promoted and developed an instrument called the Trautonium (later the Mixtur-Trautonium), a precursor to the synthesizer. He also worked with composer Bernard Herrmann to create the unsettling sound design for Alfred Hitchcock’s “The Birds,” a film without a musical score. Note the inclusion of two birds (ravens?) in the doodle.

    Sala died in 2002 at the age of 91. Keep an eye out for him, should you wind up doing a Google search today!


    Sala plays his Mixtur-Trautonium

    https://www.youtube.com/watch?v=-tQQEChMq1A

    As soloist in Harald Genzmer’s Trautonium Concerto

    More about this unusual instrument

    https://120years.net/wordpress/the-mixturtrautonium-oskar-sala-germany-1936/

    Sala’s sound design enhances “The Birds”

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