Category: Daily Dispatch

  • Willy Wonka Wild Ride Tie-Dye Sci-Fi

    Willy Wonka Wild Ride Tie-Dye Sci-Fi

    There’s no earthly way of knowing
    Which direction we are going…

    Get ready for a wild ride with Gene Wilder, as Roy and I explore “Willy Wonka and the Chocolate Factory” (1971). The beloved family musical, very much a product of its time, offers a perverse world of umbrella mushrooms, tea cup daffodils, and psychedelic steamboat rides, reflective of its merry prankster ethos.

    Leave your comments next to the snozzberries, then climb aboard the Wonka Mobile for a quick cleanse. The Candy Man promises a groovy lemon pie – ‘cause he mixes it with love and makes the world taste good.

    Oompah-Loompahs are the new orange, on the next Roy’s Tie-Dye Sci-Fi Corner. Don’t sell-out to Slugworth, as we live-streamed on Facebook, this Friday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner/

  • MacDowell’s Birthday Fireside Tales & Wild Rose

    MacDowell’s Birthday Fireside Tales & Wild Rose

    The American pianist and composer Edward MacDowell was born on this date in 1860. Why not cozy in for his “Fireside Tales?”

    Of course, MacDowell’s best-known music would be the old chestnut “To a Wild Rose,” from his “Woodland Sketches.”

    Earl Wild performs MacDowell’s Piano Concerto No. 2. The composer’s admiration for Grieg (as well as Saint-Saëns and Liszt) is evident:

    Happy birthday, Eddie.

  • Musical Stocking Stuffers A Movie Christmas

    Musical Stocking Stuffers A Movie Christmas

    This week on “Picture Perfect,” join me for an hour of musical stocking stuffers.

    We’ll begin with selections from “Miracle on 34th Street,” from 1947. Maureen O’Hara, Natalie Wood, and Edmund Gwenn star. Gwenn won an Academy Award for his portrayal of Kris Kringle. Cyril J. Mockridge’s alternately bustling and sentimental score employs “Jingle Bells” as its Santa motif.

    Then, drawing from the countless adaptations of Charles Dickens’ “A Christmas Carol,” we’ll turn to a 1938 version, featuring Reginald Owen as Scrooge. Franz Waxman’s music draws on traditional carols and, when Scrooge undergoes his Christmas morning transformation, a sly riff on Georges Bizet’s “Jeux d’enfants.”

    For those who enjoy a little carnage with their Christmas, we’ll also hear selections from “Home Alone.” The 1990 film, in which diminutive Macaulay Culkin subjects would-be burglars Joe Pesci and Daniel Stern to a battery of cartoon violence, features a candy-coated score by John Williams.

    There are those who consider “Ben-Hur” to be among the greatest film scores of all-time. From Miklós Rózsa’s work on the 1959 Oscar champ, we’ll hear music from the film’s opening Nativity sequence.

    Then, Cary Grant plays an angel who answers the prayers of David Niven, attempting to raise funds for a new cathedral, in “The Bishop’s Wife.” Along the way, Grant also happens to fall for Lauretta Young. Monty Woolley, Elsa Lanchester, and James Gleason add to the whimsy. This charming 1947 romantic fantasy sports a memorable score by Hugo Friedhofer.

    Finally, any sentiment in “The Holly and the Ivy,” from 1952, is hard-earned. Ralph Richardson plays the clueless patriarch of a troubled family, a village parson more concerned with his parishioners than those living under his own roof. When the family reunites for Christmas, longstanding frictions continue to wear, but they are gradually resolved. Malcolm Arnold’s score gives little hint of the film’s inherent drama. However, he does provide some boisterous arrangements of some familiar carols.

    I hope you’ll join me for a cinematic Christmas this week, on “Picture Perfect,” music for the movies. Yule be glad you did, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Willy Wonka Covid Hair Holiday Fun

    Willy Wonka Covid Hair Holiday Fun

    Gene Wilder had Covid hair before it was a thing, in “Willy Wonka and the Chocolate Factory” (1971). Join us this weekend, as Roy and I take wicked delight in Roald Dahl’s cautionary tale of greed, gluttony, and consumerism run amok. Just in time for Christmas!

    I know, it’s hard to conceive of a week without alien invasions, dystopias, or post-apocalyptic nightmares – but, hey! There’s television teleportation, a glass elevator rocket-launch, and Everlasting Gobstoppers. To borrow from the poster to “Robinson Crusoe on Mars,” “This film is scientifically authentic… It is only one step ahead of present reality!”

    It’s the perfect holiday movie to share with your kids. Watch it, and then take a psychedelic chocolate riverboat ride, on the next Roy’s Tie-Dye Sci-Fi Corner. The Oompa-Loompas will be manning the taffy-pulling machines, live-streamed on Facebook, this Friday evening at 7:00 EST.

    https://www.facebook.com/roystiedyescificorner/


    “Willy Wonka” not your cup of cocoa? Then tune in on Sunday, same Bat-time, same Bat-channel, when we’ll jawbone about Pia Zadora and “Santa Claus Conquers the Martians” (1964).

  • Rita Streich’s 100th & Forgotten Christmas Music

    Rita Streich’s 100th & Forgotten Christmas Music

    Today is the 100th anniversary of the birth of soprano Rita Streich. I’ve been listening to her recording of Josef Rheinberger’s “The Star of Bethlehem” a lot this year.

    Sadly, it’s the kind of music you don’t hear much on the radio anymore. Most of the grand and contemplative Christmas works (Franz Liszt’s “Christus,” Vaughan Williams’ “Hodie,” Saint-Saëns’ “Christmas Oratorio,” Casals’ “El Pessebre,” Charpentier’s “Messe de Minuit,” Respighi’s “Laud to the Nativity,” Schütz’s “Christmas Story”) – basically, those that aren’t “Messiah” – are slipping away, as playlists pander to an increasingly A.D.D. society. When the listenership is trained to expect little more than consumer-friendly arrangements of the less-demanding carols, and even Beethoven symphonies are broadcast less and less frequently in their entirety (except perhaps the shorter ones), what are you going to do?

    It all seems to have gone away so quickly.

    But of course, Streich sang the carols beautifully, too.

Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (136) Film Score (143) Film Scores (255) Halloween (94) John Williams (195) KWAX (229) Leonard Bernstein (103) Marlboro Music Festival (125) Movie Music (151) Mozart (88) Opera (208) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (108) Radio (88) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS