Category: Daily Dispatch

  • Christmas Roses Distler and Waldteufel

    Christmas Roses Distler and Waldteufel

    This Sunday night on “The Lost Chord,” we present a Christmas bouquet of sorts.

    Hugo Distler’s “Die Weihnachtsgeschichte” (“The Christmas Story”), from 1933, is an otherworldly, a cappella masterpiece, punctuated by seven variations on the carol “Es ist ein Ros entsprungen” (“Lo, how a Rose e’er blooming”). Over the course of some 40 minutes, the work reinvents the Baroque Christmas cantata, after the manner of Heinrich Schütz, and does so quite beautifully, conjuring the calm and quiet of a bygone era. The composer described the piece as “an oratorio with chamber music character.”

    Unfortunately, Distler’s life proved anything but calm. A man of conscience, he yet remained in Nazi Germany. He joined the Party with reluctance, when he realized his employment at the Lübeck Conservatory hinged on his doing so. Nevertheless, it did not smooth his path. The war separated him from his family, robbed him of many of his friends, and battered his psyche with nerve-wracking aerial assaults. Job pressures and fear of being conscripted into the German army further contributed to his anxiety.

    Furthermore, his devotion to sacred music put him at odds with the authorities, who were intent on twisting the Lutheran Church to its own ends. The Nazis wound up branding Distler’s works “entartete,” or “degenerate.” Unable to reconcile the irreconcilable – serving both God and the Nazis – one day he pushed his bed into the kitchen and turned on the gas, committing suicide in 1942. He was 34 years-old.

    Emil Waldteufel, by contrast, enjoyed much success and happiness. Although he was nearly 40 by the time he achieved international fame, his waltzes had long been a mainstay of Paris society during the Second Empire. It was the Prince of Wales – the future King Edward VII – who introduced him to London, where his music came to dominate Queen Victoria’s state balls at Buckingham Palace. One of his best-known works, “Les Patineurs” (“The Skaters’ Waltz”) was introduced there in 1882.

    For our purposes, we’ll round out the hour with one of Waldteufel’s most successful waltzes from the other end of the decade, “Roses de Noël.”

    The holidays are in bloom this week. I hope you’ll join me for “Christmas Roses,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Classic Christmas TV Specials Music

    Classic Christmas TV Specials Music

    TV or not TV?

    This week on “Picture Perfect,” we’ll think inside the box, with music from classic Christmas television specials.

    “The Snowman” (1982), based on the picture book by Raymond Briggs, is about boy whose snowman comes to life and whisks him away on a journey to the North Pole. The show became enormously popular in the UK and through occasional showings on U.S. television. It was nominated for an Academy Award for Best Animated Short. Like the book, the film is wordless, using animation and music to tell its story, with the exception of an enchanting interlude, known as “Walking in the Air,” which employs a boy treble. “Walking in the Air” is easily the best-known music by Howard Blake.

    The television film “The Homecoming” (1971) stars Patricia Neal and Richard Thomas in a heart-warming story about a rural family Christmas in 1933. Written by Earl Hamner, the film’s success spawned the television series “The Waltons.” Jerry Goldsmith wrote the music. He would return to work on “The Waltons” – though as of “The Homecoming,” he had yet to write the show’s indelible theme.

    An adaptation of Charles Dickens’ “A Christmas Carol” (1954) was the subject of a special episode of the anthology series “Shower of Stars.” Fredric March plays Ebenezer Scrooge, and Basil Rathbone is Jacob Marley’s ghost. But it is Ray Middleton, who appears as both Scrooge’s nephew and the Spirit of Christmas Present, who is given arguably the show’s most memorable tune, “A Very Merry Christmas.” The teleplay and lyrics are by Maxwell Anderson, and the music is by Bernard Herrmann!

    Finally, Christmas time is here, happiness and cheer, with “A Charlie Brown Christmas” (1965). We’ll hear the Vince Guaraldi Trio perform selections from this most beloved of Christmas classics.

    For once, the snow has nothing to do with your television reception. I hope you’ll join me for a cookie plate full of classic Christmas specials, on “Picture Perfect,” this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Twilight Zone Christmas & Santa vs Devil Discussion

    Twilight Zone Christmas & Santa vs Devil Discussion

    Roy and I were in the “Zone” last night – “The Twilight Zone,” that is – for our discussions of both Rod Serling’s “Carol for Another Christmas” and “The Night of the Meek.” In case you missed it, the show’s been archived.

    We’ll revisit Serling’s “middle ground between light and shadow” on New Year’s Day.

    In the meantime, so as not to conflict with your Christmas Eve, next week we’ll convene a day earlier than usual. So be sure to have plenty of scotch tape on hand – or perhaps just scotch – as we finish up our giftwrapping to a merry conversation about “Santa Claus vs. The Devil” (1959).

    If you think we were punchy last night, wait until we’re ladling out the wassail. Meet us under the mistletoe – WAY under the mistletoe – for the next Roy’s Tie-Dye Sci-Fi Corner. Leave your souls in the comments section, as we livestream on Facebook, this THURSDAY EVENING AT 7:30 EST. Happy holidays!

    https://www.facebook.com/roystiedyescificorner

  • Saturnalia Ancient Rome’s Wild Winter Festival

    Saturnalia Ancient Rome’s Wild Winter Festival

    December 17. Io Saturnalia!

    In keeping with winter solstice tradition, it is a day to visit friends and bear gifts, especially candles. Schools are closed. Courts are not in session. Oh yeah, there’s also a sacrifice to Kronos (a.k.a. Saturn) and a riotous feast with benefits.

    On this most popular holiday to emerge from Ancient Rome, the social order is inverted and strictures are loosened. Slaves are served by their masters. Gambling is permitted in public. There is drinking, noise, mirth, and wantonness. The populace is showered with figs, nuts, and dates, women fight in the arena, and cranes are hunted by dwarfs. In short, it’s an old-fashioned Christmas, before there was even such a thing as Christmas. Hey, if the Flintstones can celebrate the birth of Jesus, why not?

    In the interest of converting rather than alienating, Christianity kept the candles, but frowned on the orgies, or at least looked the other way. But Saturnalia traditions continued to be practiced down the centuries, as evidenced in the medieval Feast of Fools, in the Victorian revival of gift-giving, in the lighting of candles, and in the eating, drinking, singing, and dancing.

    Saturnalia, at its peak, was practiced through December 23. Wishing you and yours a merry one!


    As you set the table for Saturn, here’s John Ireland’s “Satyricon Overture:”

  • Serling’s Christmas Carol Twilight Zone on Friday

    Serling’s Christmas Carol Twilight Zone on Friday

    Serling’s surly Sterling is at the wounded heart of “Carol for Another Christmas” (1964). Sterling Hayden plays Daniel Grudge, a 20th century counterpart to Ebenezer Scrooge, in Rod Serling’s update of Charles Dickens’ “A Christmas Carol.”

    A damaged Grudge, who suffered a personal loss during World War II, now adheres to a selfish doctrine. He shuns cultural exchange programs, humanitarian aid, and diplomacy (advocated by his nephew, Fred), in favor of isolationism, “America first,” and nuclear escalation. Three spirits – played by Steve Lawrence, Pat Hingle, and Robert Shaw – offer him a chance to connect with his humanity. The all-star cast also includes Ben Gazzara, Percy Rodriguez, Eve Marie Saint, James Shigeta, and Peter Sellers.

    We’ll talk about it tonight, alongside one of Serling’s classic “Twilight Zone” episodes, “The Night of the Meek” (1959). Art Carney plays a disillusioned department store Santa, for whom a chance discovery restores meaning to his life – and the spirit of the season for everyone he encounters.

    We’ll be hanging our stockings with care for a Rod Serling double-bill, on the next Roy’s Tie-Dye Sci-Fi Corner. Leave your lumps of coal in the comments section, as we livestream on Facebook, this FRIDAY EVENING AT A SPECIAL TIME, 7:30 EST.

    https://www.facebook.com/roystiedyescificorner

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